2010s More Prints

Visual poems, the works in Vicuña’s PALABRARmas series are carefully attuned to the power of language. Many of these works incorporate wordplay, and throughout her practice, Vicuña t...

Artist: Nikki Maloof Title: Dismemberment Size: 24 x 20 Inches Medium: Archival Pigment Print Edition: 3/25 Year: 2021 Notes: Hand Signed and Number...

A delicate dance of grey and pink. This one-of-a-kind Giclée print is a high-quality reproduction of an original artwork printed on archival paper. Hand painted strokes and embellish...

49 Via Dezza at Sunset, Gio Ponti Italian architecture photograph from Richard Heeps series A Short History of Milan. A Short History of Milan' began in...

The „Camel Print" represents a peaceful picture of an animal in the desert. Size: 34 x 24 inch Material: Coventry Rag 320gsm paper Medium: 6 colour silkscreen Edition of: 100 Signa...

David Shrigley, If You Don't Like Tomatoes, 2020 Off-set lithograph Unframed 60 x 80 cm (23.62 x 31.5 inches) Printed on 200g Munken Lynx paper by Narayana Press in Denmark Thi...

Archival Pigment Print Artifacts of homesteading era, Nebraska All available sizes & editions for each size of this photograph: 40" x 30” - Edition of 5 + 2 Artist Proofs 50" X 40"...

David Shrigley I am Happy, 2022 Offset lithograph on wove paper 19 7/10 × 27 3/5 in (50 × 70 cm) Edition of 250

Damien Hirst, The Currency set of 4 Prints (Yellow, Pink, Purple & Blue), 2022 Offset lithograph on thick semi-gloss poster paper of Damien Hirst's 35 × 23 2/5 in 88.9 × 59.4 cm

Santa Maria delle Grazie, religious icon church architecture interior photograph from Richard Heeps series A Short History of Milan. A Short History of Milan' began in November 20...

San Giovanni Stained Glass, brutalist architecture interior photograph from Richard Heeps series A Short History of Milan. A Short History of Milan' began in November 2018 for a s...

11.4in x 33.5in Unframed 9-layer screenprint on Somerset Tub Sized 600gsm paper. Finished with Individually signature, dated and numbered. For American conceptual artist Hank Willis...

'Brutalist Symphony', photograph by Richard Heeps from the London's Barbican Estate. There is a subtle beauty in the light and colour of this conceptual architectural photograph of t...

Hanging Out [2020] Limited Edition Abstract Screen Print on Paper Edition number 24 Image size: H:43 cm x W:43 cm Complete Size of Unframed Work: H:64 cm x W:62 cm x D:0.1cm Sold Unf...

Archival Pigment Print Street filled with bamboo shops All available sizes & editions for each size of this photograph: 40" x 30” - Edition of 5 + 2 Artist Proofs 50" X 40"- Editio...

The Mojo poster was part of VIP ticket packages for the tour. Artists: Shepard Fairey Bands: Tom Petty & The Heartbreakers Edition Details Year: 2010 Class: Fine Art Print Status: Official Tour Print Run: 175/250 Paper: Holographic Fine Art Foil Paper Size: 18 X 24 Markings: Numbered by the artist in black felt marker. Print measures 18X24 and is in perfect condition with no visible flaws. Any questions please let us know. Thank you Frank Shepard Fairey was born February 15, 1970 in Charleston, South Carolina, USA. Fairey's adolescence was shaped by the influences of punk-rock and skateboarding. In his teens, he began creating his own bootlegged clothing and skateboard decals featuring bands and brands he liked. Fairey’s early bootlegs were created because his generally conservative parents would not purchase the clothing he wanted. In 1986, he stumbled upon the Andre the Giant image for which he has become famous for, in a local newspaper. The image was selected when Fairey demonstrated to a friend how to make a stencil; it was modified slightly to include the meaningless caption “Andre the Giant has a Posse” and made into a sticker. The sticker was reproduced en masse and began to appear around Charleston as it spread through the skateboarding community. While the sticker had no inherent meaning, the public response varied from disregard to curiosity to out-right fear. Civic groups editorialized and theorized that the Andre image was affiliated with everything from a band to a hate group. Nevertheless, the stickers were considered vandalism and in time, Fairey would face numerous charges for defacing public property. Fairey's record includes 15 arrests as of March 2009, for defacing property as a result of his so called bombing campaigns. Fairey affixed the stickers on municipal properties nearly everywhere he went, and the Andre sticker was being seen in Boston and New York City, soon others procured the image and were encouraged to spread the campaign worldwide in the form of stickers, stencils and wheat-paste posters. Following high school, Fairey was accepted to the Rhode Island School of Design (RISD), where, with an interest in screen printing, he majored in illustration. In 1992, while still attending RISD, Fairey started Alternate Graphics, a mail order catalog business through which he could merchandise his own t-shirts, skateboards, posters and stickers. He also took small commercial illustration jobs to help supplement his income. Shortly thereafter, the Andre the Giant Has a Posse logo was shortened simply to Obey Giant. The Obey, for which Fairey has also become synonymous, is derived from the 1988 John Carpenter film They Live. In the film, aliens who appear as human, rule the governments and economies of the world while the humans are reduced to an unwitting, hypnotized slave-class. Themes from the film continue to appear in Fairey’s work. Over time, the Andre the Giant face was modified into a more simplified and streamlined appearance, reminiscent of Russian Constructivist/Rodchenko style Soviet propaganda posters of the 20th Century. In 1994, filmmaker Helen Stickler featured Fairey and his sticker phenomenon in her documentary: Andre the Giant has a Posse. The following year, Fairey started Subliminal Projects with the late Blaize Blouin, his friend and pro-skateboarder. Subliminal Projects created and released several Obey-Giant themed posters and skateboard decks. Fairey directed a short skateboarding film featuring some of his friends through Subliminal Projects and Alternate Graphics titled A.D.D.(Attention Deficit Disorder). In 1996, Fairey moved to San Diego, California to create Giant Distribution with partner Andy Howell. Later, with Howell, Phillip De Wolff, Dave Kinsey, he formed First Bureau of Imagery (FBI), a branding, marketing and design firm established to focus on the increasingly lucrative sports market. FBI was closed in 1999 and Fairey, along with De Wolff and Kinsey created BLK/MRKT, similar to FBI. At this time, Fairey met and began working with Amanda Alaya, whom he would later marry. BLK/MRKT moved to Los Angeles in 2001. Here, they could expand and were able to incorporate a small gallery. Fairey and Kinsey eventually bought out De Wolff’s share of the partnership and by then had set up offices in the Pellissier Building (home of the historic Wiltern Theater), in the Koreatown section of Downtown Los Angeles. In December 2001, Fairey and Alaya were married in Charleston, South Carolina, Amanda has occasionally been the model for Fairey's prints (see: Commanda, 2007). Additionally, Amanda Fairey works in the capacity as publicist, agent and representative of her husband. In 2003, Kinsey and Fairey split. Kinsey retained the BLK/MRKT name and gallery, which he relocated to Culver City, California. Fairey retained the offices and most of the employees to create Studio Number One and the gallery was renamed Subliminal Projects. Studio No. 1 has since gone on to produce numerous memorable album covers, concert and film posters. In 2004, Fairey created the magazine Swindle with his old friend Roger Gastman. Swindle is a quarterly publication that features fashion, art, music and other pop-culture elements. During the 2004 presidential election, Fairey teamed up with artists Mear One...

Robert Indiana Four Seasons of Hope (Complete set of 4) Screen print on paper Edition of 125 Hand signed and numbered in pencil Mint condition in the original blue silk portfolio case

'Brutalist Symphony', photograph by Richard Heeps from the London's Barbican Estate. There is a subtle beauty in the light and colour of this conceptual architectural photograph of t...

A Milkshake Parlour in Wildwood, New Jersey, USA, where respect is paid to this classic American beverage as it takes centre stage surrounded by a shield draped either side by the Am...

FAILE Secret Seas, 2019 Acrylic, Silkscreen Ink on Lenox 100 Paper. (two sided) Hand Signed, titled, dated and numbered 6/250 (each unique) 25 × 19 inches Hand signed and annotated o...

Who doesn't say this sweet expression to their loved ones? That is the idea behind Joanie Landau's digital art, I Love You More Than. This artwork is printed on archival ink jet pape...

Disapproval of President Donald Trump’s comments following the deadly violence in Charlottesville, Virginia, has been widespread among both Republicans and Democrats. Many saw Trump ...

Banksy FCK PTN! Set of Six Ukraine Postage Stamps, 2023

RETNA X BTS Silkscreen Skateboard Edition of 100 2018 Limited edition Silkscreen on maple wood skateboard deck. 31 × 8 × 1 in 78.7 × 20.3 × 2.5 cm Edition of 100 Comes with Certifica...

The Connor Brothers, I tried to drown my sorrows but the bastards learned how to swim Lithograph in colours on thin paper from the edition of 520 27 3/5 × 19 7/10 in 70.2 × 50 cm

Delicate Cowparsley by Charlie Davies is a limited edition print made using real flowers and fauna from nature to make the etching plate. Part of the printmaking process that Charlie...

"I originally created this image in response to the terror attacks at the Bataclan and other parts of Paris in late 2015. At that terrible moment I wanted to create an image of support to show solidarity with Parisians and French people. Freedom, equality, fraternity – those are all things that I think democratic societies value. I intended for it to be interpreted and embraced by french people in a broad sense; however, I’d like to see those actions be meaningful. When I saw the attack on my mural and read some of the meaning behind it, I realized that it was done as a statement to oppose injustice. I side with people who oppose injustice, especially regarding human rights, and my beliefs in peace, harmony, and equality – all of which I work to embody through my art. If this image is used by people that don't incorporate those principles, I disapprove of that. I do not want this image to be hijacked for those who don't believe in its meaning. We're all part of shaping the world the way we want it to be and everyone should play their role, me included, in making sure that those terms are defined through action. That is why I am releasing a new version of the print that says, "actions are more important than words." If we do that properly, I think liberty, equality, and fraternity are all good things to keep in mind and continue to define in the most positive ways possible. For all the times those principles have been abandoned or have not been defined positively, I included a teardrop on Marianne. I believe in using my art to shed light on issues and support people who do work on the ground for those issues. I hope that this image's best intention can be realized as we work towards a better future." -Shepard Fairey Materials Fine Art Cream Speckletone Paper Size 36 × 24 in 91.4 × 61 cm Rarity Open edition Medium Print Condition Print is in pristine condition and has been stored flat since purchase. Signature Hand-signed by artist, Hand signed and dated by the artist Shepard Fairey, 2021. Certificate of authenticity Included (issued by gallery) Frame Not included Publisher Obey Giant Studio...

Poema tonal: Ah Tlamiz, de Nezahualcóyotl Serigrafía y hoja de oro sobre panel de MDF.

ICES, by Richard Heeps, photographed at the British Seaside at the end of summer 2020. This artwork is about evoking memories of the simple joy of days by the beach. The bold yellow ...

David Shrigley, Get Your Thoughts In Order, 2022 Off-set lithograph Open edition, unframed 50 x 70 cm (19.68 x 27.55 in) Printed on 200g Munken Lynx paper
Narayana Press in Denmar...

RETNA X BTS Silkscreen Skateboard Edition of 250 2018 Limited edition Silkscreen on maple wood skateboard deck. 31 × 8 × 1 in 78.7 × 20.3 × 2.5 cm Edition of 250 Comes with Certifica...

This Wetland Powers print examines the repercussions of a Supreme Court largely in the pockets of big oil. Government is supposed to create the greatest good f...

Banksy, ПТН ПНХ! (FCK PTN!)- Ukraine Stamp and Postcard, 2023 offset lithographic postcard with stamp and inkstamp from the unnumbered edition of 1,000 issued by The National Post O...

JR Wombat Portfolio and Print Stamp-dated, numbered and hand-assembled The Wombat box No. 37 is a special Edition made with JR for the occasion of his new exhibition MOMENTUM at La ...

David Shrigley, You Are Too Close, 2019 Off-set lithograph Open edition, unframed 60 x 80 cm (23.62 x 31.5 inches) Printed on 200g Munken Lynx paper by Narayana Press in Denmark...

Homage to the little black dress. Chic and understated, this giclée print is enriched with added hand painted elements giving the print its own unique outcome. The special edition, o...

David Shrigley, He Will Only Eat Squid Ink Pasta, 2019 Off-set lithograph Open edition, unframed 60 x 80 cm (23.62 x 31.5 inches) Printed on 200g Munken Lynx paper by Narayana Pre...

David Shrigley, Some Of My Best Friends Are Pigs, 2019 Off-set lithograph Open edition, unframed 60 x 80 cm (23.62 x 31.5 inches) Printed on 200g Munken Lynx paper by Narayana Pre...

Homage to the iconic Jimmy Choo Luxury Shoe. The fusion of digital and hand painted elements give this artwork distinct character and individuality. The one-of-a-kind Giclée print is...

Reviewing the photographs of Julie Blackmon, critic Leah Ollman of the Los Angeles Times wrote: “Each frame is an absorbing, meticulously orchestrated slice of ethnographic theater … that abounds with tender humor but also shrewdly subtle satire.” Blackmon is a native of Springfield, MO, and her photographs are inspired by her experience of growing up the oldest of nine children—including five sisters—in what she calls “a generic American town in the middle of the U.S.” In college, Blackmon was introduced to the work of artists Sally Mann, Diane Arbus, and Helen Levitt, and she describes herself as “obsessed” with their images. “When my three children were small,” she recalls, “we moved into an old house with a darkroom in the basement. Like any mother, I wanted to take pictures of my kids. But I didn’t want to be just the ‘mother photographer.’ I wanted my work to be more: more penetrating, more artful, more striking, more thoughtful, more a reflection of the times. “Over the next few years, I progressed from making documentary black and white photographs of my life and the lives of my sisters to creating colorful, fictitious images that offered a more fantastical look at everyday life. My work became more conceptual, as I began to realize that I was not obligated to capture “reality” exactly, but that I could work more like a painter or a filmmaker, actively shaping the images I was creating. This realization—that fiction can often capture the truth more memorably than reality—was a major shift in how I saw the world around me, and it transformed my work.” “It’s thrilling to see the most common aspects of everyday life as potential stories or themes for a photograph. It changes how you see things: suddenly, a Starbucks employee on a smoke break, or an outmoded beauty shop catering to an elderly clientele, can spark a memorable image. As Nora Ephron...

The definitive study of the work of KAWS, one of the most influential and much-loved forces in contemporary art and culture. This edition has been signed by KAWS. KAWS is one of the...

David Shrigley, Do Your Own Thing, 2022 Off-set lithograph Open edition, unframed 50 x 70 cm (19.68 x 27.55) Printed on 200g Munken Lynx paper
Narayana Press in Denmark This prin...

David Shrigley, Tornado Of Nonsense & It Was Worthwhile Doing This 60 x 80 cm (31 1/2 × 23 3/5 in) Off-set lithography Printed on 200g Munken Lynx paper Narayana Press in Denmark

Duke of Wellington by Vladislav Khristenko Size of the image - 25 x 15 cm Size of the list - 34 x 22.5 cm Size in frame - 42 x 32 cm Etching and aquatint on paper #15 from edition ...

Mark Ryden The Gay 90's (Hand signed by Mark Ryden), 2013 Hardback monograph (hand signed by Mark Ryden) Boldy signed by Mark Ryden 12 1/4 × 9 1/4 × 1 inches This elegant hardback monograph with illustrated covers and no dust jacket, as issued, was signed by the artist for the present owner at the exhibition "Mark Ryden: Dodecahedron" at the Paul Kasmin Gallery on December 10, 2015. It makes an excellent gift! Publisher ‏ : ‎ Rizzoli; First Edition (April 16, 2013) Hardcover ‏ : ‎ 146 pages with color illustrations Publisher's blurb: Celebrated Pop Surrealist artist Mark Ryden’s newest body of work, presented in this book for the first time. Crowned "the high prince of Lowbrow," Mark Ryden has become a fixture of the contemporary alternative art movement. In his newest work, Mark Ryden: The Gay 90’s, the artist casts...

David Shrigley, Truth, 2020 Off-set lithograph Unframed 60 x 80 cm (23.62 x 31.5 inches) Printed on 200g Munken Lynx paper by Narayana Press in Denmark This print is based on t...

Artist: Jean-Michel Basquiat (after) Title: Untitled Portfolio: 1982/2023 The Figure Portfolio Medium: Hand-pulled screenprint Year: 2023 Edition: 79/85 Sheet Size: 48" x 32" Signatu...

This print featuring Jersey City Apartment (2019) was produced in 2019, in conjunction with the exhibition Jonas Wood at Gagosian, 555 West 24th Street, New York. The exhibition incl...

David Shrigley, I Will Not Fight, 2019 Off-set lithograph Open edition, unframed 60 x 80 cm (23.62 x 31.5 inches) Printed on 200g Munken Lynx paper by Narayana Press in Denmark ...

Mark Drew Stay Coogi (RIP Biggie), 2021 6 color Serigraph on 290gsm Coventry Paper 18 × 18 in 45.72 × 45.72 cm Edition of 120

CS25 - is #25 in the series (created in 2021). This artwork is a result of a spontaneous trip to Santa Barbara, California, following a rough day. Walking the streets of Santa Barb...

David Shrigley, Fuck It, 2022 Off-set lithograph Open edition, unframed 50 x 70 cm (19.68 x 27.55 in) Printed on 200g Munken Lynx paper
Narayana Press in Denmark This print is ba...

David Shrigley, Fuck It, 2022 Off-set lithograph Open edition, unframed 50 x 70 cm (19.68 x 27.55 in) Printed on 200g Munken Lynx paper
Narayana Press in Denmark This print is ba...

Jeremy Geddes studied painting at the Victorian College of the Arts and began working full time as a painter in 2003. He’s most well known for his paintings of cosmonauts and people ...

24" x 24" Limited Edition Giclee Numbered of 35 Hand Signed by John-Mark Gleadow 2023 24" x 24" Printers Proof Hand Signed by John-Mark Gleadow 2023 24" x 24" Artist Proof Numbered of 4 Hand Signed by John-Mark Gleadow 2023 The genesis of “Prince” came from a collector who had seen “The Day the Music Died”. As an avid Prince fan, he wanted this homage to him for his home. He had been especially dazzled during a concert when Prince performed at the piano and wanted to capture that moment. Purple Rain is his favorite album and loved how I handled it in “The Day the Music Died” so he wanted it reproduced in the same place – on the left – in his original. A book about Prince’s band rounded out the collector’s vision, and he chose the specific image for the Prince and the Revolution...

WILL TAYLOR Archimedes’ Hare Original limited edition of 30 – printed by the artist on Somerset 300gsm Cotton paper Copper-plate etching Image size W 30 cm x H 40 cm Sheet size W 47 ...

David Shrigley, I Did Not Ask To Be A Bird, 2021 Off-set lithograph Open edition, unframed 60 x 80 cm (23.62 x 31.5 inches) Printed on 200g Munken Lynx paper by Narayana Press in ...

I’ve enjoyed bringing some of the spray paint textures from my fine art into my screen prints. I like the subtle color shifts and ethereal gradients that can be achieved with spray p...