William King (b.1925)

Vintage Lithograph Poster William King Terry Dintenfass Gallery NYC

Gregory Amenoff (Contemporary American abstract painter, b. 1948), Monotype Monoprint (1990) Hand signed in pencil lower right plate: 16 x 16 inches frame dimensions: 35 1/8 x 29 1/8 x 1 5/8 inches, wood frame with glazing Provenance: Corporate Collection of Bank BNP Paribas Gregory Amenoff is a painter who lives in New York City and Ulster County, New York. He is the recipient of numerous awards from organizations including the American Academy of Arts and Letters, National Endowment for the Arts, New York State Council on the Arts and the Tiffany Foundation. He has had over fifty one-person painting exhibitions in museums and galleries throughout the United States and Europe. His work is in the permanent collections of more than thirty museums, including the Whitney Museum of American Art, the Museum of Fine Arts in Boston, the Museum of Modern Art in New York and the Metropolitan Museum of Art. His work has the influence of both Abstract Expressionism and Pop Art in it, biomorphic forms in rich hues and thick textures with heightened colors and abstracted, organic forms, late American Modernism. He moved to New York in 1979, the artist rose to critical acclaim in the 1980s alongside Terry Winters, Bill Jensen, and Katherine Porter. The artist lives and works between New York, NY and his Hudson Valley residence. He works in woodcut, lithograph and monoprint techniques. He was a collaborating artist illustrating Bradford Morrow, Bestiary along with Joe Andoe, James Brown, Vija Celmins, Louisa Chase, Eric Fischl, Jan Hashey, Michael Hurson, Mel Kendrick, James Nares, Ellen Phelan, Joel Shapiro, Kiki Smith, David Storey, Michelle Stuart, Richard Tuttle, Trevor Winkfield, Robin Winters. Linoleum cuts with pochoir and woodcuts for the Grenfell Press, New York. Amenoff served as President of the National Academy of Design from 2001-2005. He is a founding board member of the CUE Art Foundation in New York City and serves as the CUE Art Foundation's Curator Governor. Amenoff has taught at Columbia for the last eighteen years, where he holds the Eve and Herman Gelman Chair of Visual Arts and is currently the Chair of the Visual Arts Division in the School of the Arts. He is currently the Vice-President of the National Academy. In 2011 he received the John Solomon Guggenheim Fellowship. Museum Collections Albright-Knox Art Gallery; Buffalo, NY Art Institute of Chicago; IL Baltimore Museum of Art; Brooklyn Museum of Art; Brooklyn, NY Butler Institute of American Art; Youngstown, OH Cleveland Museum of Art; Cleveland, OH Currier Gallery of Art; Manchester, NH Frances and Sidney Lewis Foundation; Richmond, VA Hood Museum of Art; Hanover, NH Honolulu Academy of Art; Honolulu, HW Kemper Museum of Contemporary Art; Kansas City, MO Maier Museum of Art; Lynchburg, VA Metropolitan Museum of Art; New York, NY Milwaukee Museum of Art; Milwaukee, WI Minneapolis Institute of Art; MN Muscarelle Museum of Art, College of William and Mary; Williamsburg, VA Museum of Fine Arts; Boston, MA Museum of Modern Art; New York, NY National Museum of American Art; Washington, DC Neuberger Museum, State University of New York at Purchase; NY New York Public Library, Spencer Collection...

Fine piece of Florida abstract Landscape art. With a French Art Deco feel to it.

Gregory Amenoff (Contemporary American abstract painter, b. 1948), Title: Haven, STATE II Lithograph, 1986 Edition 4/4 Printer Proof Image Size 21.5 x 30.75" Gregory Amenoff is a painter who lives in New York City and Ulster County, New York. He is the recipient of numerous awards from organizations including the American Academy of Arts and Letters, National Endowment for the Arts, New York State Council on the Arts and the Tiffany Foundation. He has had over fifty one-person exhibitions in museums and galleries throughout the United States and Europe. His work is in the permanent collections of more than thirty museums, including the Whitney Museum of American Art, the Museum of Fine Arts in Boston, the Museum of Modern Art in New York and the Metropolitan Museum of Art. His work has the influence of both Abstract Expressionism and Pop Art in it, biomorphic forms in rich hues and thick textures with heightened colors and abstracted, organic forms, late American Modernism. He moved to New York in 1979, the artist rose to critical acclaim in the 1980s alongside Terry Winters, Bill Jensen, and Katherine Porter. The artist lives and works between New York, NY and his Hudson Valley residence. Amenoff served as President of the National Academy of Design from 2001-2005. He is a founding board member of the CUE Art Foundation in New York City and serves as the CUE Art Foundation's Curator Governor. Amenoff has taught at Columbia for the last eighteen years, where he holds the Eve and Herman Gelman Chair of Visual Arts and is currently the Chair of the Visual Arts Division in the School of the Arts. He is currently the Vice-President of the National Academy. In 2011 he received the John Solomon Guggenheim Fellowship. Museum Collections Albright-Knox Art Gallery; Buffalo, NY Art Institute of Chicago; IL Baltimore Museum of Art; Brooklyn Museum of Art; Brooklyn, NY Butler Institute of American Art; Youngstown, OH Cleveland Museum of Art; Cleveland, OH Currier Gallery of Art; Manchester, NH Frances and Sidney Lewis Foundation; Richmond, VA Hood Museum of Art; Hanover, NH Honolulu Academy of Art; Honolulu, HW Kemper Museum of Contemporary Art; Kansas City, MO Maier Museum of Art; Lynchburg, VA Metropolitan Museum of Art; New York, NY Milwaukee Museum of Art; Milwaukee, WI Minneapolis Institute of Art; MN Muscarelle Museum of Art, College of William and Mary; Williamsburg, VA Museum of Fine Arts; Boston, MA Museum of Modern Art; New York, NY National Museum of American Art; Washington, DC Neuberger Museum, State University of New York at Purchase; NY New York Public Library, Spencer Collection...

Jim McCormick was born in Chicago in 1936. He attended the University of Tulsa where he received a bachelor’s degree in art in 1958, then a M.A. in paint...

Antonio Frasconi (28 April 1919 in Montevideo, Uruguay – 8 January 2013 in Norwalk, CT, USA) was an Uruguayan - American visual artist, best known for his woodcuts. He was raised in Montevideo, Uruguay, and lived in the United States since 1945. Antonio Rudolfo Frasconi was born 28 April 1919 on a boat between Argentina & Uruguay and was raised in Montevideo, Uruguay. He had parents of Italian descent. They had moved to South America during World War I. Frasconi's mother managed a restaurant whilst his father was frequently unemployed. Frasconi frequently quotes his mother and her view of his talents. He said that his mother talked of art at the church where she was brought up as if it had been done by God rather than man. She felt that if Frasconi had been born with a gift, he would already be a famous artist rather than working like her each day. His mother worked in the restaurant, cared for Frasconi and his two sisters and still found time to be a seamstress. By the age of twelve, he was learning a trade at a printers after abandoning a course at Círculo de Bellas Artes. During his teenage years he admired Gustave Doré and Goya, whilst indulging in creating caricatures of political figures. During the war, an exhibition of impressionism and post-impression was organised by the French in Latin America. Artists such as Van Gogh and Cézanne captured his imagination. However it was the woodcuts of Paul Gauguin that he was attracted to most. Frasconi says he became intrigued by American writers and musicians. He would hear Jazz on the radio and read American authors like Walt Whitman. Frasconi moved to the United States in 1945 at the end of World War II. He worked as a gardener and as a guard at the Santa Barbara Museum of Art. It was at that museum that he had his first dedicated show. His recognition was beginning to grow and within twelve months he had a similar show at the Brooklyn Museum of Art. Frasconi was a Guggenheim Fellow in 1952. In 1955, Frasconi's woodcuts were exhibited at the Summit Art Association, now known as Visual Arts Center of New Jersey, in Summit, NJ. This show was an extensive traveling exhibition organized by the Smithsonian Institution. In 1959 he was a runner-up for the Caldecott Medal from the U.S. children's librarians, which annually honors the illustrator of the best American picture book for children. Thus The House That Jack Built, which he also wrote, is retrospectively termed a Caldecott Honor Book. In 1962 Frasconi won a Horn Book...

Antonio Frasconi (28 April 1919 in Montevideo, Uruguay – 8 January 2013 in Norwalk, CT, USA) was an Uruguayan - American visual artist, best known for his woodcuts. He was raised in Montevideo, Uruguay, and lived in the United States since 1945. Antonio Rudolfo Frasconi was born 28 April 1919 on a boat between Argentina & Uruguay and was raised in Montevideo, Uruguay. He had parents of Italian descent. They had moved to South America during World War I. Frasconi's mother managed a restaurant whilst his father was frequently unemployed. Frasconi frequently quotes his mother and her view of his talents. He said that his mother talked of art at the church where she was brought up as if it had been done by God rather than man. She felt that if Frasconi had been born with a gift, he would already be a famous artist rather than working like her each day. His mother worked in the restaurant, cared for Frasconi and his two sisters and still found time to be a seamstress. By the age of twelve, he was learning a trade at a printers after abandoning a course at Círculo de Bellas Artes. During his teenage years he admired Gustave Doré and Goya, whilst indulging in creating caricatures of political figures. During the war, an exhibition of impressionism and post-impression was organised by the French in Latin America. Artists such as Van Gogh and Cézanne captured his imagination. However it was the woodcuts of Paul Gauguin that he was attracted to most. Frasconi says he became intrigued by American writers and musicians. He would hear Jazz on the radio and read American authors like Walt Whitman. Frasconi moved to the United States in 1945 at the end of World War II. He worked as a gardener and as a guard at the Santa Barbara Museum of Art. It was at that museum that he had his first dedicated show. His recognition was beginning to grow and within twelve months he had a similar show at the Brooklyn Museum of Art. Frasconi was a Guggenheim Fellow in 1952. In 1955, Frasconi's woodcuts were exhibited at the Summit Art Association, now known as Visual Arts Center of New Jersey, in Summit, NJ. This show was an extensive traveling exhibition organized by the Smithsonian Institution. In 1959 he was a runner-up for the Caldecott Medal from the U.S. children's librarians, which annually honors the illustrator of the best American picture book for children. Thus The House That Jack Built, which he also wrote, is retrospectively termed a Caldecott Honor Book. In 1962 Frasconi won a Horn Book...

ANDY BURGESS Schindler House, 2019 Signed, dated, numbered (A/P) recto Relief Print 43.2 x 55.9 cm 17 x 22 in. Framed: 18 ½ x 1 ½ x 22 ½ in. Artist's Proof 6 of 20 ----- Andy Burgess is a London-born artist currently residing in Tucson, Arizona. Represented for many years by The Cynthia Corbett...

Shepard FAIREY (Obey Giant) American Dreamer Original lithograph (Mourlot / Idem workshop) Handsigned in pencil, see our last pricture : Shepard Fairey signing the lithographs in Id...

Alexandre Calder (1898 - 1976) Tribute to the Victims, 1967 Lithograph on offset background (Arte atelier) Printed signature in the plate On paper 75 x 44.5 cm (c. 29.5 x 17.3 inch) Original vintage poster INFORMATION: Published by Maeght on the occasion of the artist's exhibition "Pour le Viet Nam...

Alexander CALDER (after) Tree with Blue and Red Fruits Lithograph poster Printed signature in the plate 80 x 50 cm (c. 32 x 20 in) INFORMATION : Lithograph created for the Calder e...

Eduardo CHILLIDA (after) Composition in Black Lithograph Signed in the plate On kraft paper 81 x 55,5 cm (c. 32 x 22 in) Excellent condition

Jean-Paul RIOPELLE Tribute to Nelligan : Prince of Leafs Original lithograph Handsigned in pencil On Arches vellum 56 x 76 cm (c. 22 x 30 in) REFERENCE : Catalog raisonne Y. Riopel...