Anna Kruhelska

Constant Change 68 by Anna Kruhelska - Wood Wall Sculpture

2023

Anna Kruhelska Constant Change 72 Painted wood panels Unique wall sculpture

Anna Kruhelska Constant Change 73 Painted wood panels Unique wall sculpture

Anna Kruhelska Constant Change 50 Painted wood panels Unique wall sculpture

Anna Kruhelska Constant Change 74 Painted wood panels Unique wall sculpture

Francisco Valverde Positron Pigmented resin on panel 36 x 36 inches

Anna Kruhelska Constant Change 67 Painted wood panels Diameter 51 inches (129.5 cm)

Criswell's dimensional wall sculpture emerged from a study of spatial organization by arranging basic, repetitive shapes into a harmonious balance, while exploring the concept of sim...

The idea behind the picture is to use recycled materials. There are three materials, aluminium, canvas and wood. I like the simplicity and the color, I ll personally like it as it is.

Sylvia Okwui Enwezor is a unique contemporary modern painting relief by renowned Polish-Dutch artist Eliza Kopec. This painting relief is a typical example of her preferred abstract ...

Mixed media on wooden panel - artwork can be shipped only framed in a crate

Artist Commentary: My freestanding sculptures have no secret fastening devices. Gravity holds them in place. They aren't magic tricks. I hope the only magic that happens is the exp...

While working on a large building project several years ago the artist, Fritz Horstman was struck by the poetry in the unfinished state of the construction site. He was drawn specifically to the space between the plywood walls that were raised as formworks for the pouring of cement. That space could only exist for a few hours before the cement truck arrived, but in that moment it was a revolving abstraction of potential, delineation, growth, and destruction. Once filled it was gone: the plywood was stripped away, the earth was backfilled. To suspend that moment he began building models of formworks. Leaving them unfilled, they are perpetually unfinished. From models based directly on architecture, Horstman expanded to forms found in the landscape. Making a formwork that depicts constraint upon the landscape is not exactly a reversal of the formwork’s function, but it asks different questions than a formwork designed for a building would. Why would you make a cement creek? What is the relationship between a flowing creek and poured cement? Is this a barrier or just delineation? For River Woman ODETTA, in addition to several small sculptures in the Flat File, Horstman will install Formwork for the East River, which describes that river’s shape as it flows from Rikers Island to the tip of Manhattan. The 3 x 18 x 7 foot sculpture...