Slate Figurative Sculptures

Hyde 2021 Stone and metal, usually granite or slate, and found object steel are central in my sculpture. The interaction of these materials is a major focus. On the most basic level,...

These four plaques represent either domestic (a horse, two rams) or exotic animals (a rhinoceros and an elephant). Made on slate slabs cut to shape (a rectangle with concave angles), they are all based on the same narrative scheme: in a frame of Egyptian porphyry, an animal in multicoloured marble is represented advancing on a green marble floor, standing out against a black slate background. These plates were made in Italy, probably in Florence or in Rome, during the 18th century. We think that their primary purpose was to decorate the drawers of a cabinet. Like many other compositions in hard stone, these plaques were inspired by engravings that were a widespread decorative repertoire in the workshops. Three of the plaques presented here were directly inspired by works by Antonio Tempesta (1555 - 1630): the Rhinoceros, the Polish Horse...

SCOTT KILGOUR (b. 1960): ELECTRIC LIGHT BULB Etched slate, 1992, signed ''Scott Kilgour'', titled and dated on the reverse. Provenance: Camilla and Earl McGrath Collection. Scott Kilgour is a British Postwar & Contemporary painter who was born in 1960. Their work was featured in several exhibitions at key galleries and museums, including the Elga Wimmer PCC and the Howl! Happening. Encouraged by the first curator of 20th Century Art at the Metropolitan Museum, Henry Geldzahler, to move to New York City in the early 80's, Kilgour experienced first hand the frenetic contemporary American art scene. By the end of the decade, after absorbing the eclectic New York sensibility, Scott's lines and curves had evolved due to contact with Pop Art, Minimalism, New Wave, Graffiti and modern dance. His work was further influenced by Edmund Carpenter, a prestigious anthropologist, who galvanized his interest in continuous line drawing and knotwork designs. Gallery exhibits in the ‘80s included 56 Bleecker Street Gallery, DIA Foundation and Holly Solomon Gallery. In the 90's, Kilgour would further expand his body of knot-work designs, embarking on a decade-long study exploring the spatial relationship of continuous line drawing in Scottish Celtic Interlace. Kilgour's linear style is grounded in Charles Rennie Mackintosh's Art Nouveau aesthetic. This exploratory culminated in a 1999 exhibition at the Mackintosh Museum, Glasgow School of Art, as part of the Glasgow UK City for Architecture & Design celebration. Currently, Scott is working on a botanical body of work inspired while drinking a glass of rose in Provence, surrounded by a blossoming white French rose garden. Flowers are an ideal subject for Scott’s linear execution, as no two images are the same based on rosette whorl and luminous petals radiating from a single node. Kilgour attended the Glasgow School of Art and has been featured in media outlets including Interview Magazine, New York Magazine and Elle Décor. Select Group Exhibitions 2019 MM Gallery, New York, Regarding Tom & Henry - Tom Slaughter, Stephen Hannock, Robert Harms, Scott Kilgour, Ray Charles White. 2018 Elga Wimmer Gallery, New York, Bloom / Wilt / Bloom - Donald Baechler, Crash, Alex Katz, Donald Sultan, Scott Kilgour, Andy Warhol. 2017 Howl Arts, Arturo Vega...

Complete Stone Heads Portfolio. Consists of 4 slabs made of limestone inlaid with patinated bronze and 4 slabs made of slate inlaid with anodised aluminum. ...

Corporate body consist of 10 little bronze men on slate bases. Each figure is in different colour and named underneath. Possible to buy separately, each piece £350.