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Ifpda International Fine Print Dealers Association

International Fine Print Dealers Association (IFPDA)
International Fine Print Dealers Association (IFPDA)

Launched in 1987, the International Fine Print Dealers Association has continually set the bar for quality and ethics while promoting prints as original works of art to generations of collectors, curators and art lovers. With over 160 members in 13 countries, the IFPDA is a worldwide community of leading dealers and editions publishers who represent the full spectrum of printmaking. Each year, the IFPDA hosts the IFPDA Print Fair in New York, the only major fair dedicated to fine-art prints.

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Aboriginal Child Frightened by Abstraction and Time
By William T. Wiley
Located in Lyons, CO
Color lithograph with chine collé, Edition 30. William Wiley uses current political and social issues to comment on life in our time. His stunning draftsmanship, and freeform lov...
Category

1990s Contemporary Ifpda International Fine Print Dealers Association

Materials

Lithograph

Foggy Night (the way home or a Stephen King setting)
By Carol Wax
Located in New Orleans, LA
This impression is #22 Carol Wax originally trained to be a classical musician at the Manhattan School of Music but fell in love with printmaking. Soon after she began engraving mez...
Category

2010s American Modern Ifpda International Fine Print Dealers Association

Materials

Engraving, Mezzotint

THORNAPPLE
By Bertha Evelyn Clausen Jaques
Located in Portland, ME
Jaques, Bertha (American, 1863-1941) THORNAPPLE. Drypoint, 1924. Edition size not known. Signed in pencil. 12 3/8 x 6 7/8 inches (plate), 15 1/2 x 10 1/8 inches (sheet). Printed on t...
Category

1920s Ifpda International Fine Print Dealers Association

Materials

Drypoint

Raised Eyebrows / Furrowed Foreheads: Crooked Made Straight
By John Baldessari
Located in New York, NY
9-color silkscreen print on plexiglass, 5 x 12” (12,5 x 31cm) Printed by Atelier für Siebdruck, Lorenz Boegli, Zurich Ed. 45/XX, signed and numbered certificate
Category

Early 2000s Ifpda International Fine Print Dealers Association

Materials

Screen

America - La France Variations I
By Robert Motherwell
Located in London, GB
118.1 x 81.6 cms (46.5 x 32.1 ins) Edition of 70 Published by Tyler Graphics, New York Signed and numbered in pencil
Category

1980s Abstract Expressionist Ifpda International Fine Print Dealers Association

Materials

Color, Lithograph

Peter Blake, L is for Love, from Alphabet Series, 1991
By Peter Blake
Located in London, GB
Screenprint in colours, on wove paper, signed, titled and numbered from the edition of 95 in pencil, published by Waddington Graphics and Corianda Studios, 102.5 x 77cm.
Category

1990s Ifpda International Fine Print Dealers Association

Materials

Screen

Gilbert & George
By Gilbert & George
Located in New York, NY
Photograph, mounted on cardboard folded in the middle, 10 x 16 1/2“ (25,5 x 42 cm), Ed. 200, signed and numbered
Category

1980s Ifpda International Fine Print Dealers Association

Materials

Photographic Paper

Make Fast, Plate 2.
By Arthur John Trevor Briscoe
Located in Storrs, CT
Make Fast, plate 2. 1929. Etching. Laver catalog number 146; Hurst catalog number 258. Plate: 14 3/8 x 9 13/16 (sheet 17 5/8 x 11 3/4). Trial proof 2, before the edition or 75. Ill...
Category

1920s Modern Ifpda International Fine Print Dealers Association

Materials

Drypoint, Etching

'Storm Clouds (Arizona)' — Early 20th-Century American Impressionism
By Albert Groll
Located in Myrtle Beach, SC
Albert Lorey Groll, 'Storm Clouds (Arizona)', graphite on paper, c. 1914. Signed in pencil, in the image, lower left. A fine spontaneous rendering on heavy buff, wove paper, with margins (1 1/2 to 2 inches); slight toning at the sheet edges, in good condition. With a pen and ink landscape drawing, verso. Image size 7 5/8 x 10 inches; sheet size 10 3/4 x 13 5/8 inches. Matted to museum standards, unframed. Provenance: Ex. collection Kennedy Galleries, New York. ABOUT THE ARTIST Albert Lorey Groll (1866-1910) was born in New York in 1866, the son of a pharmacist immigrant from Darmstadt, Germany. During his early years, he traveled to Europe to study at the Royal Academy of Fine Arts in Munich under Nicholas Gysis and Ludwig von Löfftz. He further pursued his studies in London and at the Royal Academy of Fine Arts in Antwerp, Belgium. Groll returned to New York in 1895 and moved from figure to landscape painting while expanding his interests to printmaking. In 1904 Groll made the first of several trips to the American Southwest, traveling to Arizona with ethnographer Stewart Culin of the Brooklyn Museum. Later he went to New Mexico with his friend, the artist and illustrator William Robinson Leigh (see our 1stDibs listing no. LU53239015112 ). He focused on impressionistic scenes of Native American lands. The Laguna Pueblo people admired Groll's paintings, honoring him with the name "Chief Bald Head Eagle Eye." Groll kept a studio in the Gainsborough Studios in Manhattan and won several awards for his work in Arizona and New York, including the Salmagundi Club Shaw Prize in 1904 and a gold medal at the Pennsylvania Academy of Fine Arts in 1906. He was also awarded the George Inness gold medal from the National Academy of Design in 1912 for his painting of Lake Louise in the Canadian Rockies. In 1910 he was elected into the National Academy of Design and, in 1919, an associate member of the Taos Society...
Category

1910s American Impressionist Ifpda International Fine Print Dealers Association

Materials

Pencil

The Green Sugarbowl — Mid-Century Color Woodcut
Located in Myrtle Beach, SC
William Ross Abrams, 'The Green Sugarbowl', color woodcut, 1949, edition 24. Signed, titled, dated, and annotated 'Artist’s proof' in pencil. A fin...
Category

1940s Modern Ifpda International Fine Print Dealers Association

Materials

Woodcut

Fidelma 3
By Leon Kossoff
Located in London, GB
Leon Kossoff Fidelma 3 1984 Etching, Edition of 100 43.2 x 30.5 cms (17 x 12 ins) (paper size) 10.4 x 6.2 (4 1/16 x 2.7/16 ins) (plate size)
Category

1980s Ifpda International Fine Print Dealers Association

Materials

Etching

Les Deux Magots
By Red Grooms
Located in New York, NY
Red Grooms Les Deux Magots, 1985 etching and aquatint, ed. of 90 26 1/4 x 31 3/8 in. (66.7 x 79.9 cm)
Category

1980s Contemporary Ifpda International Fine Print Dealers Association

Materials

Aquatint, Etching

'Carp and Water Chestnut' — Showa lifetime impression
By Ohara Koson
Located in Myrtle Beach, SC
Ohara Koson (1877-1945), 'Carp and Water Chestnut', color woodblock print, 1926. A fine impression, with fresh colors, on cream Japan paper; the full sheet, in excellent condition. Signed 'Koson' with the artist’s red seal 'Koson'. Published by Watanabe Shozaburo. With the Watanabe 'C' seal in the lower right margin, indicating a lifetime impression printed between 1929-1942. Image size 13 1/2 x 7 1/4 inches (343 x 184 mm); sheet size 14 1/2 x 7 1/2 inches (368 x 191 mm). Archivally sleeved, unmatted. Literature: 'Crows, Cranes, and Camellias: The Natural World of Ohara Koson', Newland, Amy R.: Jan Perree & Robert Schaap, Leiden: Hotei Publishing, 2001. S39.1, pl 169. Collections: National Museum of Asian Art (Smithsonian), Smart Museum of Chicago (University of Chicago). In Japanese art, the carp represents good luck and good fortune. ABOUT THE ARTIST Koson Ohara...
Category

1920s Showa Ifpda International Fine Print Dealers Association

Materials

Woodcut

Red Sea I
By Robert Motherwell
Located in London, GB
105.4 x 74 cms (41 1/2 x 29 1/8 ins) Edition of 100 Paper: Arches Cover Signature: Signed "Motherwell" in pencil lower right Inscriptions: Numbered in pencil lower right; artist's c...
Category

1970s Abstract Expressionist Ifpda International Fine Print Dealers Association

Materials

Color, Etching, Aquatint

Group of Carnations from Temple of Flora
By Dr. Robert John Thornton
Located in New York, NY
"Group of Carnations" by Dr. Robert Thornton from the quarto edition of "Temple of Flora." London, 1812. Mixed media engraving (aquatint, mezzotint, co...
Category

1810s Ifpda International Fine Print Dealers Association

Materials

Paper

'Hill' — 1930s American Modernism
By Paul Landacre
Located in Myrtle Beach, SC
Paul Landacre, 'Hill', wood engraving, 1936, edition 60 (only 54 printed); only 2 impressions printed in a second edition of 150. Signed, titled, and numbered '49/60' in pencil. Wien...
Category

1930s American Modern Ifpda International Fine Print Dealers Association

Materials

Woodcut

The Gothic Spirit
By John Taylor Arms
Located in Storrs, CT
The Gothic Spirit (also called A Gargoyle, A Gothic Spirit). 1922. Etching and stipple. Fletcher 120. 11 5/8 x 7 (sheet 15 1/4 x 11 1/4). Gargoyle Series #8. Edition 130. Illustrated...
Category

1920s American Modern Ifpda International Fine Print Dealers Association

Materials

Drypoint, Etching

'Fenway Park, Boston' — c. 1920 watercolor
By Hayley Lever
Located in Myrtle Beach, SC
Hailey Lever 'Fenway Park, Boston', watercolor, c. 1920. Signed and titled in pencil, lower left. A fine, spontaneous work, with fresh, undiminished colors...
Category

1920s Impressionist Ifpda International Fine Print Dealers Association

Materials

Watercolor

Peter Blake, B is for Boxer, from Alphabet Series, 1991
By Peter Blake
Located in London, GB
Screenprint in colours, on wove paper, signed, titled and numbered from the edition of 95 in pencil, published by Waddington Graphics and Corianda Studios, 102.5 x 77cm.
Category

1990s Ifpda International Fine Print Dealers Association

Materials

Screen

DER SCHATTEN II
By Hermann Max Pechstein
Located in Santa Monica, CA
MAX PECHSTEIN (1881 -1955) DER SCHATTEN II 1918 (Knupp 79, Fecher 143 I/ii) Rich drypoint, signed and annotated, FIRST STATE. Image: 8 1/4 x 6 inches on japan paper; 15 x 11 1/4 i...
Category

1910s Expressionist Ifpda International Fine Print Dealers Association

Materials

Drypoint

Peter Blake, F is for Football, from Alphabet Series, 1991
By Peter Blake
Located in London, GB
Screenprint in colours, on wove paper, signed, titled and numbered from the edition of 95 in pencil, published by Waddington Graphics and Corianda Studios, 102.5 x 77cm.
Category

1990s Ifpda International Fine Print Dealers Association

Materials

Screen

The Box at 'Faustus'
By Diana Thorne
Located in Storrs, CT
The Box at 'Faustus'. 1929. Drypoint. 11 x 8 7/8. Edition 100, #39. Signed, titled, and numbered in pencil. A rich impression printed on the full sheet of pale blue/green-toned wove paper. Signed in pencil. A tongue-in-cheek image of the devil in the opera box...
Category

1920s American Modern Ifpda International Fine Print Dealers Association

Materials

Etching, Drypoint

Peter Blake, C is for Clown, from Alphabet Series, 1991
By Peter Blake
Located in London, GB
Screenprint in colours, on wove paper, signed, titled and numbered from the edition of 95 in pencil, published by Waddington Graphics and Corianda Studios, 102.5 x 77cm.
Category

1990s Ifpda International Fine Print Dealers Association

Materials

Screen

Peter Blake, K is for King, from Alphabet Series, 1991
By Peter Blake
Located in London, GB
Screenprint in colours, on wove paper, signed, titled and numbered from the edition of 95 in pencil, published by Waddington Graphics and Corianda Studios, 102.5 x 77cm.
Category

1990s Ifpda International Fine Print Dealers Association

Materials

Screen

Peter Blake, M is for Marilyn, from Alphabet Series, 1991
By Peter Blake
Located in London, GB
Screenprint in colours, on wove paper, signed, titled and numbered from the edition of 95 in pencil, published by Waddington Graphics and Corianda Studios, 102.5 x 77cm.
Category

1990s Ifpda International Fine Print Dealers Association

Materials

Screen

Autumn Landscape — 1940s Post-Impressionism
Located in Myrtle Beach, SC
Henri Pierre Fortier, Untitled (Autumn Landscape), gouache, c. 1940s. Signed in ink. Inscribed 'To my Friend CLINTON R. MULFORD'. A fine, painterly watercolor, with rich, layered colors, on heavy dark brown drawing paper with approximately 1/4 inch margins; an unfinished figurative sketch...
Category

1940s Impressionist Ifpda International Fine Print Dealers Association

Materials

Gouache

Feminist Writers - I am the Author of This Remarkable Play!!
By Honoré Daumier
Located in Santa Monica, CA
HONORE DAUMIER (1808 – 1871) LES BAS-BLEUS - THE BLUE STOCKINGS, 1844 (Daumier Register; Delteil, 1227 ii/ii) Lithograph as published in "Le Charivari" March 17, 1844. Plate 17 from the series Les Bas Bleus on thin wove paper with text on verso. 7.36 x 8.62 inches. LES BAS-BLEUS is a series of 40 numbered lithographs, which appeared in the Charivari between January 30, 1844 and August 7, 1844. The usual centerfold from the folded publication. A sheet of acid free black paper placed behind to minimize the text from the verso Provenance: The Richard Vogler Collection. Vogler's Collection of the caricatures of George Cruikshank, now at UCLA, was the largest private collections of his work in America. From the "Daumier Register" website: TRANSLATION (The audience at the Odeon Theatre.) - Author... Author!.... Author! - Gentlemen, your impatience is about to be rewarded.... You want to know the author of this remarkable play that has just obtained such a great, and I must say, justified success.... that author... is MEEEEE....! LES BAS-BLEUS (The bluestockings) is a series of 40 numbered lithographs, which appeared in the Charivari between January 30, 1844 and August 7, 1844. ALBUM LES BAS-BLEUS. The series (“Les Bas-Bleus”) proved to be of such a success with the public, that apart from the Charivari edition a separate edition was published on single white sheets and sold at an up-market price to collectors. Apart from that, an album LES BAS-BLEUS was published in the same year (1844). ABOUT THIS PRINT. The Odéon theatre in Paris opened in 1797 and merged in 1946 with the Comédie Française. It reopened again in 1959 as an independent theatre under the name Théatre de France. This print shows an enthusiastic public applauding the author at the opening night. It seems that the female author had hidden behind a male name. The applause stops when the audience fully realizes the deception. This print can be seen in reference to George Sand's play "Cosima", which also had been rejected by the public under similar circumstances. BLUESTOCKINGS. The expression "Bluestocking” (or suffragette) dates back to 18th century England. At that time, angry young gentlemen of society met in London at the Montague House to discuss literary and political questions of their time. As a sign of protest against the establishment they wore blue wool-socks instead of black silk stockings. The expression was taken over by 19th century France to ridicule the new movement carried by Jeanne Désirée (1832), Cécile Fourmel, Suzanne Vailquin, and Claire Demar. George Sand and Flora Tristan joined the group later. Leclerc de Buffon (1707-1788), famous writer and scientist, as well as Madame de Staël...
Category

1840s Realist Ifpda International Fine Print Dealers Association

Materials

Lithograph

Peter Blake, D is for Dwarfs and Midgets, from Alphabet Series, 1991
By Peter Blake
Located in London, GB
Screenprint in colours, on wove paper, signed, titled and numbered from the edition of 95 in pencil, published by Waddington Graphics and Corianda Studios, 102.5 x 77cm.
Category

1990s Ifpda International Fine Print Dealers Association

Materials

Screen

Peter Blake, E is for Everly Brothers, from Alphabet Series, 1991
By Peter Blake
Located in London, GB
Screenprint in colours, on wove paper, signed, titled and numbered from the edition of 95 in pencil, published by Waddington Graphics and Corianda Studios, 102.5 x 77cm.
Category

1990s Ifpda International Fine Print Dealers Association

Materials

Screen

Elegy Fragment II
By Robert Motherwell
Located in London, GB
Aquatint, lift-ground etching and aquatint on Georges Duchene Hawthorne of Larroque handmade paper 87.6 x 61 cm (34 1/2 x 24 inches) Edition of 52
Category

1980s Abstract Ifpda International Fine Print Dealers Association

Materials

Etching, Aquatint

Ski Fashion Watercolor
Located in New York, NY
Original watercolor on paper, signed in pencil.
Category

1940s Ifpda International Fine Print Dealers Association

Materials

Watercolor, Paper

Le maréchal flamand (The Flemish Blacksmith) — 19th Century French Romanticism
By Jean Louis Andre Theodore Gericault
Located in Myrtle Beach, SC
Théodore Géricault 'Le maréchal flamand' (The Flemish Blacksmith) from the series ‘Etudes, de chevaux lithographiés,’ lithograph, 1822, 2nd state ...
Category

1820s Romantic Ifpda International Fine Print Dealers Association

Materials

Lithograph

Apprentice Japanese Geisha (Maiko)
By Tatsumi Shimura
Located in Burbank, CA
A young apprentice geisha from Kyoto poses before a gold leaf screen. She is both alluring and slightly distant at the same time, not an easy balance for an artist to convey. This p...
Category

Early 2000s Showa Ifpda International Fine Print Dealers Association

Materials

Giclée

From Knoedler's Window MCMXXXV
By John Taylor Arms
Located in Storrs, CT
From Knoedler's Window MCMXXV. 1935. Etching and Aquatint. Fletcher catalog 293 stateiv/v. Image: 5 1/16 x 4 15/16 (sheet 12/7/8 x 9 1/8). Edition 271 in this state (total edition 3...
Category

1920s American Modern Ifpda International Fine Print Dealers Association

Materials

Aquatint, Etching

Laura (Woman's head as seen thru water droplets which in turn are body parts)
By Rollin Leonard
Located in New Orleans, LA
"Laura" first looks like a color abstract. Then very slowly you realize it is an extreme close up of a young woman's face. Only slowly do the water droplets appear with each drople...
Category

2010s Contemporary Ifpda International Fine Print Dealers Association

Materials

Photographic Paper, Archival Pigment

Holiday in Camp -- Soldiers Playing "Foot-Ball"
By Winslow Homer
Located in Fairlawn, OH
Holiday in Camp -- Soldiers Playing "Foot-Ball" Wood engraving, 1865 After Winslow Homer Unsigned (Signed in text in title caption, see photo) Published in Harper's Weekly July 15, 1...
Category

1860s American Realist Ifpda International Fine Print Dealers Association

Materials

Engraving

NATIVE AMERICANS HUNTING - TWO DRAWINGS.
By Cassilly Adams
Located in Portland, ME
Adams, Cassilly (American 1843-1921). NATIVE AMERICANS HUNTING - TWO DRAWINGS. Charcoal and watercolor, not dated. One signed within the matrix of the drawing, lower right. Each about 7 x 10 inches. Both with a tack hole top and and bottom, center, and with residue from an old mount, verso. One wih a 1/2 x 1/2 inch loss at the top right corner. The images fresh. One shows two hunters with grass head-dress disguises, crouched behind low grasses,each with a rifle, a killed deer between them, and a herd moving across the field on the far side of the grasses. The other depicts two hunters wearing animal-skin disguises, each with a rifle, crouched behind grasses, beyond which a small herd of bison grazes. The Pair: $1750.00 The following is from American Western Art...
Category

Late 19th Century Ifpda International Fine Print Dealers Association

Materials

Watercolor, Charcoal

Untitled
By Jesús Rafael Soto
Located in New York, NY
Jesús Rafael Soto Untitled, 1970 embossing with etching, edition of 95 37 x 37 in.
Category

1970s Abstract Geometric Ifpda International Fine Print Dealers Association

Materials

Etching

William Tell And His Son In Front Of The Hat
By Lovis Corinth
Located in Santa Monica, CA
LOVIS CORINTH (German 1858 -1925) TELL AND HIS SON IN FRONT OF THE HAT "(Wilhelm) Tell Und Sein Sohn Vor Dem Hut" 1923 -5, (Muller 781) Lithograph with coloring, signed in pencil. This is one of 25, signed, on Japan paper Total edition 200. Image 9 1/8 x 7 1/4 inches. Full Sheet 15 x 11 1/2 inches with deckle edge. In good condition. From the portfolio "William Tell". A portfolio of 13 signed lithographs including the title page. Published in 1925. Publisher Karl Nierendorf, Berlin, Printer:A. Rogall, Berlin. (Müller 775-787 - this is the 7th one. There are 25, signed, on Japan paper as offered, Total edition 200, including 75, signed, on "Bütten" paper and 100, signed, on copperplate printing paper) Below is from the Museum of Modern Art: Heather Hess, German Expressionist Digital Archive Project, German Expressionism: Works from the Collection. 2011. Lovis Corinth often cloaked allusions to contemporary politics in historical dress. In these thirteen lithographs for an illustrated edition of Friedrich Schiller...
Category

1920s Modern Ifpda International Fine Print Dealers Association

Materials

Lithograph

Jonah
By Sadao Watanabe
Located in Santa Monica, CA
SADAO WATANABE (Japanese 1913-1996) JONAH, 1959 Color stencil, signed, numbered and dated in white ink. Sheet, 25 5/8 x 22 5/8 inches. Edition: 44/50. Good color and generally good ...
Category

1950s Modern Ifpda International Fine Print Dealers Association

Materials

Stencil, Woodcut

Pompeian Still Life Gouache
Located in New York, NY
Original gouache by an unknown Neapolitan artist, circa 1840. Upper right panel after a fresco in Casa dei Dioscuri, Pompeii.
Category

1840s Ifpda International Fine Print Dealers Association

Materials

Paper, Gouache

Nude Man and Woman (Desire and sexual tension)
By Tom Leveritt
Located in New Orleans, LA
Is it lust? Is it love? A pencil drawing shows a nude man and a nude woman on the same page. Sexual tension and desire are paramount in this composition. Tom Leveritt...
Category

2010s Modern Ifpda International Fine Print Dealers Association

Materials

Charcoal

St. Paul's Church (St. Paul's Chapel, New York City)
By Bror Julius Olsson Nordfeldt
Located in Myrtle Beach, SC
B.J.O. Nordfeldt, 'St. Paul's Church' (St. Pauls' Chapel), etching, edition not stated, c. 1915. Signed in pencil. A superb, richly-inked impression, with skillfully controlled plate tone, printed on off-white, antique, laid paper; the full sheet with margins (5/8 to 2 1/4 inches), in very good condition. Scarce. Matted to museum standards, unframed. An impression of this work is in the permanent collection of the Smithsonian American Art Museum. ABOUT THE ARTIST A solo exhibition of Nordfeldt’s etchings and woodcuts was presented by the Smithsonian Institution in 1926. In 1920, Nordfeldt had a one-man show at the Chicago Arts Club. In 1926, he won the bronze medal at the sesquicentennial exposition in Philadelphia and the Logan Medal at the Art Institute of Chicago. In 1927, he won the first annual prize from the Brooklyn Society of Etchers, and the following year he won first prize from the Chicago Society of Etchers. In 1929, Nordfeldt had a one-man show at the Denver Art Museum. Nordfeldt's work is held in numerous museum collections including Amon Carter Museum of Western Art, Ft. Worth; Anschutz Collection, Denver; Art Institute of Chicago; Biblioteque d’Art et d’Archeologie, Paris; British Museum, London; Corcoran Gallery of Art, Washington, DC; Los Angeles County Museum; Metropolitan Museum of Art, New York City; Museum of Fine Arts, Santa Fe; National Museum of American Art, Smithsonian Institution, Washington, DC; National Gallery, Sydney, Australia; Phillips Collection, Washington, DC. ABOUT ST. PAUL'S CHAPEL St. Paul's Chapel, nicknamed "The Little Chapel That Stood", is an Episcopal chapel located at 209 Broadway, between Fulton Street and Vesey Street, in Lower Manhattan, New York City. Built in 1766, it is the oldest surviving church building in Manhattan, and one of the nation's finest examples of Late Georgian church architecture. It is a New York City Landmark and a National Historic Landmark. The Hearts of Oak, a militia unit organized early in the American Revolutionary War, and composed in part of King's College (later, Columbia University) students, would drill in the Chapel's yard before classes nearby. Alexander Hamilton was an officer of this unit. The chapel survived the Great New York City Fire of 1776 when a quarter of New York City (then confined to the lower tip of Manhattan), including Trinity Church, burned following the British capture of the city after the Battle of Long Island during the American Revolutionary War. George Washington, along with members of the United States Congress, worshipped at St. Paul's Chapel on his Inauguration Day, April 30, 1789. Washington also attended services at St. Paul's during the two years New York City was the country's capital. Above Washington's pew is an 18th-century oil painting of the Great Seal of the United States, adopted in 1782. The rear of St. Paul's Chapel faces Church Street, opposite the east side of the World Trade Center site. After the attacks on September 11, 2001, which led to the collapse of the twin towers of the World Trade Center, St. Paul's Chapel served as a place of rest and refuge for recovery workers at the WTC site. For eight months, hundreds of volunteers worked 12-hour shifts around the clock, serving meals, making beds, counseling and praying with firefighters, construction workers, police, and others. Massage therapists, chiropractors, podiatrists, and musicians also tended to their needs. The church survived without even a broken window. Church history declares it was spared by a miracle sycamore on the northwest corner of the property that was hit by debris. The tree's root has been preserved in a bronze memorial...
Category

1910s American Impressionist Ifpda International Fine Print Dealers Association

Materials

Etching

Wooded Scene
By Alan Turner
Located in New York, NY
Alan Lee Turner (1943 - 2020) was born in the Bronx, New York, on July 6, 1943. He earned a bachelor’s degree in art from City College in 1965, and a master’s...
Category

Late 20th Century Ifpda International Fine Print Dealers Association

Materials

Etching

House on Cliff Walk, Newport, Rhode Island
By Clifford Isaac Addams
Located in Storrs, CT
House on Cliff Walk, Newport, R.I. 1931-1932. Etching and drypoint. Hausberg catalog 13 state .i/ii. Edition 75 in this state. 5 7/8 x 7 7/8 (sheet 9 x 13 1/2). A rich impression pr...
Category

Mid-20th Century American Modern Ifpda International Fine Print Dealers Association

Materials

Drypoint, Etching

'Woolworth Building Under Construction' — Early 20th Century Modernism
By Earl Horter
Located in Myrtle Beach, SC
Earl Horter, 'The Woolworth Building Under Construction', etching, c. 1912, edition not stated. Signed in pencil. A fine, richly-inked impression, in warm black ink, with selectively...
Category

1910s American Modern Ifpda International Fine Print Dealers Association

Materials

Etching

Untitled
By Louisa Chase
Located in New York, NY
Louisa Chase was born in Panama City, Panama. Seven years later, her family moved to Lancaster, Pennsylvania. She studied painting and sculpture at Syracuse University and at the Yal...
Category

Late 20th Century Abstract Ifpda International Fine Print Dealers Association

Materials

Lithograph

STUDY FOR "DAVID AND GOLIATH"
By Paul Cadmus
Located in Portland, ME
Cadmus, Paul (American, 1904-1999). STUDY FOR "DAVID AND GOLIATH," colored crayons on tan paper, circa 1971. Signed in pink crayon, lower right. 12 1...
Category

1970s Ifpda International Fine Print Dealers Association

Materials

Crayon

OBSEQUIO á el MAESTRO (‘A gift for the master’)
By Francisco Goya
Located in Santa Monica, CA
FRANCISCO de GOYA y LUCIENTES (1746 -1828) OBSEQUIO á el MAESTRO (‘A gift for the master’) Plate 47 from the 1st edition of Los Caprichos (Blas, ...
Category

1790s Old Masters Ifpda International Fine Print Dealers Association

Materials

Etching, Aquatint

Harbor with Sailboats — Early 20th-Century Modernism
By George Josimovich
Located in Myrtle Beach, SC
George Josimovich, Untitled (Harbor with Sailboats) ', linocut, 1923, edition 35. Signed, dated, and annotated '4/35' in pencil. Initialed 'G J' in ...
Category

1920s American Modern Ifpda International Fine Print Dealers Association

Materials

Linocut

VI Rose Nose Cat
By Mary Spain
Located in Fairlawn, OH
VI Rose Nose Cat Colored chalks on black paper, 1977 Signed and dated lower right (see photo) Titled lower left (see photo) Part of a series entit...
Category

1970s American Modern Ifpda International Fine Print Dealers Association

Materials

Chalk

CALLE EX CONVENTO, TASCO.
Located in Portland, ME
Pappe, Carl. CALLE EX CONVENTO, TASCO. Woodcut, c.1940s-60s. Edition unstated. This print is one of a series of 16 images, all of scenes in Taxco, distinguished by the strength of the carving and the richness of the blacks. 12 x 14 1/4 inches (image), 13 1/2 x 15 3/4 (sheet). Titled and signed in pencil. In excellent condition. Carl Pappe...
Category

1940s Ifpda International Fine Print Dealers Association

Materials

Woodcut

Iris ( 1 )
By Leonard Baskin
Located in Myrtle Beach, SC
Leonard Baskin, 'Iris ( 1 )', etching, 1988, artist proof before the edition of 10, outside the book edition. Signed and annotated 'proof' in pencil. A fine, richly-inked impression,...
Category

1980s Impressionist Ifpda International Fine Print Dealers Association

Materials

Etching

Street in Smyrna
By Marius Bauer
Located in Storrs, CT
Street in Smyrna. 1889. Etching. Wisselingh 34. 7 x 5 1/4 (sheet 12 7/8 x 8 7/8).Edition 100, number 49. A rich, tonal impression printed on Strasbourg cream laid paper on the full s...
Category

Late 19th Century Old Masters Ifpda International Fine Print Dealers Association

Materials

Drypoint, Etching

Expressionist Abstraction — Hawaiian Artist
By Tetsuo Ochikubo
Located in Myrtle Beach, SC
Tetsuo "Bob" Ochikubo, 'Untitled (Abstract Expressionist Composition)', color lithograph, 1963, edition 3. Signed, dated, and numbered '3-3' in pencil. A fine, richly-inked impression, with fresh colors, on cream wove paper; the full sheet with margins (5/8 to 2 inches), in excellent condition. Very scarce. Image size 17 1/2 x 12 1/4 inches; sheet size 19 7/8 x 14 7/8 inches. Matted to museum standards, unframed. ABOUT THE ARTIST Tetsuo Ochikubo (1923–1975), also known as Bob Ochikubo, was a Japanese-American painter and printmaker who was born in Waipahu, Hawaii. After service in the US Army as an infantryman in Europe during World War II, Ochikubo studied painting and design at the School of the Art Institute of Chicago and the Art Students League in New York. He worked at the renowned lithography workshop Tamarind Institute in the 1960s and is best known for his non-objective paintings and lithographs. Ochikubo was a member of the Metcalf Chateau, a group of seven Asian-American artists with ties to Honolulu which included Satoru Abe...
Category

1960s Abstract Ifpda International Fine Print Dealers Association

Materials

Lithograph

WARM DAY
Located in Portland, ME
Nagai, Kiyoshi (Japanese, 1911-1984). WARM DAY. Color woodblock, 1971. Edition of 252. Signed, datted, and numbered 156 - 252, all in pencil. 15 1/2 x 11 1/2 inches, framed to 20 1/2...
Category

1970s Ifpda International Fine Print Dealers Association

Materials

Woodcut

Drift (dramatic nocturne in America's suburbia)
By Jacob Crook
Located in New Orleans, LA
Drift is a hand-pulled mezzotint in an edition of 10. This is #3/10. Location is Jarnigan ST in Starksville, Mississippi Jacob Crook was born in St. Loui...
Category

2010s American Modern Ifpda International Fine Print Dealers Association

Materials

Mezzotint

'Scratchin' High' — early American rodeo
By Edward Borein
Located in Myrtle Beach, SC
'Scratchin' High', etching, edition not stated, c. 1919. Signed in pencil. A fine, rich impression, in warm black ink, on cream wove paper, with margins (11/16 to 2 1/8 inches). Two small spots of toning in the bottom right margin, away from the image; barely visible printing creases in the top left margin and the middle right background, otherwise in very good condition. Matted to museum standards, unframed. ABOUT THIS WORK The cowboy's work of breaking wild horses into riding horses evolved into the competitive sport of professional rodeo in the 1880s. In 1919 at the Calgary Stampede in Alberta, Canada, Borein sketched a rider on the famous bucking horse named 'I-See-U'. He later made this etching of the dramatic scene, entitling it 'Scratchin' High'. ''Scratching'' refers to the rider's technique of maintaining balance on a bucking horse by a continuous movement of the feet in a kicking motion. Impressions of this work are in the permanent collections of the Buffalo Bill Center of the West (online), and the Whitney Western Art Museum. ABOUT THE ARTIST No other artist captured the "disappearing West" with the authenticity and spirit of John Edward Borein (1872-1945). A native of the San Francisco Bay Area, Borein rode south in 1893 at the age of twenty-one, and over the next few years, worked his way through California and the vast stretch of Mexico. While on the range, the young cowboy sketched...
Category

1910s American Realist Ifpda International Fine Print Dealers Association

Materials

Etching

SEATED WOMAN
Located in Portland, ME
Wilson, John W. SEATED WOMAN. Etching and aquatint, 1973. A Proof aside from the edition of 75. Inscribed "Guide Proof" and signed in pencil. 18 x 12 1/2 inches, 457 x 315 mm. (plat...
Category

1970s Ifpda International Fine Print Dealers Association

Materials

Aquatint, Etching

Japanese Beauty Admiring Kirifuri Waterfall
By Yoshu Chikanobu
Located in Burbank, CA
A beauty turns to admire the Kirifuri Waterfall in Nikko Province. She holds the handle of an umbrella and wears fashionable clothing that is beautifully printed. This series pairs f...
Category

1890s Edo Ifpda International Fine Print Dealers Association

Materials

Mulberry Paper, Handmade Paper, Woodcut

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