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Neal Preston Stevie Nicks

"Stevie Nicks" framed photograph by Neal Preston from Hard Rock Hotel and Casino
By Neal Preston
Located in Boca Raton, FL
"Stevie Nicks" framed photograph by Neal Preston. Image size: 33 1/4 x 53 1/4. "Stevie Nicks" hand
Category

20th Century Contemporary Figurative Photography

Materials

Photographic Paper

Stevie Nicks
By Neal Preston
Located in Mount Pleasant, SC
Stevie Nicks backstage in Venice, CA. 1981 Signed and numbered by photographer.
Category

20th Century Contemporary Black and White Photography

Materials

Archival Pigment

Stevie Nicks
H 20 in W 16 in D 0.1 in
Stevie Nicks
By Neal Preston
Located in Mount Pleasant, SC
Stevie Nicks standing on a rooftop in Venice, CA. 1981 Limited Edition of 50. Signed on bottom
Category

20th Century Contemporary Black and White Photography

Materials

Archival Pigment

Stevie Nicks
H 16 in W 20 in D 0.1 in
Stevie Nicks
By Neal Preston
Located in Mount Pleasant, SC
Stevie Nicks backstage in dressing room Venice, CA. 1981
Category

20th Century Contemporary Black and White Photography

Materials

Archival Pigment

Stevie Nicks
H 14 in W 11 in D 0.1 in
Stevie Nicks
By Neal Preston
Located in Mount Pleasant, SC
Stevie Nicks standing on a rooftop in Venice, CA. 1981
Category

20th Century Contemporary Black and White Photography

Materials

Archival Pigment

Stevie Nicks
H 11 in W 14 in D 0.1 in
Stevie Nicks
By Neal Preston
Located in Mount Pleasant, SC
Stevie Nicks standing on a rooftop in Venice, CA. 1981
Category

20th Century Contemporary Black and White Photography

Materials

Archival Pigment

Stevie Nicks
H 20 in W 16 in D 0.1 in

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Recent Sales

Stevie Nicks Singing Vintage Original Photograph
By Neal Preston
Located in Las Vegas, NV
This black and white portrait features Stevie Nicks singing on stage. Stevie Nicks is an American
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Silver Gelatin

Stevie Nicks in Studio Vintage Original Photograph
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Stevie Nicks Posing with Arms Outstretched Vintage Original Photograph
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Stevie Nicks
By Neal Preston
Located in Mount Pleasant, SC
Stevie Nicks backstage in Venice, CA. 1981
Category

20th Century Contemporary Black and White Photography

Materials

Archival Pigment

Stevie Nicks
H 20 in W 16 in D 0.1 in
Stevie Nicks
By Neal Preston
Located in Mount Pleasant, SC
Stevie Nicks standing on a rooftop in Venice, CA. 1981 Limited Edition. Signed on bottom right by
Category

20th Century Contemporary Black and White Photography

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Archival Pigment

Stevie Nicks
H 16 in W 20 in D 0.1 in
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Neal Preston for sale on 1stDibs

Neal Preston is one of the most highly respected photographers in the history of the music industry. His career in photography, which started in high school and continues to the present, has spanned more than four decades. Through his body of work, Preston has made a significant contribution to the pop culture history of multiple generations. His archive stands as one of the music industry’s single most elite and extensive photographic collections. For years, his photographs have appeared in every conceivable media outlet: on the covers and pages of hundreds of world-class magazines, newspapers and books; on television shows; in feature films and documentaries; in Broadway show programs and billboards; in print and electronic advertisements; and on innumerable vinyl and CD/DVD packages. He was also the key contributor to VH-1’s acclaimed “Behind the Music” documentary series, providing over 1,000 still photos used in over 50 episodes. Although Preston is best known in rock circles as Led Zeppelin’s U.S. tour photographer in the mid-1970’s, his rock-and-roll travels have taken him around the world visiting Russia with Billy Joel; Japan with Bruce Springsteen, Madonna, Michael Jackson and Duran Duran; China with Wham!; South Africa with Whitney Houston; Canada with Heart; and Mexico and South America with Queen in 1981 and 2015. In 1985, Preston was chosen as one of the official photographers for Bob Geldof’s “Live Aid” concert at London’s Wembley Stadium. In 1988 his association with Bruce Springsteen helped land him the job as official tour photographer for Amnesty International’s legendary “Conspiracy of Hope”tour, a five-week world trek in which Sting, Peter Gabriel and Tracy Chapman appeared along with Springsteen. In 1980 he began a 30-year-long relationship with “People Magazine” and to this day remains the most-assigned photographer in its history, with almost 700 shoot days to his credit. After joining the International Cinematographers Guild in 1999, Preston served as both the unit and special photographer for the feature films “Almost Famous,” “Vanilla Sky,” “Elizabethtown,” “We Bought a Zoo” and “Aloha” and recently completed work on Season 1 of the Showtime television series “Roadies” (all directed by Cameron Crowe). In addition to creating the key art for those projects, Preston also provided photos used in the feature films “61,” “Singles,” “Laurel Canyon” and “Pick of Destiny,” among others. In June of 2010 Preston cemented a relationship with the Hard Rock Hotel and Casino in Las Vegas, becoming the first photographer to mount a one-man exhibition of his work on the premises. His work was part of the Hard Rock’s permanent memorabilia collection. Preston’s work has been displayed at such elite institutions as the Smithsonian in Washington D.C., the National Gallery in London, England, and the Rock and Roll Hall of Fame in Cleveland, Ohio. His iconic photograph of Freddie Mercury is part of the permanent photo exhibit at the new Wembley Stadium in London, and close to 100 of Preston’s photographs adorn the walls of the newly renovated Forum in Inglewood, California.

Finding the Right black-white-photography for You

There’s a lot to love about black and white photography.

The unique and timeless quality of a black and white photograph accentuates any room. Some might argue that we’re naturally drawn to color photography because it’s the world we know best. This is a shared belief, particularly in the era of camera-phone photography, editing apps and the frenetic immediacy of sharing photos on social media. But when we look at black and white photography, we experience deep, rich shadows and tonal properties in a way that transfixes us. Composition and textures are crisp and engaging. We’re immediately drawn to the subjects of vintage street photography and continue to feel the emotional impact of decades-old photojournalism. The silhouettes of mountains in black and white landscape photography are particularly pronounced, while portrait photography and the skylines of urban cityscapes come to life in monochrome prints.

When decorating with fine photography, keep in mind that some color photographs may not be suitable for every space. However, you can be more daring with black and white photos. The gray tones are classic, sophisticated and generally introduce elegance to any corner of your home, which renders black and white prints amazingly versatile.

Black and white photography adapts to its surroundings like a chameleon might. A single large-scale black and white photograph above the sofa in your living room is going to work with any furniture style, and as some homeowners and designers today are working to introduce more muted tones and neutral palettes to dining rooms and bedrooms, the integration of black and white photography — a hallmark of minimalist decor — is a particularly natural choice for such a setting.

Another advantage to bringing black and white photography into your home is that you can style walls and add depth and character without worrying about disrupting an existing color scheme. Black and white photographs actually harmonize well with accent colors such as yellow, red and green. Your provocative Memphis Group lighting and bold Pierre Paulin seating will pair nicely with the black and white fine nude photography you’ve curated over the years.

Black and white photography also complements a variety of other art. Black and white photos pair well with drawings and etchings in monochromatic hues. They can also form part of specific color schemes. For example, you can place black and white prints in colored picture frames for a pop of color. And while there are no hard and fast rules, it’s best to keep black and white prints separate from color photographs. Color prints stand out in a room more than black and white prints do. Pairing them may detract attention from your black and white photography. Instead, dedicate separate walls or spaces to each.

Once you’ve selected the photography that best fits your space, you’ll need to decide how to hang the images. If you want to hang multiple photos, it’s essential to know how to arrange wall art. A proper arrangement can significantly enhance a living space.

On 1stDibs, explore a vast collection of compelling black and white photography by artists such as Mark Shaw, Jack Mitchell (a photographer you should know), Berenice Abbott and David Yarrow.