Ovale Carlo

Italian glassmaker Carlo Moretti elevated glassmaking to an avant-garde art form. He is known for his decorative vases, striking centerpieces and elegant table lamps. The bright, rich colors and sophisticated silhouettes of mid-century modernism that characterize his works brought high prestige to the Moretti name. 

Moretti was born in 1934 on Murano, a series of islands in the Venetian lagoon, a place famous for its glassmaking. Six years later, in 1940, his brother Giovanni Moretti was born. The older Moretti brother initially studied to become a lawyer, but he fell in love with the glassmaking tradition of his birthplace. 

In 1958, the two brothers opened the Carlo Moretti glassmaking company together in Murano. Carlo headed the company's creative side, but he was also a savvy entrepreneur. The Carlo Moretti company became known for its innovative techniques, creativity in design and refined style. 

Over the next 50 years, Moretti earned a name for himself as one of the Venetian glass masters. He was the recipient of the 1966 Internationalen Handwerksmesse Gold Medal, the 1966 Internationales Kunsthandwerk Award, the 1976 Macef Award and the 1984 Arango International Design Competition. His work is held in the collections of the Museum of Modern Art, Kunstgewerbemuseum, Musée Ariana and Cooper Hewitt, Smithsonian Design Museum. 

When Moretti died in 2008, Giovanni took over the company. Giovanni sold the Carlo Moretti company in 2013 and passed away in 2014. The company continues to introduce new glassware collections in the characteristic style of its founder. It also operates a showroom called L’ISOLA in Venice.

On 1stDibs, find vintage Carlo Moretti decorative objects, serveware, lighting and more.

The late 19th and early 20th centuries saw sweeping social change and major scientific advances — both of which contributed to a new aesthetic: modernism. Rejecting the rigidity of Victorian artistic conventions, modernists sought a new means of expression. References to the natural world and ornate classical embellishments gave way to the sleek simplicity of the Machine Age. Architect Philip Johnson characterized the hallmarks of modernism as “machine-like simplicity, smoothness or surface [and] avoidance of ornament.”

Early practitioners of modernist design include the De Stijl (“The Style”) group, founded in the Netherlands in 1917, and the Bauhaus School, founded two years later in Germany.

Followers of both groups produced sleek, spare designs — many of which became icons of daily life in the 20th century. The modernists rejected both natural and historical references and relied primarily on industrial materials such as metal, glass, plywood, and, later, plastics. While Bauhaus principals Marcel Breuer and Ludwig Mies van der Rohe created furniture from mass-produced, chrome-plated steel, American visionaries like Charles and Ray Eames worked in materials as novel as molded plywood and fiberglass. Today, Breuer’s Wassily chair, Mies van der Rohe’s Barcelona chair — crafted with his romantic partner, designer Lilly Reich — and the Eames lounge chair are emblems of progressive design and vintage originals are prized cornerstones of collections.

It’s difficult to overstate the influence that modernism continues to wield over designers and architects — and equally difficult to overstate how revolutionary it was when it first appeared a century ago. But because modernist furniture designs are so simple, they can blend in seamlessly with just about any type of décor. Don’t overlook them.