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Ross Pittman

A. Ross Pittman, Summer Home
Located in New York, NY
This print is signed and titled in pencil. A native of Tennessee and a physician, Pittman began to
Category

1930s American Modern Landscape Prints

Materials

Woodcut

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Willow Border
By William Seltzer Rice
Located in Santa Monica, CA
WILLIAM SELTZER RICE (1873 – 1963) WILLOW BORDER, ca 1915-20 Color woodcut. Signed Wm. S. Rice and titled in pencil, both very lightly. Image 10 x 9 inches. On fibrous paper. Sheet...
Category

1910s Other Art Style Landscape Prints

Materials

Woodcut

"War Brides, Wash Sq NYC" American Scene WWII Modernism WPA Mid-Century Oil
By Georgina Klitgaard
Located in New York, NY
"War Brides, Wash Sq NYC" American Scene WWII Modernism WPA Mid-Century Oil. 30 x 40 inches. Oil on canvas, c. 1942. Signed lower right. Titled on the stretcher. Housed in a sensatio...
Category

1940s American Modern Landscape Paintings

Materials

Canvas, Oil

Hendrik Glintenkamp, (Farmyard)
By Hendrik Glintenkamp
Located in New York, NY
More a wood engraving rather than a woodcut, Glintenkamp's Farmyard scene was given all the care and detail of the artist's more complex images. It is signed and numbered in pencil. ...
Category

1920s American Modern Landscape Prints

Materials

Woodcut

'Brooklyn Bridge' — 1920s view of an iconic New York City landmark
By Luigi Kasimir
Located in Myrtle Beach, SC
Luigi Kasimir, 'Brooklyn Bridge', color etching with aquatint, 1927, edition 100. Signed in pencil. A superb impression, with fresh colors, on heavy, cream wove paper; with margins...
Category

1920s American Modern Landscape Prints

Materials

Etching, Aquatint

THE THAW
By William Seltzer Rice
Located in Santa Monica, CA
WILLIAM SELTZER RICE (1873 - 1963) THE THAW c 1915-20 Color woodcut, signed and titled in pencil. Image 8 7/8 x 12 inches, sheet 10 3/4 x 14 3/8 inches. On textured fibrous paper. V...
Category

1910s American Modern Landscape Prints

Materials

Color, Woodcut

Albert Abramovitz, Mission, California
By Albert Abramovitz
Located in New York, NY
Albert Abramovitz was an amazingly skilled wood engraver. This California Mission scene is unusual in his work, but carries the subject so well. It is signed and titled in pencil.
Category

1940s American Modern Figurative Prints

Materials

Woodcut

Mary Lightfoot, Street Scene in Taos
Located in New York, NY
Mary Lightfoot was born in Ravenna, Texas. She studied at the College of Industrial Arts in Denton and the North Texas State Teachers College prior to receiving a master of arts degr...
Category

Mid-20th Century American Modern Landscape Prints

Materials

Lithograph

House at Gregory Point (Colorado), 1930s Black and White Landscape Lithograph
By Arnold Rönnebeck
Located in Denver, CO
Original Arnold Ronnebeck (1885-1947) lithograph of a home in Gregory Point, near Central City, Colorado from the 1930s. Edition of 25 printed. Presented in a custom frame, outer di...
Category

1930s American Modern Landscape Prints

Materials

Paper, Lithograph

"Sailing After the Storm" Realist Oil Painting on Board of Sailboat in Open Sea
By George Nemethy
Located in New York, NY
George Nemethy finds his inspiration in moments of quiet and solitude. Where he finds himself one with the sea and the sky and the tranquil world which he freely escapes to. Trained ...
Category

Late 20th Century Realist Landscape Paintings

Materials

Canvas, Oil, Board

"Blackwell's Island (Roosevelt Island, New York City), " George Picken, WPA Scene
By George Picken
Located in New York, NY
George Picken (1898 - 1971) The Octagon at Blackwell's Island (Roosevelt Island, New York City), 1928 Oil on canvas 22 x 27 inches Signed lower right Provenance: D. Wigmore Fine Art...
Category

1920s American Realist Landscape Paintings

Materials

Canvas, Oil

Out of My Window. (Vista; My Own; De Ma Fenêtre)
By John Taylor Arms
Located in Storrs, CT
Out of My Window. (Vista; My Own; De Ma Fenêtre). 1916. Etching. Fletcher 4, Library of Congress 254. 7 x 5 9/16 (sheet 9 3/8 x 9 1/2). Edition 75. Good condition apart from two re...
Category

20th Century American Modern Landscape Prints

Materials

Etching

English School, 19th Cent. –An Interior View of the Porch ... Church St. Alphage
Located in Middletown, NY
An Interior View of the Porch of the Parish Church St. Alphage; An interior view of the porch of the parish church of St Alphage, London Wall: formerly the chapel of the priory of El...
Category

Early 19th Century English School Landscape Prints

Materials

Engraving, Handmade Paper

Hellas
By Clinton Blair King
Located in San Francisco, CA
This Artwork Titlled "Hellas" 1974 is an original color etching and aquatint on Arches paper by noted American artist Clinton Blair King, 1901-1979 It is hand signed, dated, titled, ...
Category

Late 20th Century American Modern Nude Prints

Materials

Etching

Hellas
Hellas
H 22 in W 29.85 in D 0.01 in
"Playground, Carl Schurz Park" George Picken, New York City, East River, UES WPA
By George Picken
Located in New York, NY
George Picken Playground, Carl Schurz Park, 1938 Signed and dated lower left Oil on canvas 28 x 36 inches Provenance: Estate of the artist A native New Yorker, George Picken was bo...
Category

1930s American Realist Landscape Paintings

Materials

Canvas, Oil

The Silent Pie
By John Sloan
Located in Middletown, NY
Boston: Frederick J. Quinby Company, 1904. Etching on cream wove paper, 5 3/8 x 4 1/4 inches (135 x 107 mm), signed in the plate, lower right. Third state (of 3), from the novel The ...
Category

Early 20th Century American Modern Figurative Prints

Materials

Etching

Ex Libris - H. Malz - Etching by Michel Fingesten - 1930s
By Michel Fingesten
Located in Roma, IT
Ex Libris - H. Malz is a colored Woodcut print created by Michel Fingesten. Hand Signed on the lower right margin. The artwork is glued on cardboard. Total dimensions: 29 x 22.5...
Category

1930s Symbolist Figurative Prints

Materials

Etching

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Finding the Right prints-works-on-paper for You

Decorating with fine art prints — whether they’re figurative prints, abstract prints or another variety — has always been a practical way of bringing a space to life as well as bringing works by an artist you love into your home.

Pursued in the 1960s and ’70s, largely by Pop artists drawn to its associations with mass production, advertising, packaging and seriality, as well as those challenging the primacy of the Abstract Expressionist brushstroke, printmaking was embraced in the 1980s by painters and conceptual artists ranging from David Salle and Elizabeth Murray to Adrian Piper and Sherrie Levine.

Printmaking is the transfer of an image from one surface to another. An artist takes a material like stone, metal, wood or wax, carves, incises, draws or otherwise marks it with an image, inks or paints it and then transfers the image to a piece of paper or other material.

Fine art prints are frequently confused with their more commercial counterparts. After all, our closest connection to the printed image is through mass-produced newspapers, magazines and books, and many people don’t realize that even though prints are editions, they start with an original image created by an artist with the intent of reproducing it in a small batch. Fine art prints are created in strictly limited editions — 20 or 30 or maybe 50 — and are always based on an image created specifically to be made into an edition.

Many people think of revered Dutch artist Rembrandt as a painter but may not know that he was a printmaker as well. His prints have been preserved in time along with the work of other celebrated printmakers such as Pablo Picasso, Salvador Dalí and Andy Warhol. These fine art prints are still highly sought after by collectors.

“It’s another tool in the artist’s toolbox, just like painting or sculpture or anything else that an artist uses in the service of mark making or expressing him- or herself,” says International Fine Print Dealers Association (IFPDA) vice president Betsy Senior, of New York’s Betsy Senior Fine Art, Inc.

Because artist’s editions tend to be more affordable and available than his or her unique works, they’re more accessible and can be a great opportunity to bring a variety of colors, textures and shapes into a space.

For tight corners, select small fine art prints as opposed to the oversized bold piece you’ll hang as a focal point in the dining area. But be careful not to choose something that is too big for your space. And feel free to lean into it if need be — not every work needs picture-hanging hooks. Leaning a larger fine art print against the wall behind a bookcase can add a stylish installation-type dynamic to your living room. (Read more about how to arrange wall art here.)

Find fine art prints for sale on 1stDibs today.