Albrecht Steinert Art

Lithograph on vélin du Marais paper. Inscription: Unsigned and unnumbered, as issued. Good condition; unframed. Notes: From the volume, Verve: Revue Artistique et Littéraire, N° 29-...

Ciel Gris. 1959. Lithograph printed in colors. Vallier, Dora. Braque. The Complete Graphics, London 1988, page 294, No. 1033. 9 x 3 3/8 (sheet 15 x 10 3/4). One of about 3000 imp...

Krol also designed and engraved medals for the Paris mint, painted murals for various schools throughout France, created tapestries, and produced over 200 works in enamel. His work ...

Very little need to be said of the legendary Picasso. This original Etching "Pour Roby" (For Roby) is a classic example of his genius. Picasso originally drew this portrait for a fr...

Original Val de Loire, SNCF Railways vintage travel poster. Archival linen backed in excellent condition, ready to frame. Printer: Perceval, Paris. Pri...

From Joseph Delteil's "Allo, Paris," published by Quatre Chemins, Paris, 1926 Altlier blindstamp l.l. Rare proof on chine

Jean-Emile Laboureur (1877-1943) etching and engraving Paysage au Buttes-Chaumont (2nd Planche), 1920-21, signed and numbered ( 38/55) in pencil. Reference: Sylvain Laboureur 205. In very good condition with wide margins (remains of old hinging on margin verso, some showing through not near image). On white wove paper, 7 7/8 x 9 1/4, the sheet 10 x 13 1/2 inches, archival matting. A fine, fresh and clear impression of this important cubist-influenced scene. Jean-Emile Laboureur was born in Nantes in 1877. He traveled to Paris in 1895 intending to study law at the Sorbonne, but found himself drawn to the nearby famed Academie Julian, and although he never officially matriculated there, he became immersed in the Parisian art scene. Laboureur then traveled widely, staying for periods in the US and London, and studying classic art and printmaking in Italy and Germany. Although he had moved back to Paris by 1910, a time when analytical cubism was emerging in the work of Picasso and Braque, he continued working in an abstract, modernist mode, waiting until about 1913 or shortly thereafter to invent a cubist idiom all his own. Cubism remained an important theme for Laboureur, a theme he varied, sometimes using it as a strong design or compositional component, sometimes only as a subtle background element. In Paysage aux Buttes...

Jean-Emile Laboureur (1877-1943), Paysage au Tunnel, etching, 1920, signed in pencil lower left, numbered (19/55 ep) lower right and also titled lower left edge. Reference: Sylvain L...

Floating against a brown background, the three hands in this Pablo Picasso print are disembodied and dimensional. Illuminated with light from above, the hands are shown realistically...

Jean-Emile Laboureur (1877-1943), Le 14-Juillet au Village, engraving and roulette, 1925, signed in pencil lower left and numbered lower right (30/100) [also initialed and dated in t...

Pablo Picasso's mastery of perspective and integration of geometric planes into his portraits is evident in this portrait of a woman wearing a matching orange hat and blouse. Returni...

This print featuring a portrait of a small child shown in profile may be starkly different from his more radical Cubist works, but this portrait serves as a premier example of Pablo ...