Antoni Clavé Drawings and Watercolor Paintings

*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE Récolte des Pommes by Georges Manzana Pissarro (1871-1961) Mixed media on paper, laid on board 44.5 x 55 cm (17 ...

SOPHIA MILLIGAN 'Paradise, Remembered' Original Artwork ___________________ Late August sun breaks joyously through the low morning cloud, an easterly breeze rustling through the st...

Car rally. Fiat factory team. Marco Silombria (Savona, 1035- Turin, 2014) Mixed media: drawing, watercolor, pencils on paper, applied to hard support Around 1980. Marco Silombria...

Isabel Rock is a creator of contemporary fairy tales. A graduate of the Royal College of Art in London, her work is an explosion of strange occurrences while a surreal narrative take...

Gottfried Salzmann worked on a series of photo collages inspired by the city streets and the urban. In this collage the artist cuts and crops pieces of newspaper, and attaches them t...

Mito 2015 Collage e acrilico su carta CM 70x50 Con la mano e con fuoco, sul metallo. Con la mano e col pensiero sulla carta. Il disegno è inscindibile dalla scultura e non può esse...

Drawing on paper MICHAL BAJSAROWICZ (born in 1963) He graduated from the Academy of Fine Arts in Poznan, achieving his diploma in 1992 at the studio of prof. B. Wegner. His mainly w...

Isabel Rock is a creator of contemporary fairy tales. A graduate of the Royal College of Art in London, her work is an explosion of strange occurrences whi...

'Pasadena Reflections' Original Artwork Memories rise and float, tangled in the intangible shadows of time. 'Pasadena Reflections' captures an essence of the ephemeral and the end...

The discipline of creating a drawing each day is a process, like a written diary, to clear the mind, to declutter thoughts, and to observe patterns. It is a method that allows the mind a freedom to wander and drift. A visual journal becomes a safe space for personal reflection–a self-awareness fueled by the opportunity for contemplation and immersion. The painted surface for the drawings was created by dividing five large paintings into 40 separate pieces. I chose five paintings from my Perspective Series (1993-94), which relied on day-to-day imagery that narrated a story about shifting time and how time anchors our day. The brush strokes of Perspectives are fluid, with muted colors – moving from deep blacks to taupe whites. Dividing these pieces was a means for me to rethink ideas and recurring images in my older work. The very thin gold leaf applied to each piece has a wonderful amber tone. This gold leaf is from Myanmar, where it is used as decoration for Buddha or for the dome of a temple or monastery. In the drawings, the gold element relates to the sense of infinity – like the sky in an enclosed courtyard. An architectural element is a critical component in my studio work that I wanted to carry over into these pieces. I envisioned a courtyard–a safe space that opens up to the sky. Unfolding circles define the beginnings of an open interior space. The process felt open-ended. It was an opportunity to get lost in thought and to give me an opportunity to reflect, muse and declutter my thinking. Then repeat. 40 days...

SOPHIA MILLIGAN 'Midsummer's Noon' Original Artwork, Framed ________________________ In it's transitory beauty the sunflower turns to face the brazen light of the solstice sun. The...

Drawing on paper MICHAL BAJSAROWICZ (born in 1963) He graduated from the Academy of Fine Arts in Poznan, achieving his diploma in 1992 at the studio of prof. B. Wegner. His mainly w...