Audra Weaser Landscape Paintings

"Sprit Map 1", is a 48 x 50 inches, acrylic on canvas painting, by contemporary Boston artist, C. Clinton. It is an abstract painting in blue, green, white and subtle interference go...

A unique, medium to large scale exotic landscape painting with vivid colours and details. The painting style shows influences from the post-impressionists and fauvists, yet is undeni...

Wood for the trees by Rebecca Tucker [2021] original and hand signed by the artist Acrylic on wooden panel Image size: H:51 cm x W:51 cm Complete Size ...

Sarah Winkler is a British born, American contemporary landscape painter who has lived most of her life abroad in countries such as Malawi, Africa and Brunei, Borneo. She has lived in the US since 1989 and has spent over two decades living and working in California and Colorado. She studied Art and Earth Science at William Paterson University and combines both subjects in her landscape and environmental artworks. The artist is best known for her monumentally scaled, color rich, luminous paintings that interpret the geological storied past and eventful present of the formation of the American wilderness landscape. She incorporates ground water, crushed rock and materials from the landscape in her paintings to create moments of connection, exploration and discovery. Winkler has exhibited in solo and group shows nationally in galleries, regional museums and art fairs since 2004. Her work was recently showcased at the LA Art Fair, Art Aspen and the Jackson Hole Art Fine Art Fair. In 2019, Winkler was selected by US Ambassador, John Pommersheim and the curators of the Art in Embassies program to participate in a 3-year International exhibition at the Ambassador’s residence in Dushanbe, Tajikistan. Winkler was also invited to exhibit at the Colorado Governor’s Residence in Denver. Her artworks are in many private, public and corporate collections. These include The Phoenician and Mountain Shadows Resort, Paradise Valley, AZ. The Hilton West Palm Beach, FL. The InterContinental St Paul, MN. The Cosmopolitan Hotel of Las Vegas. The Viceroy Aspen. Ritz Carlton, Denver, CO. One Empire Pass, Montage, Deer Valley...

In this new series of paintings, Moore explores themes of wanderlust and memory. From glowing neon signage, to sprawling landscapes and unique architectural elements, this exhibition is a visual road trip from Los Angeles to Las Vegas. These paintings stem from Moore’s personal travels and open up a collective conversation about wanderlust. In these works, she revisits her former home of Los Angeles to shed a new light in juxtaposition to the bare California desert and the opulence of Las Vegas. This exhibition reflects a shift to new subject matter as well as a new artistic chapter that has been evolving within her work over the last two years. Moore’s process has progressed to become larger in scale, and more delicate in detail. This series of paintings offer trompe de l’oeil moments in combination with gestural brush stokes that reveal the artists hand. With a more increased focus on architectural elements, this exhibition amplifies features that were often muted in her earlier landscapes. With the exhibition title “All Those Who Wander”, Moore is leaving an option for the viewer to place themselves in the wanderlust narrative, or to observe it from afar. Moore believes we have a collective desire to explore and, in turn, we often daydream about our travels. This often creates a dream-like quality to our memories which results in a romanticized narrative within our minds. The reality of a place often doesn’t matter, it’s the memory of our experience there that sticks with us. We often like to sit a little longer with the most romantic and the most opulent visuals we have in our minds. Beginning with Los Angeles noir, the viewer is introduced to old Hollywood architecture blended with images reflecting the known edginess of the city. Familiar Hollywood landmarks are explored in a new light and we are left with a subtle sense of nostalgia as the viewer moves through the works. The bright desert landscapes lead into the “in between”; these are the lands that are on the way to somewhere else. Just as important as the beginning or the end, the transitional parts of a road trip often leave space for the most enriching moments of pause and reflection. The series finds a finishing point with the bright, opulent Neon Boneyard...

Bayard uses what he sees as a starting point. Sometimes he uses aerial photos. He puts as much as he can on the canvas initially and then subtracts, scraping down and repeating and s...

"I Believe I Can Fly" is a five-panel painting done on canvas with acrylic paint by Indian artist Ritu Sinha. From the artist: "This artwork is about the missing lyrical sounds of ...

Bayard uses what he sees as a starting point. Sometimes he uses aerial photos. He puts as much as he can on the canvas initially and then subtracts, scraping down and repeating and s...

Moira Hazel has a compulsive desire to paint, create, make marks and produce vivid and expressive work. She uses lively surface texture and intense colours to capture the essence of ...

60 x 48 inches mixed media and plaster on wood panel This contemporary, large vertical abstract expressionist & symbolist style painting was created by Hudson Valley based artist, R...

My point of view is an original contemporary abstract landscape oil painting from Gina Parr's series "Gone fishin' with Wilf’, remembering fishing with her father Wilf' as a child an...

A magnificent mature pine tree stands tall in this serene landscape by Peter Hoffer. The rich green of the pine boughs contrast with the deep turquoise blue of the sky and the pastor...