Benjamin Silva Art

Rudolf Bonnet (1895-1978) 'Mepèèd' (Mapeed) Signed lower right Titled upper right Pastel on gouache pigmented paper, 57 x 34 cm In original carved ebo...

Original gouache and ink nude figure drawing by celebrated, twentieth-century California impressionist landscape painter, Ronald Shap. Torso and buttocks of man with arm raised in wa...

ABOUT THE ARTWORK "I Have the Horse. Am I a Knight?" weaves a narrative of self-inquiry and identity. The central figure, a woman astride a majestic horse, is painted with warm, ear...

At the center of "Await For Desire" stands a young woman, her expression laden with introspection. Her captivating gaze invites viewers to explore the depths of their own desires and longings. Mayowa's depiction of the woman symbolizes the human capacity for introspection and the journey of self-discovery. Her youth suggests a sense of innocence as if she is at the precipice of embarking on a profound exploration of her desires, dreams, and aspirations. The rose flower held gently in the young woman's hand adds a layer of intrigue to the artwork. Roses have long been associated with love, desire, and beauty. In this context, the rose becomes a metaphor for the desires that lie within each of us, waiting to be explored and embraced. The delicacy with which the young woman holds the rose signifies the fragility and vulnerability of these desires. The petals, beautifully rendered by Mayowa, exude a sense of purity and grace, mirroring the young woman's own essence. The title of the artwork, "Await For Desire," suggests a period of patient waiting and introspection. Mayowa invites viewers to contemplate the nature of desire and the role it plays in shaping our lives. The young woman's expression implies a moment of deep reflection as if she is on the cusp of a significant realization or decision. This evokes a sense of intrigue, urging viewers to reflect on their own desires, their significance, and the choices that emerge from such introspection. Akingbade Mayowa...

I believe this work of Art would remind viewers about their warm childhood, give them a rekindled desire to live, and find comfort in the people surrounding them. We all need a reaso...

Perception is a painting that addresses individual perceptions about herself and how others see her. The subject in this painting gazes directly at the viewer to have eye-to-eye contact for an engaging conversation. She poses confidently and is ready for a dialogue. The motifs and icons generated from peacock feathers are used to weave the subject to further show the dignity of the personality. In the background of the painting are African icons to highlight the background of the subject. Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Emmanuel Ibitoye hails from Aiyedun in the Oke-Ero Local Government Area of Kwara State Nigeria. He developed an interest in art right from primary school. He further fuelled his passion for art at Osi Central Secondary School, Osi. He proceeded to Osun State College of Education Ila-Orangun where he studied fine and Applied art from 2012 to 2015. He is an Art Educator and a multi-media painter who uses his art to address issues such as environmental decadence, culture, and racism. He believes that art is a tool that can be used to bring about environmental and human sanity, cultural integration, and the breaking of racial barriers. He uses his art to project the black race in a dignified manner, he is the exponent of Neo- black Renaissance Art...

Italian School, 16th Century Provenance: Private Collection, New York This intriguing drawing is a study by an anonymous 16th-century Italian artist after a vignette in Michelangelo’s fresco of The Last Judgement in the Sistine Chapel. The altar wall of the Sistine Chapel was already richly decorated when Pope Clement VII commissioned Michelangelo to paint his Last Judgment...

In the quest to find utopia, I realized the role of truth and honesty in society cannot be underemphasized. It takes a thousand lies to cover a truth and this could lead to damaging ...

'Modern Dancers', pastel, ink and gouache on fine art paper by French artist, singer and sculptor, Mick Micheyl (1964). Two elegant young men are depicted in a graceful dancing pose, arms outstretched, their lithe bodies so agile and limber. Perhaps one of the dancers was her friend, Philippe, to whom the painting is dedicated on the bottom. The dedication says: 'For you Philippe, all my friendship'. Signed: 'Mick Micheyl'. The work has been newly framed and glazed after having been acquired in the S. of France. It is in fair vintage condition commensurate with age showing minor blemishing on the paper. Upon request a video of the piece can be provided. Dimensions with Frame: H 75 cm / 29.5" W 61 cm / 24" Dimensions without Frame: H 56 cm / 22" W 42 cm / 16.5" About the Artist: Mick Micheyl (1922 - 2019) was born in Lyon and had a busy and rewarding artistic career as a singer, producer, reviewer, metal sculptor, artist. After having received training at the School of Fine Arts in Lyon she became a painter and decorator in the theatre but then commenced a career in the musical activities of a theatrical troupe. She won the ABC competition in Paris in 1949 with a song, Le Marchand de Poésie, which she composed herself. She then performed in many cabarets: L'Échelle de Jacob, Harlequin and Liberty's. In the 1950s she was one of the most important French cabaret singers of that period. One of her titles, 'Un Gamin de Paris', became one of the French standards and also performed by Yves Montand and Robert Clary...

Charcoal and gouache on paper, titled ‘Phil Richards’ and dated ‘Friday Dec 8 72’ (lower left), 64cm x 48cm (72cm x 56cm framed).(Provenance: the Artist’s estate (stamped verso)). the picture is framed behind UV glass Stonehouse had an extraordinary life. As a young art student studying fashion illustration, he joined the Royal Artillery at the beginning of WWII but soon became a part of the Special Operations Executive (SOE). He was sent to France as a radio operator but three and a half months later was caught by the Gestapo, tortured, given a death sentence and then selected for slave labour. He spent the subsequent war years in three French prisons and five concentration and labour camps, including Dachau. He still managed to continue to draw in some of the camps. Following the war, Stonehouse went to the US and continued his career as a fashion artist painting for magazines like Vogue, Harper's Bazaar and Elizabeth Arden. He was also an accomplished portraitist. His work is celebrated in Brian Stonehouse...

Marta Lebek is a Polish artist born in 1978. She currently lives and works in Spain. She studied at the School of Fine Arts and specialized in the departm...

"9 Koi 23 - 2" is a complex work of koi fish swimming underwater filled with light and brilliant color painted in a lush and fluid style bordering on abstraction. Fish are in shad...