Bruce Weinberg Art

Innsbruck '76 original Olympics posters. Tirol Austria 1976. Winter Games. Original Olympic poster. Linen-backed. Published by Organizat...

Untitled Color lithograph, 1966 Unsigned as issued From:Derriere le Miroir, Volume 156 Large unsigned edition Printed by Mourlot, Paris Published by Aime Maeght, Paris Condition: Usu...

Represented by George Billis Gallery, NYC & LA --Darren Waterston (born 1965) is an American artist who is mainly known for his ethereal paintings. Etching monotype with hand work a...

Martha Reed was the daughter of the artist Doel Reed and as an adult she joined her parents in Taos, New Mexico. There she designed clothes with a south-we...

MILTON HEBALD (1917 - 2015) In 1994, at 77 years, Milton Hebald, one of the pre-eminent American figurative sculptors of the 20th centur...

From the estate of Jerry and Ruth Opper Abstract Bird Print 1940-1950's Stone Lithograph on Paper 17.5" x 23" Unframed Came from a portfolio of his...

Leonard Baskin (1922-2000) Death of the Laureate, `1957 Wood Engraving Framed: 18 1/2 x 18 in. Signed and inscribed bottom: Death of the Laureate, Ed. 20, For Walter [Rosenblum], Leo...

SALE ONE WEEK ONLY "Receiver I" is an abstract print of three diagonally placed lines. It is reminiscent of an early work by Georgia O'Keeffe, "Blue Lines X" in that both artists, Semivan and O'Keeffe, have achieved a beauty in the placement, width of, length and juxtapositions of simple lines to achieve a never ending balance and harmony for the viewer. Born in Detroit, Michigan, Douglas Semivan...

This is a unique mixed media edition of 50. on handmade paper with fabric, gold and other elements. Raised and educated in New York, Pat Hammerman is an ...

Represented by George Billis Gallery, NYC & LA --Darren Waterston (born 1965) is an American artist who is mainly known for his ethereal paintings. Etching monotype with hand work an...

"Indianapolis Museum of Art Inaugural Exhibitions", 25 October 1970, is an eye popping large bold colorful geometric abstract silk screen. It is signed on the lower right. Robert Indiana, one of the preeminent figures in American art since the 1960s, played a central role in the development of assemblage art, hard-edge painting, Pop art, Neo-Dada, American Modernism and Modern Art. A self-proclaimed “American painter of signs,” Indiana created a highly original body of work that explores American identity, personal history, and the power of abstraction and language, establishing an important legacy that resonates in the work of many contemporary artists such as Andy Warhol, Keith Haring, Roy Lectenstein, David Hockney, Romero Britto, Richard Hamilton and Robert Rauschenberg who make the written word a central element of their oeuvre. Robert Indiana was born Robert Clark in New Castle, Indiana on September 13, 1928. Adopted as an infant, he spent his childhood moving frequently throughout his namesake state. At 14 he moved to Indianapolis in order to attend Arsenal Technical High School, known for its strong arts curriculum. After graduating he spent three years in the U.S. Air Force and then studied at the Art Institute of Chicago, the Skowhegan School of Sculpture and Painting in Maine, and the Edinburgh College of Art in Scotland. In 1956, two years after moving to New York, Indiana met Ellsworth Kelly, and upon his recommendation took up residence in Coenties Slip, where a community of artists that would come to include Kelly, Agnes Martin, James Rosenquist, and Jack Youngerman had studios. Indiana, like some of his fellow artists, scavenged the area’s abandoned warehouses for materials, creating sculptural assemblages from old wooden beams, rusted metal wheels, and other remnants of the shipping trade that had thrived in Coenties Slip. The discovery of 19th century brass stencils led to the incorporation of brightly colored numbers and short emotionally charged words onto these sculptures as well as canvases, and became the basis of his new painterly vocabulary. Although acknowledged as a leader of Pop, Indiana distinguished himself from his Pop peers by addressing important social and political issues and incorporating profound historical and literary references into his works. In 1964 Indiana accepted Philip Johnson’s invitation to design a new work for the New York State Pavilion at the New York World’s Fair, creating a 20-foot EAT sign...

This is an exclusive handprinted unique cyanotype that takes its inspiration from the mid-century modern shapes. It's made by layering paper cutouts and different exposures using uv-...