Clay Johnson Abstract Drawings and Watercolors

"Corona 2," is an abstract work on paper featuring hues of gold, blue, turquoise, red, yellow, purple and white. This piece is framed in a simple white box frame behind Plexiglas mea...

Free shipping with code ART2021SHIP through December! Paula Cahill's linear abstract compositions are often comprised of a single, luminous line that meanders, changes color, and sea...

Untitled White 1, 2018 12" X 14" mixed media on board This abstract geometric composition on wooden board, part of the "Unititled White" series, features a playful grid motif that ...

Abstract painting on paper image: 18 x 24 inches paper size: 22 x 30 inches Contemporary minimalist abstract painting on a beautiful thick, creamy white Arches paper, unframed. Ins...

Interior design paintings. The work was done with acrylic in light and navy blue color on Yupo paper. The work is 20 by 26 inches in size, fr...

Untitled White 2, 2018 mixed media on board 12" X 14" This abstract geometric composition on wooden board features a playful grid motif that is inspired by the artist's interest i...

Free shipping with code ART2021SHIP through December! Paula Cahill's linear abstract compositions are often comprised of a single, luminous line that mean...

Interior design paintings. The work was done with acrylic in white, light and navy blue color on Yupo paper. The work is 20 by 26 inches in size, framed in fine-quality solid wood wi...

Interior design paintings. The work was done with india ink and acrylic in black, gold-silver, grey, brown, pale pink color on Yupo paper. The work is 11 by 14 inches in size, framed...

Anthony Benjamin, 'Seurah', watercolour and acrylic on paper, image size 31cm x 28cm, framed size, 62cm x 58cm, signed and dated 2001 Provenance: From the Artist Estate A Gallery Certificate accompanies the painting Anthony Benjamin was a 20th Century abstract precisionist artist. Born in 1931 he was active throughout the second half of the century. Experimental, talented and obsessive, Benjamin moved fluidly between mediums and refused to be tied to any practise. He was recognised by the Academy, his pier group and leading Galleries who displayed his work. He was also daring. At at time when the art-world was fixated with the St Ives Group of artists, Benjamin, who was part of this group, chose to leave. Although adept at making St Ives abstractionism it did not sit naturally with him. He did not see value in its art. He sought to replicate abstraction in nature and was inspired by others who had also mastered this craft such as the Composer Brian Eno, who he later collaborated with and Gnawa musicians of Morocco. Right the way through his artistic production we can see his engineering draughtsmanship, his formally perfect artworks always infused with an air of technical experimentation and a poetic response to the natural world.The artist was inspired by pattern and obsessed with process. Benjamin made monumental paintings. In the studio he thought a lot and considered every move. It was during these periods of contemplation that he would make warm up paintings that were beautifully loose and almost the antithesis in process of his large works. However it was in these smaller watercolour...

Interior design paintings. The artworks were done with watercolor and acrylic on black watercolor paper 300g. The works are 11,5 by 16,5 inches in size, framed (black) with a styrene...

The discipline of creating a drawing each day is a process, like a written diary, to clear the mind, to declutter thoughts, and to observe patterns. It is a method that allows the mind a freedom to wander and drift. A visual journal becomes a safe space for personal reflection–a self-awareness fueled by the opportunity for contemplation and immersion. The painted surface for the drawings was created by dividing five large paintings into 40 separate pieces. I chose five paintings from my Perspective Series (1993-94), which relied on day-to-day imagery that narrated a story about shifting time and how time anchors our day. The brush strokes of Perspectives are fluid, with muted colors – moving from deep blacks to taupe whites. Dividing these pieces was a means for me to rethink ideas and recurring images in my older work. The very thin gold leaf applied to each piece has a wonderful amber tone. This gold leaf is from Myanmar, where it is used as decoration for Buddha or for the dome of a temple or monastery. In the drawings, the gold element relates to the sense of infinity – like the sky in an enclosed courtyard. An architectural element is a critical component in my studio work that I wanted to carry over into these pieces. I envisioned a courtyard–a safe space that opens up to the sky. Unfolding circles define the beginnings of an open interior space. The process felt open-ended. It was an opportunity to get lost in thought and to give me an opportunity to reflect, muse and declutter my thinking. Then repeat. 40 days...