Corrado Cagli Art

Some People Together, 1974 Hand-signed and dated in pencil Color lithograph and screenprint Sheet 22 x 29 3/4 inches; 559 x 756 mm. Edition 110

Color lithograph after a gouache by Georges Braque from the edition of 398 published by Armand & Georges Israel in 1988. Printed signature. Artwork entirely made in France: from th...

Fahamu Pecou Bag of Tricks, 2015 Lithograph 28 x 22 inches (71.1 x 55.9 cm) Edition 113/150

This is a signed color lithograph by Bernard Buffet from the Don Quixote series printed in 1989 at the Atelier Mourlot, Paris. This particular image is of Don Quixote in his library....

Pen and ink on paper, laid down on canvas, mounted to wooden scroll bars Signed and dated lower right: “Drawn by N. B. Rogers August. 1843” Inscribed with an ownership inscription on the verso: Rev. E. D. Daniels, Palmer, Mass. Provenance: Rev. Eugene Davidson Daniels, Palmer, Massachusetts, 1871 This extraordinary manuscript map is a rare survivor of the devotional and educational culture of New England in the first half of the nineteenth century. Although at first glance resembling a large-scale engraving or printed publication, this precisely rendered wall map was entirely drawn by hand, the product of meticulous research by a minister working in isolation in rural Maine. The map shows New Testament era cities, towns, tribal areas, and political borders as well as physical features such as rivers, lakes, mountains, and hills (indicated by half-tone cross-hatching). On to this geographically accurate rendering of the Holy Land, Rogers has located and inscribed significant locales mentioned in the Gospels and has annotated these places with relevant citations from the Bible. He further records these by plotting the travels of Jesus on what resemble a series of trails across the Holy Land. Each is distinguished by a different pattern of dots and dashes – correlated to an explanatory table at the lower right. From this we know that these lines document the “Flight into Egypt and return,” “Travels of Christ from Nazareth to Jerusalem and return,” “Travels from the commencement of his Ministry to the first Passover,” “Travels from the first and the second Passover,” “Travels from Jerusalem to Galilee after the 2nd Passover,” and “Travels from the third Passover to the Crucifixion.” An inset map of “Jerusalem...

David Hockney (British, b. 1937), 'David Hockney -The Tate Gallery - Travels with Pen, Pencil and Ink, Drawings and Prints, but no paintings, 1961 - 1979'...

Some People Together, 1974 Hand-signed and dated in pencil Color lithograph and screenprint Sheet 22 x 29 3/4 inches; 559 x 756 mm. Edition 110

Will Barnet: A Timeless World (hand signed, dated and warmly inscribed), 2000 Softback monograph with stiff wraps (hand signed, dated and warmly inscribed) Hand signed, dated and warmly inscribed to Margo by Will Barnet on the half title page 12 × 9 × 1/2 inches We believe the colleague Margo refers to renowned African American artist Margo Humphrey, who also worked at the Rutgers Center for Innovative Printmaking with Will Barnet. The full inscription reads: Sep 21 2000 To my colleague -Margo- with appreciation and affection Will Barnet Book information: Published by the Montclair Art Museum, New Jersey and Distributed by Rutgers University Press English; Paperback; 124 pages containing 43 color and 20 black-and-white illustrations Publisher's blurb: Painter and printmaker Will Barnet has actively participated in the New York art world for nearly 70 years. A leading figure in the Indian Space painting movement of the late 1940s, Barnet stressed the spatial structures of Northwest Coast Indian art. Throughout the 1950s and into the 1960s, he made a series of hardedged, totemic abstractions marked by their "all-positive" space, which he described as austere, classical expressions of Indian culture. He then moved on to new art forms in the 1960s and 1970s, creating a series of family and art world portraits that achieved a remarkable balance between the formal demands of abstraction and the humanist aspects of representation. Will Barnet: A Timeless World is the first substantial publications to unify Barnet's prodigious output. Art historian Gail Stavitsky provides an overview of this artist's entire career. Twig Johnson, the museum's curator of Native American Art, discusses the relationship of Barnet's work to this important indigenous artistic tradition. Jessica Nicoll, chief curator at the Portland Museum of Art, explores the profound impact of New England upon Barnet and his work. Many of Barnet's works are beautifully reproduced in this catalog, containing 43 color and 20 black-and-white illustrations. More about Will Barnet: Will Barnet was born in Beverly, Massachusetts in 1911. He has taught and exhibited widely over his more than seventy-five year career. His works are in the collection of virtually every American museum, including locally The Guggenheim Museum, The Metropolitan Museum of Art, The Museum of Modern Art, and The Whitney Museum of American. He is an elected member of the American Academy of Arts and Letters. In fall 2011 the National Academy Museum will present a retrospective exhibition being organized by Bruce Weber. Barnet is represented exclusively by Alexandre Gallery...

Original vintage French poster: Mi Careme de Nantes carnaval poster. Printer: Jagueneau - Nantes, France. Over 50 years old, Linen ...

Artist: Jammie Holmes Title: A Self Portrait of an Artist on Narrow Street Size: 20 x 16 Inches Medium: 4 Color Process Serigraph Print on Mohawk Superfine UltraWhite, 160 lb cover. Edition: of 35 Year: 2020 Notes: Hand Signed and Numbered by the Artist. Jammie Holmes is a self-taught painter from Thibodaux, Louisiana, whose work tells the story of contemporary life for many black families in the Deep South. Through portraiture and tableaux, Holmes depicts stories of the celebrations and struggles of everyday life, with particular attention paid to a profound sense of place. Growing up 20 minutes from the Mississippi River, Holmes was surrounded by the social and economic consequences of America’s dark past, situated within a deep pocket of the Sun Belt, where reminders of slavery exist alongside labor union...

Marc Chagall Le Rêve de Paris (Paris Dream), 1969-70 Color lithograph on Arches wove paper 35 3/8 in x 25 1/4 in (90 cm x 64 cm) 40 1/8 in x 28 1/8 in (101.8 cm x 71.5 cm) Numbered f...

Original French antique vintage poster: RIBET DESJARDINS. Professional acid-free archival linen backed, very good condition. Ready to fram...