David Graham Figurative Photography

Altstadt Rêveries #06, 2008 [From the series Goldenbogen & Zouzou] Digital color print based on original Polaroid on beautiful PHOTO RAG ULTRA SMOOTH 305gsm - 100% cotton by HAHNEMÜHLE, Hand signed & numbered by the artist, edition of 7 - nr 02 Unmounted. Carmen De Vos - Artist statement Flying Freelance Portrayer. Purveyor of Exquisite Photographic Peculiarities. Chroniqueur and Archiver. Founder and Editor-in-Chief of the late TicKL-Magazine. The Belgian artist Carmen De Vos is a slow photographer. She registers, portrays and thinks up odd stories. She shoots Polaroids to frame these mental escapades, they get so easily out of hand. She enormously longs for what she’s afraid to loose: real human contact, the slowness of being and creating, the tangibility of materials. Almost without exception she uses old Polaroid camera’s, long time expired film and self-made filters. Her tools and methods - such as film bleaching and deliberate film obstruction - are not precise and are not even geared towards a perfect representation. They often yield results - such as colorisation, deformation, unsharpness - which she could never have predicted on forehand with any certainty, because their flaws do not allow for calculation. She’s not in control. She fights the material. She plans, stages and directs but the decayed chemistry and off-focus lenses add their magic. All by themselves. Which merrily surprises her. Or ruins her image. This battle attracts her as much as it frustrates her. She loves to create within these limitations, to try to produce the best possible image within the narrow circumstances given. Luckily, she’s a sucker for imperfections. Once upon a time she found herself guilty of home-crafted mischiefs for TicKL, her English art porn Polaroid magazine. She never really got cured from naughtiness. She can’t help but traveling back to these blessed times of free-love photography...

Swim - Signed limited edition archival pigment print, Edition of 5 This is an Archival Pigment print on fiber based paper ( Hahnemühle Photo Rag® Baryta 315 gsm , Acid-free and lign...

Patrick Chelli invents collections of photographs from different points of view, looking at the viewer at the back. In his new series, spectators are captured in galleries as they wa...

'Hula Doll', part of Richard Heeps 'Man's Ruin' Series, captured at Viva Las Vegas. This fun artwork has a cool kitsch vibe, the photograph itself has a lo-fi effect. This artwork i...

Moving in Together (Till Death do us Part) - Installation - 2008 Edition of 5. 16 analog C-Prints , hand-printed by the artist on Fuji Crystal Archive Paper, based on 13 Polaroids, ...

Patrick Chelli invents collections of photographs from different points of view, looking at the viewer at the back. In his new series, spectators are captured in galleries as they wa...

Kampos Project #6 (Two women in a Bathtub), 2016 Archival pigment print on Hahne Muehle 200 gm Edition of 7 20 x 35 cm - $1200 40 x 60 cm - $1900 70 x 90 cm - $2900 Stratis Vogiatz...

Run - 2018, Edition 1/10 plus 2 Artist Proof, 50x50cm. Digital Print based on a Polaroid on Hahnemühle photo rag paper, not mounted. Signed on back with certificate. Ariel Shelleg ...

24"x30" will photograph, signed and editioned on reverse. (edition of 5) This photograph is from a series entitled, “(UN)THINKABLE,” the culmination of 25 years of Phillip Buehler’s work photographing remnants of the Cold War throughout the United States and Europe. Buehler has visited NATO airbases, Cape Canaveral, the Airplane Graveyard, missile bunkers and silos (even within New York City’s borders) among many other sites that are historic, and yet hidden, forbidden, and forgotten. Photographs from this series will be featured in a solo exhibition this September at the Front Room Gallery. For anyone growing up during the Cold War the sense of dread of the world’s annihilation was all to concrete. It was evidenced in films like “Dr. Strangelove” and “The Day After.” Everyone knew the U.S. had enough nuclear weapons to destroy the world 5 times over, and assumed something similar about the Russians. For those not old enough to remember this built in fear, don’t worry (worry) it is reawakening. We don’t need another Cuban Missile Crisis to push us to the brink, the renewed tension with the Russians, and now North Korea’s recent entry in the nuclear weapons club is more than enough to unnerve anyone who is watching these conflicts unfold. Phillip Buehler is watching closely. Through this comprehensive series Buehler’s photos show many aspects of this non-war war. In Buehler’s aerial photographs from a military airplane storage yard in Arizona the repetition of the same model of bomber aircraft are so abstractly pattern-based that the overall effect beginnings to feel like a Middle Eastern...

Musei Vaticani,Museo Pio Clementino,Sala a Croce Greca, 2014 Chromogenic print Edition of 5 Signed, dated, and numbered on verso label 39.5 x 47.5 inches, edition of 5 47....

'Lunar Sea' 2019, Edition 1/10 plus 2 Artist Proof, 20x24cm. Art Print based on an original Polaroid on Hahnemuhle photo rag paper. Signature label and certificate. Not mounted. ...

MILES ALDRIDGE (*1964, Great Britain) Cat Story #7 2008 Chromogenic print Image 116,8 x 152,4 cm (46 x 60 in.) Sheet 128,8 x 164,4 cm (50 3/4 x 64 3/4 in.) Frame 133,8 x 169,4 x 5 c...