Donald Judd Art

Jill Moser, Ariadne, 2021 Woodcut print on Khadi 100 % cotton paper Signed and numbered by the artist on recto Paper size: 8.25 x 8 in Edition of 18 Published by Eminence Grise Editions, New York Printed by Andrew Mockler...

MARIA STELMASZCZYK (born in 1983) Studies at the Faculty of Graphic Arts and Painting Laboratory of Woodcut Techniques and Artistic Book at the Academy of Fine Arts Władysław Strzemi...

Brice Marden Celadon Muse 2003 Two color etching / one color lithograph 22 x 30 inches; 56 x 76 cm Edition of 45 Signed, dated, and numbered in graphite (lower recto) Frame available...

Artist: Robert Morris, American (1931 - 2018) Portfolio: In the Realm of the Carceral Title: The Hot and Cold Pools of Persuasion Year: 1979 Medium: Etching and Aquatint, signed and ...

Medium: Limited Edition Print. Technique: Woodcut. Paper: Hahnemühle 350 g.

Brice Marden Nevis Letter 2009 Etching 30 x 22 1/2 inches; 76 x 57 cm Edition of 45 Signed, dated, and numbered in graphite (lower recto) Frame available upon request Available from Matthew Marks...

Artist: Jack Sonenberg, American/Canadian (1925 - ) Title: Dimensions 2 Year: 1970 Medium: Etching with Aquatint with String Collage, signed and numbered in pencil Edition: 50 Image ...

Brice Marden The Fungoid Rock 1996-97 Etching and sugarlift aquatint on vintage Richard de Bas paper 19 1/4 x 15 3/4 inches; 50 x 40 cm Edition of 45 Signed, dated, and numbered in g...

Genre: Minimalism Subject: Abstract Medium: Etching Surface: Archival Paper Country: United States Dimensions: 22.25" x 22" Dimensions w/Frame: 23.25" x 23.25" CORBAN WALKER Dublin, Ireland, b. 1967 Corban Walker is an artist known for his investigations of perceptions of scale and architectural constructs. Standing four-feet tall, the artist’s personal relationship between self and the built environment is fundamental to the way he defines and develops his work. Embracing concepts of both architecture and minimalism, Walker uses specific local and cultural philosophies to encourage viewers to reexamine the way they conceptualize, navigate, and interact with their surroundings. The artist’s work is marked by carefully considered shifts in proportion and balance and is also distinguished by a diverse use of materials and media ranging from painting, drawing, photography, digital art, and sculpture to large-scale and site-specific installations. Selected Collections S. R. Guggenheim Museum, New York Irish Museum of Modern Art Arts Council of Ireland Mitsubishi Estate Co. Tokyo Crawford Municipal Art Gallery University College Dublin Bank of Scotland (Ireland) 2013 Come Together: Surviving Sandy, Industry City...

" Moab " was created with sand cast brass burn out mold and wood. This unique piece was mounted and finished in our foundry and workshop in Spain. It is certified authentic by the ...

Color softground etching with aquatint and spitbite aquatint. Edition 50

"Fieldwork," an original woodcut on paper by Roger Herman, is a piece for the true collector. This spectacular woodcut cannot be properly communicated digitally – it is a far more impactful and meaningful experience in person. This work of art would definitely enhance most homes or professional settings, perfect for those who have an affinity for abstracts, Neo-Expressionism, modernist paintings, or postmodern art. This woodcut was printed by Hans-Fuss and published by the Graphic Arts Council at LACMA. Work is outfitted with custom, conservation frame. Art historian Howard Singerman's words from the December 1982 ArtForum Magazine: "...Herman's expressionistic style... with its roots in German Expressionism and the New York School, is previously painted. His mean colors, thick pigment, and quick strokes are not a direct record of emotion and activity, they are not painting outside language, but signs for that painting, for an emotion and an activity that are no longer available. The expressionist act is recast as romantic aspiration; in his inscription, Herman evokes painting's past and admits his need for its aura... ...Herman's distance even undermines the emblematic immediacy of his expressionism, which he uses to attain more distance still. Unlike the flattened, aggressive figures that push to, and threaten to push through, the surfaces of most new painting, Herman's figures are situated in middle ground and buried beneath the paint..." Artist: ROGER HERMAN (1947-) Title: FIELDWORK Medium & Surface: ORIGINAL WOODCUT ON PAPER (framed) Signed/Numbered: HAND-SIGNED, NUMBERED, AND TITLED BY ARTIST Number: 36 of 75 Year Created: 1984 Country of Creation: UNITED STATES Image Area Dimensions: 24 x 48 INCHES Paper Dimensions: 38 x 62 INCHES Frame Dimensions:* 41.25 x 65.25 x 1 INCHES *This work of art is being sold framed. If you would like to change the frame to better match your style or environment, please contact us for Custom Archival Framing options. Additional Info: HIGHLY COLLECTIBLE WORK BY ROGER HERMAN – PRINTED BY HANS-FUSS WITH BLIND STAMP LOWER RIGHT. PUBLISHED BY THE GRAPHIC ARTS COUNCIL AT LACMA. FEATURES CUSTOM CONSERVATION FRAME. Artist Info/Bio: ARTIST BIOGRAPHY DOCUMENT IS INCLUDED Documentation: CERTIFICATE OF AUTHENTICITY IS INCLUDED About the Artist: Roger Herman, a German painter and ceramic artist, has become well known for the broad range of styles encompassed within his work across multiple mediums. Roger Herman was born in Germany in 1947, where he began his studies at the Kunstakademie in Karlsruhe. In 1976, he was offered a fellowship from the German Academic Exchange Service (DAAD), which took him across the world to San Francisco. It was here, in California, that his career began to flourish. He started by creating paintings of phenomenal proportion, soon christened as the West Coast parallel of the 80s Neo-expressionist movement. It was highly referential work, drawing on his knowledge of art history, as well as his famed sense of humor. With loose, facile brushwork, his art is reminiscent of the figurative German painters who emerged in the 1970s—like Markus Lüpertz (who taught at the Kunstakademie), Rainer Fetting...