Edward Loyal Field Art

Count Amadeo Preziosi (Maltese, 1816 – 1882) A set of six pencil and watercolour studies or Turkish characters including street vendors, a Turkish sold...

This is a 19th century architectural etching of the Pantheon in Rome entitled "Panteon di Agrippa detta La Rotonda", plate 9 from "Raccolta delle principali vedute di Roma e...

Academic style life drawing of female nude with charcoal and graphite by Mark Beard, "MB 017" graphite, Conte crayon and charcoal on Arches paper 30 x 22 inches unframed Signed, lowe...

House of Bernard Founded 1905. Watercolor over pencil. Some with gold or silver leaf highlights Paris, France. Coats, 1923. Evening dresses, 1926. French fashion has influe...

Louis Orr, 'New York' (from the portfolio 'Ports of America', published by Yale University Press, 1928), etching, 1925, edition not stated. Signed and titled in pencil. Signed in the...

Provenance John Welles Hollenback, New York The Painting is Signed FBartolini Lower Right Federico Bartolini (Italian, 1861 - 1908) Description: Federico Bartolini was a renowned ...

Initialed lower left, 'C.H.' for Charles Constantine Hoffbauer (French, 1875-1957) and painted circa 1900. Accompanied by the original artist-signed mat, original backing with inscription and newspaper clipping from Los Angeles Times' review of Hoffbauer's 1949 Legion of Honor Exhibition. Mat dimensions: 12.75 x 13.5 Inches An exceptionally fine and detailed, cabinet-sized gouache showing members of the Napoleonic guard relaxing in the courtyard of the Cathedral of Uspensky Sobor during France's brief occupation of Moscow during the fall of 1812. Born in Paris in 1875, Charles Hoffbauer studied at the Ecole des Beaux-Arts under Fernand Cormon and Gustave Moreau and, during his studies, became acquainted with Matisse, Rouault, and Marquet. He was the recipient of numerous prizes, medals and juried awards including an Honorable Mention in the Salon of 1896, and prizes at the Salons of 1898 and 1899. He was awarded a bronze medal at the Paris Universal Exposition of 1900 and, in the same year, a French government scholarship, the Prix National du Salon, that allowed him to travel and study in Italy, Greece and Egypt. In 1902, he won the Prix Rosa Bonheur. At the Salon of 1904, the French government purchased 'Champs de Bataille' for the Musée du Luxembourg and Hoffbauer was elected a member of the Legion of Honor. Hoffbauer served in the French Army as an official war artist during the first world war, winning the Croix de Guerre and acting as liaison officer to the American camouflage section. On the recommendation of the mural painter, James Wall Finn, Hoffbauer received the 1935 commission to paint the murals for Battle Abbey, the Confederate memorial in Richmond, Virginia. He revisited America to accept a commission for the mural in the Missouri State Capitol, and was appointed to membership of the jury of the 1937 International Exposition. Two years later, he became an American citizen and settled in Rockport, Massachusetts. Charles Hoffbauer's work may be found in the permanent collections of numerous national museums including the Museum of Modern Art in Paris. Reference: Who Was Who in American Art 1564-1975: 400 Years of Artists in America, Peter Hastings Falk, Sound View Press 1999, Vol. 2, p. 1585; Thieme-Becker Allgemeines Lexikon der Bildenden Künstler von der Antike bis zu Gengenwart, Ulrich Thieme and Felix Becker, Deutscher Taschenbuch Verlag 1992, Vol. 17/18, p. 246; E. Benezit, Dictionnaire des Peintres, Sculpteurs, Dessinateurs, et Graveurs, Jacques Busse, 1999 Nouvelle Édition, Gründ 1911, Vol. 7, p. 105; Biographical Encyclopedia of American Painters, Sculptors & Engravers of the U.S.: Colonial to 2002, Bob Creps, Dealer’s Choice Books, Inc. 2002, Vol. 1, p. 643; Steen, James T. "The Story of a Painting," Carnegie Magazine 31/32 (February 1957): 57-59; Charles Hoffbauer (1875-1957). Drawings, Temperas & Oil Paintings. Exh. cat. Somerville, MA: Gropper Art Gallery, 1977; Glueck, Grace. New York: The Painted City. Salt Lake City: Peregrine Smith Books...

A charcoal portrait drawing of a young woman. "The emotional intensity found in Bauman’s figurative work is astounding. A hallmark of Bauman’s character portraits is that, somehow,...

To see our other views of Oxford and Cambridge , particularly suitable for wedding and graduation presents, scroll down to "More from this Seller" and below it click on "See all from...

Elsa Carlander (British, circa 1930) An autumn gust Watercolour and pencil on paper Signed and inscribed ‘Best wishes from Elsa Carlander’ (lower right) 6.5/8 x 5.7/8 in. (16.8 x 15 ...

Four young English girls with flowers are shown in a line and moving from left to right. They are pushed forward on the picture plane as if they were on a stage with a simple indica...

A astounding portrait of a society beauty by Adele Grasset (active ca 1830-1850). With an open face and and lightly smiling lips, she is wearing a gown typical of the romantic period. Drawn in graphite and heightened with white, the drawing is dated 1836 As often with woman artists of the 18th and 19th century, there is little biographical information available on Adèle Grasset. We do know however, that she had studied with the highly prominent artist François Gérard (1770-1837) , known also as the Baron Gérard...