Edward Loyal Field Art
Born in Illinois, Edward Loyal Field frequently painted in the Tonalist aesthetic, where the artist would imbue the entire scene with a certain color to suggest a mist or atmosphere. His landscapes frequently adopted a feeling of nostalgia and admiration for rural life. The Boat House does just this, though without the color of many Tonalist compositions. Even without this unifying hue, Field created a sense of atmosphere and depth by manipulating value and mark, as well as beginning to blur any objects in the far distance.
1870s Academic Edward Loyal Field Art
Watercolor, Archival Paper
1880s Realist Edward Loyal Field Art
Etching
1890s Academic Edward Loyal Field Art
Paper, Watercolor
20th Century Academic Edward Loyal Field Art
Paper, Watercolor, Pencil
2010s Academic Edward Loyal Field Art
Charcoal, Archival Paper, Graphite, Conté
Mid-20th Century Realist Edward Loyal Field Art
Etching
19th Century Academic Edward Loyal Field Art
Paper, Watercolor
1970s Realist Edward Loyal Field Art
Paper, Etching
Mid-19th Century Realist Edward Loyal Field Art
Etching
Mid-20th Century Realist Edward Loyal Field Art
Etching
1870s Realist Edward Loyal Field Art
Drypoint, Etching, Aquatint
19th Century Realist Edward Loyal Field Art
Etching
1980s Realist Edward Loyal Field Art
Etching
1880s Academic Edward Loyal Field Art
Gouache, Pencil