Elise Wagner Art

About: Alena's artistic approach is intuitive and gestural. She often works with a limited color palette of encaustic pigment and uses an iterative and spontaneous approach to apply the media. The final phases of creation sometimes include additional intuitive mark-making, subtle line work and sentimental hand-written text from historical, contemporary, or autobiographical sources. Washi Paper: The texture and slight distress in select areas near certain media application is intentional and intended to be part of the overall aesthetic. Shipping: The artwork will be rolled, shipped in a tube, and take approximately 5 business days. For shorter delivery timelines please message Alena directly to make arrangements. Matte and Frame Ideas: Float frames (glass/no glass over the monotype; glass will "flatten" the monotype) Traditional frames with or without a matte When framing the monotype a light ivory or white matte board illuminates the colors. For assistance and/or advice with framing and mounting the monotypes, please contact me directly. Signature and Certificate All artworks are signed on the back in pencil and include the title, creation year, and my signature. A certificate of authenticity is also included with the artwork. ++++ Alena Ahrens is a contemporary American-Asian artist. She studied performance art at MoMA...

Vintage Abstract Mono Print by Elizabeth Cleveland C.2012 Gorgeous vintage mono print Pencil signed lower right Print dimensions 24" wide x 35.5" high ...

Small abstract expressionist style monotype in navy blue, green, light violet, and soft yellow 'Untitled 4' by Jenny Nelson Monotype, mad...

’Pisces’ Please note. This is not a mono print but 1st Dibs have option for Relief print. Which is what this is... By Yutaka Takayanagi. Medium - Relief print Edition - AP Signed - Yes Size - 510mm x 660mm Date - 1973 Condition - Excellent. 10 out of 10. Born in Tokyo in 1941, Takayanagi's artistic journey began when he enrolled at Tokyo University of the Arts in 1960, studying under the renowned oil painter Kaoru Yamaguchi. His talent was quickly recognized when he received an Honorable Mention at the 8th Shell Arts Award Exhibition in the same year. During his time at university, Takayanagi took an intensive course in copper plate printing under Tetsuro Komai, receiving his degree from the graduate school in 1966. Fascinated by the simultaneous color print method, he started creating copperplate prints and soon gained recognition for his unique metallic reliefs, which he produced using collages of English newspapers. Takayanagi's passion for experimentation led him to create metallic emboss reliefs using his own photographs, and in the latter half of the 1980s, he moved on to silkscreen prints. He continued to push the boundaries of his art, constantly exploring new techniques and mediums. In 1978 and the following year, Takayanagi was appointed as an arts researcher for the Ministry of Culture and traveled to the United States, France, and the UK. These experiences enriched his artistic perspective and further cemented his reputation as a highly regarded artist. Takayanagi was part of the influential printmaking group Sosaku Hanga, which emerged in the early 20th century in Japan. This movement emphasized the artist's involvement in every stage of the printmaking process, from designing the image to carving and printing the blocks. Takayanagi's work often incorporates elements of nature and landscape, with an emphasis on texture and pattern. He also experimented with collage, incorporating found materials like newspaper clippings and photographs into his prints. Takayanagi's work has been exhibited extensively in Japan and internationally, including at the Museum of Modern Art in New York and the National Museum of Modern Art in Tokyo. He has also received numerous awards for his contributions to printmaking, including the Japan Print Association Award and the Purple Ribbon Medal...

This piece titled "Fragments" is an original piece by Alexis Nutini and is made from a woodcut monoprint mounted on panel. This piece measures 14.5"h x 19"w. Born in Mexico City, A...

Monica DeSalvo’s “Gish Gallop” is an 11 x 14 abstract acrylic monotype printed on vintage red and blue ruled ledger paper. Olive green is revealed through an intricate bright yellow impression of frayed burlap with subtle lavender and white rings. Overprinted red rectangles echo the grid shown through the image. Texture and color vary from sharp and bright to dull and blurred. DeSalvo creates “visual duets” by printing directly onto her late father’s paper memorabilia with a Gelli plate...

3.11.23 A, 2023 Monoprint in colors, on wove paper 16 1/4 x 18 3/4 in. (41.3 x 47.6 cm) Unique Signed and dated in pencil, lower right

3.11.23 X, 2023 Monoprint in colors, on wove paper 16 1/4 x 18 3/4 in. (41.3 x 47.6 cm) Unique Signed and dated in pencil, lower right

Laura Moriarty's Talking to Rocks 19 is a multicolored encaustic monotype on kozo paper. Layers of pigmented beeswax on lightweight paper create an undulating composition suggesting ...

Sam Gilliam Cuatro, 1994 Monoprint with screenprint, collage, acrylic, stitching and embossing in colors on handmade paper Hand signed, dated, titled and annotated P/P by Sam Gilliam...

In this unique Michael Hurson monotype, stylized Greco-Roman pillars flank a plane of crosshatched and dotted texture in black, taupe, and grey ink. The f...

This abstract monoprint by American artist Peter Alexander (1939-2022) measures 30" x 33". It was completed in 1989 and is signed, titled, dated on the lower right corner. This print...