Eliza Southwood Figurative Prints

Hannoversche Allgemeine Zeitung is a contemporary artwork realized by Pol Bury. Mixed colored serigraph. Hand signed and numbered. Edition of 193/200. 

Image dimensions: 21.5x39 cm. Beautiful plate from the volume "Campi Flegrei" by William Hamilton including 59 plates by Pietro Fabris. This particular plate illustrates the eruptio...

Landscape Campi Phlegraei - Plate XIII - View of Capri is an original colored etching realized by Pietro Fabris between 1776 and 1779. This beautiful ...

The Box of Plasters is an artwork realized by Franco Gentilini in 1958. Oil sandblasting on canvas, 1958. cm. 30x40. Hand signed in the lower margin. Good conditions!

Serigraph on paper. Hand signed, titled and numbered by the artist. From the edition of 300. Artwork is in excellent condition. Certificate of Authenticity included. All reasonab...

Serigraph on paper. Hand signed and numbered by the artist. Edition of 300. Image size 20 x 24 inches. Sheet size 26 x 30 inches. Artwork is in excellent condition. Certificate o...

"Weather Eye" - 1989 Lithograph on Paper 1989 Lithograph on paper titled "Weather Eye" by Deborah Rumer (American, 20th Century). A windowsill is the focal point, as the viewer look...

Original Versailles, France vintage lithograph French travel poster. Printed by the French National Railroad, SNCF in the 1930's. Printer: Goossens. A poster fit for a king, since he did at one time reside here at Versailles. The grand fountains with a chariot and horses...

Japanese Artisans - Japanese Woodblock Print J Japanese woodblock depicting six women, all wearing vibrant kimonos, working on crafts by Tosa Mitsuoki (Japanese, 1617-1691). Japanese,c. 1600. Handcraft depiction (dye works).Section from a painted screen with presentations of handcraft.Kita-in, Saitama. Stamped lower left. Presented in a white mat and giltwood frame. Frame: 19"H x 14"W Mat: 18.25"H x 13.25"W Image: 14.5"H x 9.5"W Tosa Mitsuoki was a Japanese painter, reinvigorating the Yamato style of classical Japanese painting. Yamato-e originated from interest in reproducing early Tang dynasty paintings, and was later reinvented and further refined to fit Japanese cultural perceptions in the late Heian period. Yamato, sometimes referred to as wa or kazu had become synonymous with the Tosa-ha by the Muromachi period as a way for Japanese artist to distinguish their works from those of mainland Chinese paintings, kara-e. Yamato-e incorporated various visual and literary techniques for establishing narrative. Works were not always accompanied with text and may rely on heavily on period specific visual motifs, icons, and symbols to relay a story or theme. Tosa style by the time of Mitsuoki focused heavily on depicting themes of plants and nature, famous places, meisho, the four seasons, shik, bird-and-flower, kacho. Many of these popular symbols and icons from mimicking Chinese practices, treating the original Chinese masterwork as a sort of prototype to improve upon. Popular formats for Mitsuoki's pictures were wall scrolls kakemono, or handscrolls that would be read from right to left with the accompanied story, sliding doors fusuma and folding screen panels byobu that featured up to six panels. Mitsuoki's style incorporated the depth and calligraphy techniques of ink wash brushwork similar to Song dynasty and Yuan dynasty Chinese court paintings...

Serigraph on paper. Hand signed and numbered by the artist. Sheet size: 22.75 x 28.5 inches. Image size: 17 x 23 inches. Edition of 250. Artwork is in excellent condition. Cert...

Lithograph on vélin des Papeteries du Marais paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Drawings from the Bible by Marc Chagall, ...

Serigraph on paper. Hand signed and numbered by the artist. Image size approx 29 x 43 inches. Edition of 200. Artwork is in excellent condition. Certificate of authenticity includ...