Elizabeth Gourlay Art
American
Elizabeth Gourlay is an American abstract artist, whose work emerges from a progressive process of layering color, lines and forms, informed both by inner emotional states, and her observation of nature and architecture. She lives and works in Chester, Connecticut. She was invited to work with Master Printer Anthony Kirk. Gourlay finds the immediacy and experimental quality of monotypes valuable to her practice as an artist. Her work is featured in various private and corporate collections, including The Lewitt Collection, The Marriott Family and Yale University. She is the recipient of several grants and fellowships, including two Individual Artist State Grants from the DECD/Connecticut Office of the Arts. In 2011, she was an invited artist in residence at the studio of Sol LeWitt, Spoleto, Italy. Gourlay uses a wide range of media such as oil, flashe, acrylic, ink and graphite to create artfully simple and strong compositions. Gourlay thinks of her work as a meditation on colors, lines and forms, leading to a complex network of shifting shapes and colors. She has an interest in elements found in nature, architecture and music, drawing lines, grids and geometric shapes to demonstrate it. Indeed, her work is often described by its musicality and architectural connotations. The use of line suggests influences from Agnes Martin, while her play of color reminds Paul Klee’s work. Her compositions deal with order and chaos using a line, color and shape.
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Artist: Elizabeth Gourlay
Duende Three, Stripes Beige, Orange, Yellow, Red, Green, Gray
By Elizabeth Gourlay
Located in Kent, CT
In this painting by Elizabeth Gourlay, clean and precise, carefully ordered stripes and blocks of color in orange, green, yellow, red and brown are warm and vibrant against the soft ...
Category
2010s Contemporary Elizabeth Gourlay Art
Materials
Canvas, Vinyl
Blue Umber, Beige, Light Blue, Brown, Orange, Gray Abstract Painting, Stripes
By Elizabeth Gourlay
Located in Kent, CT
Clean and precise, carefully ordered stripes and blocks of color in warm orange, soft yellow, pale blue and light brown are lively and vibrant against the soft beige background. Sign...
Category
2010s Contemporary Elizabeth Gourlay Art
Materials
Canvas, Acrylic
Goldochregray Cream, Sage Green, Blue, Red Abstract Painting on Paper
By Elizabeth Gourlay
Located in Kent, CT
Clean and precise, carefully ordered blocks of color in shades of golden yellow cream, gray sage green, blue, and a dark coral shade of red are bright against the pale beige color of...
Category
2010s Contemporary Elizabeth Gourlay Art
Materials
Archival Ink, Gouache, Archival Paper, Graphite
Ashgreylime, Beige, Light Green, Sage, Lemon Yellow Stripes, Geometric Abstract
By Elizabeth Gourlay
Located in Kent, CT
Clean and precise, carefully ordered stripes and blocks of color in light green, dark sage, yellow ochre, pale lemon yellow and burnt orange are lively and vibrant against the neutra...
Category
2010s Contemporary Elizabeth Gourlay Art
Materials
Canvas, Acrylic, Color Pencil
Bruma Two, Ochre, Gray, Umber, Golden Brown Beige Square Geometric Abstract
By Elizabeth Gourlay
Located in Kent, CT
Stripes and blocks of color in soft gray blue, pale sage green, beige and golden brown are clean, precise and carefully ordered in this painting in flashe on canvas. Signed, dated an...
Category
2010s Contemporary Elizabeth Gourlay Art
Materials
Canvas, Vinyl
Red C (Abstract painting)
By Elizabeth Gourlay
Located in London, GB
Red C (Abstract painting)
Acrylic on linen mounted on shaped panel
Elizabeth Gourlay is an American abstract artist whose work emerges from a progressive process of layering colour, ...
Category
2010s Abstract Elizabeth Gourlay Art
Materials
Linen, Acrylic, Panel
D30 (Abstract Painting)
By Elizabeth Gourlay
Located in London, GB
D30 (Abstract Painting)
Acrylic on canvas mounted on shaped panel - Unframed
Elizabeth Gourlay is an American abstract artist whose work emerges from a progressive process of layer...
Category
2010s Abstract Elizabeth Gourlay Art
Materials
Canvas, Acrylic, Panel
AB22, Abstract Painting in Beige, Gray, Blue, Light Green, Red Orange
By Elizabeth Gourlay
Located in Kent, CT
In this abstract painting by Elizabeth Gourlay, clean and precise, carefully ordered stripes and blocks of color in gray, light green, red orange and blue are lively and vibrant agai...
Category
2010s Contemporary Elizabeth Gourlay Art
Materials
Canvas, Acrylic, Panel, Color Pencil
Grayviolet, Geometric Abstract, Orange Peach, Gray, Violet, Lilac Purple Stripes
By Elizabeth Gourlay
Located in Kent, CT
In this painting by Elizabeth Gourlay, carefully ordered horizontal blocks of color in salmon, peachy orange, lilac, mauve, gray and light purple are vibrant against thinner stripes ...
Category
2010s Contemporary Elizabeth Gourlay Art
Materials
Linen, Acrylic, Panel
Blueaqua, Blue, Sage Green, Violet, Beige, Gray Stripes
By Elizabeth Gourlay
Located in Kent, CT
In this abstract painting in colored pencil and acrylic on canvas by Elizabeth Gourlay, clean and precise, carefully ordered blocks of color in blue gray and light sage green are liv...
Category
2010s Contemporary Elizabeth Gourlay Art
Materials
Canvas, Acrylic, Color Pencil
Bluecobalt Green, Light Blue, Grass Green, Stripes, Geometric Abstract Painting
By Elizabeth Gourlay
Located in Kent, CT
Clean and precise, carefully ordered blocks of color in light blue and light green are lively and vibrant while thin, delicate lines in blue and navy frame the shapes. Signed, dated and titled on verso.
Elizabeth Gourlay’s work is a meditation on color and form, a gradual yet progressive analysis leading to a complex vocabulary of shapes, color and line. Musical composition, emotional states and our collective subconscious resonate within bars, lines and blocks of color. The abstract forms emerge, layer and shift in precisely ordered, carefully composed rhythms. The artist contemplates the elements that make color in reduced forms come to life: size, flatness, relation to its edges, and how the presence of other colors affect how it is perceived.
Gourlay draws inspiration from shapes found in everyday life and in her studio. The observed shapes either remain as they are or become simplified to their essential geometric elements. Subtleties in color, area, edge or orientation are the catalyst for emotive responses. Palette is minimized; the artist rarely uses a wide palette within one work. Rather, a broad range of colors are explored and then reduced. Gourlay investigates color properties: complementary or analogous color, value, saturation and color harmony vs. color anomaly.
Elizabeth’s Gourlay’s work has been shown extensively throughout the United States. The artist is the recipient of numerous residencies, fellowships and awards including Artist in Residence at the studio of Sol LeWitt in Spoleto, Italy. Gourlay’s work has been written about in The New Criterion, Painters’ Table and Gorky’s Granddaughter, to name a few. Gourlay earned her MFA at Yale University School of Art, New Haven, CT, and her BA from Edinburgh...
Category
2010s Contemporary Elizabeth Gourlay Art
Materials
Canvas, Acrylic, Color Pencil
Chestnut, Mint Green, Brown, Orange, Beige Square Abstract Geometric Painting
By Elizabeth Gourlay
Located in Kent, CT
Clean and precise, carefully ordered stripes and blocks of color in pale mint green, light blue, brown, beige and burnt orange complement the soft gray and beige background. Signed, dated and titled on verso.
Elizabeth Gourlay’s work is a meditation on color and form, a gradual yet progressive analysis leading to a complex vocabulary of shapes, color and line. Musical composition, emotional states and our collective subconscious resonate within bars, lines and blocks of color. The abstract forms emerge, layer and shift in precisely ordered, carefully composed rhythms. The artist contemplates the elements that make color in reduced forms come to life: size, flatness, relation to its edges, and how the presence of other colors affect how it is perceived.
Gourlay draws inspiration from shapes found in everyday life and in her studio. The observed shapes either remain as they are or become simplified to their essential geometric elements. Subtleties in color, area, edge or orientation are the catalyst for emotive responses. Palette is minimized; the artist rarely uses a wide palette within one work. Rather, a broad range of colors are explored and then reduced. Gourlay investigates color properties: complementary or analogous color, value, saturation and color harmony vs. color anomaly.
Elizabeth’s Gourlay’s work has been shown extensively throughout the United States. The artist is the recipient of numerous residencies, fellowships and awards including Artist in Residence at the studio of Sol LeWitt in Spoleto, Italy. Gourlay’s work has been written about in The New Criterion, Painters’ Table and Gorky’s Granddaughter, to name a few. Gourlay earned her MFA at Yale University School of Art, New Haven, CT, and her BA from Edinburgh...
Category
2010s Contemporary Elizabeth Gourlay Art
Materials
Canvas, Ink, Vinyl
Limegreyrose, Beige, Orange, Green, Lemon Yellow, Gray Stripes, Geometric
By Elizabeth Gourlay
Located in Kent, CT
Clean and precise, carefully ordered stripes and blocks of color in orange, green, pale lemon yellow, gray, blue and brown are lively and vibrant against the soft beige background. Signed, dated and titled on verso.
Elizabeth Gourlay’s work is a meditation on color and form, a gradual yet progressive analysis leading to a complex vocabulary of shapes, color and line. Musical composition, emotional states and our collective subconscious resonate within bars, lines and blocks of color. The abstract forms emerge, layer and shift in precisely ordered, carefully composed rhythms. The artist contemplates the elements that make color in reduced forms come to life: size, flatness, relation to its edges, and how the presence of other colors affect how it is perceived.
Gourlay draws inspiration from shapes found in everyday life and in her studio. The observed shapes either remain as they are or become simplified to their essential geometric elements. Subtleties in color, area, edge or orientation are the catalyst for emotive responses. Palette is minimized; the artist rarely uses a wide palette within one work. Rather, a broad range of colors are explored and then reduced. Gourlay investigates color properties: complementary or analogous color, value, saturation and color harmony vs. color anomaly.
Elizabeth’s Gourlay’s work has been shown extensively throughout the United States. The artist is the recipient of numerous residencies, fellowships and awards including Artist in Residence at the studio of Sol LeWitt in Spoleto, Italy. Gourlay’s work has been written about in The New Criterion, Painters’ Table and Gorky’s Granddaughter, to name a few. Gourlay earned her MFA at Yale University School of Art, New Haven, CT, and her BA from Edinburgh...
Category
2010s Contemporary Elizabeth Gourlay Art
Materials
Canvas, Acrylic, Color Pencil
Primrosegrey, Beige, Orange, Gray Blue, Yellow Stripes Geometric Abstract
By Elizabeth Gourlay
Located in Kent, CT
Clean and precise, carefully ordered stripes and blocks of color in orange, gray blue, pale yellow, blue and brown are lively and vibrant against the soft beige background. Signed, dated and titled on verso.
Elizabeth Gourlay’s work is a meditation on color and form, a gradual yet progressive analysis leading to a complex vocabulary of shapes, color and line. Musical composition, emotional states and our collective subconscious resonate within bars, lines and blocks of color. The abstract forms emerge, layer and shift in precisely ordered, carefully composed rhythms. The artist contemplates the elements that make color in reduced forms come to life: size, flatness, relation to its edges, and how the presence of other colors affect how it is perceived.
Gourlay draws inspiration from shapes found in everyday life and in her studio. The observed shapes either remain as they are or become simplified to their essential geometric elements. Subtleties in color, area, edge or orientation are the catalyst for emotive responses. Palette is minimized; the artist rarely uses a wide palette within one work. Rather, a broad range of colors are explored and then reduced. Gourlay investigates color properties: complementary or analogous color, value, saturation and color harmony vs. color anomaly.
Elizabeth’s Gourlay’s work has been shown extensively throughout the United States. The artist is the recipient of numerous residencies, fellowships and awards including Artist in Residence at the studio of Sol LeWitt in Spoleto, Italy. Gourlay’s work has been written about in The New Criterion, Painters’ Table and Gorky’s Granddaughter, to name a few. Gourlay earned her MFA at Yale University School of Art, New Haven, CT, and her BA from Edinburgh...
Category
2010s Contemporary Elizabeth Gourlay Art
Materials
Canvas, Acrylic, Color Pencil
PG 17, Coral Red Stripe, Light Green, Dark Sage
By Elizabeth Gourlay
Located in Kent, CT
In this abstract vertical painting in colored pencil and acrylic on canvas by Elizabeth Gourlay, a thick, vertical stripe in a coral shade of red orange is dramatic in the center of ...
Category
2010s Contemporary Elizabeth Gourlay Art
Materials
Canvas, Acrylic, Color Pencil
Quimperblue, Modern Square Abstract Painting Blue Beige, Green, Gray, Red, Black
By Elizabeth Gourlay
Located in Kent, CT
In this square abstract painting in flashe on canvas, clean and precise stripes and blocks of color in soft sage green, light mint green, dark gray blue are carefully ordered. Signed...
Category
2010s Contemporary Elizabeth Gourlay Art
Materials
Canvas, Vinyl, Other Medium
AB21, Geometric Abstract Painting, Beige, Orange, Yellow Ochre, Gray, Blue, Sage
By Elizabeth Gourlay
Located in Kent, CT
Clean and precise, carefully ordered stripes and blocks of color in orange, green, pale lemon yellow, gray, blue, purple and brown are lively and vibrant against the soft beige backg...
Category
2010s Contemporary Elizabeth Gourlay Art
Materials
Canvas, Acrylic, Panel, Color Pencil
H2, Geometric Abstract Painting, Beige, Orange, Yellow, Light Blue, Dark Gray
By Elizabeth Gourlay
Located in Kent, CT
In this painting by Elizabeth Gourlay, clean, precise, hand-painted stripes and blocks of color in yellow, orange, light blue and dark gray are warm and vibrant against the soft beig...
Category
2010s Contemporary Elizabeth Gourlay Art
Materials
Canvas, Acrylic
Watchetblue, Square Abstract Painting in Beige, Blue, Green, Gray, Umber, Brown
By Elizabeth Gourlay
Located in Kent, CT
In this abstract painting in flashe and ink on canvas by Elizabeth Gourlay, clean and precise, carefully ordered stripes and blocks of color in soft blue, pale sage green, beige and ...
Category
2010s Contemporary Elizabeth Gourlay Art
Materials
Vinyl, Canvas, Ink, Other Medium
Duende Two, Geometric Abstract Painting, Beige, Blue, Orange, Brown, Gray
By Elizabeth Gourlay
Located in Kent, CT
Clean and precise, carefully ordered stripes and blocks of color in warm orange, soft blue, pale yellow and yellow ochre are lively and vibrant against the soft gray and beige backgr...
Category
2010s Contemporary Elizabeth Gourlay Art
Materials
Canvas, Vinyl
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Abstract geometric painting with a cool toned palette of green, blue, and grey with accents of black and white against a sea foam green colored acrylic wash background
"Blue and Grey Green Plan" made by Hudson Valley artists, Donise English, in 2022
Graphite, colored pencil, and acrylic painting on vellum
24 x 18 inches unframed, 31 x 25 x 1.5 with an 8-ply white mat, non-glare plexi, and simple black moulding
Signed, verso
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This abstract geometric painting on vellum was made by Hudson Valley based artist, Donise English, in 2022. The composition begins with a blue green toned background of acrylic wash. A grid of box-like patterns in sky blue, green, grey, and black with white line work are stacked to create an irregular shape or an "imagined city grid", says the artist. The painting on vellum is complemented by a simple black frame with an 8-ply white mat, non-glare plexi, and wire backing. It's in excellent condition and ready to hang.
About the artist:
Donise English emphasizes lines, grids, and fields of subtle color to evoke imagined places and invented structures. While precise lines and straight angles are often associated with themes in architecture and urban planning designs, English conveys a geometric motif guided by intuition rather than a ruler. Variations on grids retain flaws and unmistakable traces of the artists’ hand; her style of draftsmanship shies away from intellectualism and instead makes her compositions feel very personal. A central checkerboard formation floats over a ground of pastel color or washes of grey or cream. Each design is intensely intricate, incorporating gouache, acrylic, pen, graphite, ink and colored pencil. The artist recently retired from her decades career teaching at Marist College and is now devoted full time to her art making.
Artist Statement:
My work is about the way visual diagrams present information that describes how something is made or the way it is. I am interested in drawing and collaging multiple layers of information that refer abstractly to maps, architectural drawings and blueprints or patterns and structures found in such things as roller coasters, power lines and fences. I use gouache and collaged paper in a series of layers that are a visual and ideological response to the previous layer to define my pictorial space. For each piece I create a set of rules to follow about the use of a limited palette, a grid format, opacity of paper and whether a piece may include curving lines or maintain a rectilinear structure.
Artist CV:
EDUCATION
Master of Fine Arts in Painting
Bard College 1986
Bachelor of Science in Art History
State University College at New Paltz 1977
Additional Study: New York Studio School (Drawing Marathons)
Columbia University, School of Architecture
Women’s Studio Workshop
TEACHING
Professor of Studio Art, Department of Art and Art History, Marist College, Poughkeepsie, NY
Coordinator, Interior Design Program, Florence, Italy campus
1992-present
AWARDS
NYFA Fellowship in Painting 2018
Invitational Award for Outstanding Contemporary Talent,
University of Bridgeport, CT 2000
Purchase Prize, “11th National Juried Exhibition”
College of Notre Dame of Maryland, Baltimore 1999
First Prize, “Women in the Visual Arts ‘95”
Erector Square Gallery, New Haven, CT 1995
Joseph A. Cain Memorial Purchase Award for Sculpture
Del Mar College, Corpus Christi, TX 1994
Honorable Mention, “National Juried Exhibition”
University of Bridgeport, CT 1993
Individual Artists Fellowship in Sculpture
Dutchess Arts Fund 1992/93
Tallix, Morris, Singer Internship in Sculpture
Tallix Foundry, Beacon, NY 1990/91
MEMBERSHIP Royal British Society of Sculptors
SELECTED JURIED/INVITATIONAL EXHIBITIONS
2020
“edu: Art Faculty of the Hudson Valley”, Hudson Valley MOCA, Peekskill, NY
2019
“Contemporary Abstraction”, Carrie Haddad Gallery, Hudson, NY
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“Peculiar Rarities”, Carrie Haddad Gallery, Hudson, NY
2017
“Interlock: Color and Contrast in Abstraction”, Carrie Haddad Gallery, Hudson, NY
“Donise English: Encaustics”, Catskill Art Society, Livingston Manor, NY
2016
“Let’s Stay in Touch”, Howard County Center for the Arts, Ellicott City, MD
“Under, Over, After Over”, Vassar College, Poughkeepsie, NY
2015
“Off the Grid”, Arts & Culture Program, Albany International Airport, Albany, NY
“Gridspace”, KMOCA, Kingston, NY
“Abstraction”, Carrie Haddad Gallery, Hudson, NY
“Assuming Identity”, NY Institute of Technology, New York, NY
2013
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“Artists of the Mohawk-Hudson Region”, The Hyde Collection, Glens Falls, NY
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“Strange Glue: Collage at 100”, Cambridge School, Weston, MA
“Dear Mother Nature”, Dorsky Museum, SUNY New Paltz, NY
“Fresher Paint”, Rockland Center for the Arts, Nyack, NY
Courthouse Gallery, Lake George Arts Project, Lake George, NY
2011
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“On/Of Paper”,Kirkland Art Center, Clinton, NY
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The Soap Factory, Minneapolis, MN
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University of Wisconsin-Milwaukee
“Girl Art Now”,Hera Gallery, Wakefield, RI
3 Person Exhibition, Monterey Peninsula College, Monterey, CA
“The Feminine Eye”, Bradley University, Peoria, IL “Women Painting Women”, McNeese State University, Lake Charles, LA “Thought Patterns”, Kent Place Gallery, Summit, NJ “Surface, Matter and Artifice”, Dutchess Community College Art Gallery
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Juror: Jeff Fleming, Senior Curator, Des Moines Art Center “The Great White Oak”, Garrison Art Center, Garrison, NY Carrie Haddad Gallery, Hudson, NY
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“Vision 2000...
Category
2010s Abstract Geometric Elizabeth Gourlay Art
Materials
Canvas, Gouache, Archival Paper, Color Pencil, Graphite
Black, Gold & Beige Plan (Abstract Geometric Framed Painting in Neutral Palette)
By Donise English
Located in Hudson, NY
Abstract geometric painting with a neutral palette of black, gold, and beige with sky blue accents against a cream colored, off white acrylic wash background
"Black, Gold, and Beige Plan" made by Hudson Valley artists, Donise English, in 2022
Graphite, colored pencil, and acrylic painting on vellum
24 x 18 inches unframed, 31 x 25 x 1.5 with an 8-ply white mat, non-glare plexi, and simple black moulding
Signed, verso
Excellent condition and ready to hang
This abstract geometric painting on vellum was made by Hudson Valley based artist, Donise English, in 2022. The composition begins with a neutral toned background of acrylic wash. A grid of box-like patterns in black, gold, beige and sky blue line work are stacked to create an irregular shape or an "imagined city grid", says the artist. The painting on vellum is complemented by a simple black frame with an 8-ply white mat, non-glare plexi, and wire backing. It's in excellent condition and ready to hang.
About the artist:
Donise English emphasizes lines, grids, and fields of subtle color to evoke imagined places and invented structures. While precise lines and straight angles are often associated with themes in architecture and urban planning designs, English conveys a geometric motif guided by intuition rather than a ruler. Variations on grids retain flaws and unmistakable traces of the artists’ hand; her style of draftsmanship shies away from intellectualism and instead makes her compositions feel very personal. A central checkerboard formation floats over a ground of pastel color or washes of grey or cream. Each design is intensely intricate, incorporating gouache, acrylic, pen, graphite, ink and colored pencil. The artist recently retired from her decades career teaching at Marist College and is now devoted full time to her art making.
Artist Statement:
My work is about the way visual diagrams present information that describes how something is made or the way it is. I am interested in drawing and collaging multiple layers of information that refer abstractly to maps, architectural drawings and blueprints or patterns and structures found in such things as roller coasters, power lines and fences. I use gouache and collaged paper in a series of layers that are a visual and ideological response to the previous layer to define my pictorial space. For each piece I create a set of rules to follow about the use of a limited palette, a grid format, opacity of paper and whether a piece may include curving lines or maintain a rectilinear structure.
Artist CV:
EDUCATION
Master of Fine Arts in Painting
Bard College 1986
Bachelor of Science in Art History
State University College at New Paltz 1977
Additional Study: New York Studio School (Drawing Marathons)
Columbia University, School of Architecture
Women’s Studio Workshop
TEACHING
Professor of Studio Art, Department of Art and Art History, Marist College, Poughkeepsie, NY
Coordinator, Interior Design Program, Florence, Italy campus
1992-present
AWARDS
NYFA Fellowship in Painting 2018
Invitational Award for Outstanding Contemporary Talent,
University of Bridgeport, CT 2000
Purchase Prize, “11th National Juried Exhibition”
College of Notre Dame of Maryland, Baltimore 1999
First Prize, “Women in the Visual Arts ‘95”
Erector Square Gallery, New Haven, CT 1995
Joseph A. Cain Memorial Purchase Award for Sculpture
Del Mar College, Corpus Christi, TX 1994
Honorable Mention, “National Juried Exhibition”
University of Bridgeport, CT 1993
Individual Artists Fellowship in Sculpture
Dutchess Arts Fund 1992/93
Tallix, Morris, Singer Internship in Sculpture
Tallix Foundry, Beacon, NY 1990/91
MEMBERSHIP Royal British Society of Sculptors
SELECTED JURIED/INVITATIONAL EXHIBITIONS
2020
“edu: Art Faculty of the Hudson Valley”, Hudson Valley MOCA, Peekskill, NY
2019
“Contemporary Abstraction”, Carrie Haddad Gallery, Hudson, NY
“Mixed Media”, SITE Gallery, Brooklyn, NY
2018
“JuxtaPositions”, The Painting Center, New York, NY
“Peculiar Rarities”, Carrie Haddad Gallery, Hudson, NY
2017
“Interlock: Color and Contrast in Abstraction”, Carrie Haddad Gallery, Hudson, NY
“Donise English: Encaustics”, Catskill Art Society, Livingston Manor, NY
2016
“Let’s Stay in Touch”, Howard County Center for the Arts, Ellicott City, MD
“Under, Over, After Over”, Vassar College, Poughkeepsie, NY
2015
“Off the Grid”, Arts & Culture Program, Albany International Airport, Albany, NY
“Gridspace”, KMOCA, Kingston, NY
“Abstraction”, Carrie Haddad Gallery, Hudson, NY
“Assuming Identity”, NY Institute of Technology, New York, NY
2013
“Modern Artists”, Carrie Haddad Gallery, Hudson, NY
“Artists of the Mohawk-Hudson Region”, The Hyde Collection, Glens Falls, NY
Stone Canoe/Community Folk Art Center, Syracuse, NY
2012
New York Institute of Technology, New York, NY
“Contemporary Painters (Who Just Happen To Be Women)”,
Carrie Haddad Gallery, Hudson, NY
“Strange Glue: Collage at 100”, Cambridge School, Weston, MA
“Dear Mother Nature”, Dorsky Museum, SUNY New Paltz, NY
“Fresher Paint”, Rockland Center for the Arts, Nyack, NY
Courthouse Gallery, Lake George Arts Project, Lake George, NY
2011
“Process+Content: Donise English”, Vassar College, Poughkeepsie, NY “Donise English-Paintings”,Orange County Community College,
Newburgh, NY
“Gender Matters/Matters of Gender”, Freedman Gallery,
Albright College, Reading, PA
2010
Carrie Haddad Gallery, Hudson, NY
“Encaustics: Wax and Image”, Westchester Community College,
White Plains, NY
“Dots, Lines and Figures”, Carrie Haddad Gallery, Hudson, NY
“Spring Awakening”, NY Institute of Technology, New York, NY
“Clay City Dreams”, NY Institute of Technology, New York, NY
“Texture,Pattern, Fragment”, Krause Gallery, Moses Brown School,
Providence, RI
2009
“Collage”, NY Institute of Technology, New York, NY
“Working in Wax”, Bedford Gallery, Walnut Creek, CA
“Encaustic 2009”, College of New Rochelle, NY
“Three Artists”, Carrie Haddad Gallery, Hudson, NY
“Convergence: The Human Experience”,Howard County Center for the Arts, MD
2008
“Suckers and Biters: Love, Lollipops, and Exquisite Corpse”
Chashama Gallery, New York, NY
Carrie Haddad Gallery, Hudson NY
2007
“Patterns and Light”, Blue Hill Gallery, Blue Hill, ME
“Suckers and Biters”, AG Gallery, Brooklyn, NY
2006
“100 Artists, 100 Watercolors”, Jeannie Freilich Fine Art,
New York, NY
“On/Of Paper”,Kirkland Art Center, Clinton, NY
“The Love Show”, Manchester Community College, Manchester, CT
2005
The Soap Factory, Minneapolis, MN
“Small Tales”, Valdosta State University, Georgia
National Juried Exhibition,Art Institute and Gallery
Salisbury, MD, Juror: Stephen Haller
“Greed, Envy, Jealousy, Fear”, TSL Warehouse, Hudson, NY
2004
“Women in the Middle: Borders, Barriers, Intersections”
University of Wisconsin-Milwaukee
“Girl Art Now”,Hera Gallery, Wakefield, RI
3 Person Exhibition, Monterey Peninsula College, Monterey, CA
“The Feminine Eye”, Bradley University, Peoria, IL “Women Painting Women”, McNeese State University, Lake Charles, LA “Thought Patterns”, Kent Place Gallery, Summit, NJ “Surface, Matter and Artifice”, Dutchess Community College Art Gallery
Poughkeepsie, NY
2003
“Beefcake/Cheesecake”,Orange County Center for Contemporary Art,
Santa Ana, CA,Juror: Jamie Wilson, Curator
Halpert Bienniel, Appalachian State University, Boone, NC
Juror: Jeff Fleming, Senior Curator, Des Moines Art Center “The Great White Oak”, Garrison Art Center, Garrison, NY Carrie Haddad Gallery, Hudson, NY
2002
“Cat Calls”, Red Clay Arts, Brooklyn
“Hudson Valley Regional”, SUNY New Paltz
Juror: Sydney Jenkins, Director, Ramapo College Art Galleries
2001
One-Person Exhibition, Davis and Hall Gallery, Hudson, NY “Beyond the Surface”, Womanmade Gallery, Chicago
One-Person Exhibition, Garrison Art Center, Garrison, NY
2000
“Vision 2000...
Category
2010s Abstract Geometric Elizabeth Gourlay Art
Materials
Canvas, Gouache, Archival Paper, Color Pencil, Graphite
Specifically Nowhere, Yellow (Abstract Geometric Painting with Grids on Yellow)
By Donise English
Located in Hudson, NY
Large abstract geometric painting with intricate line work in pencil and gouache on a bright yellow background
"Specifically, Nowhere (Yellow)" made by Hudson Valley artist, Donise English, in 2022
gouache, acrylic, pencil, and colored pencil on paper, mounted on panel
48 x 48 inches unframed, 50 x 50 inches with a dark brown stained wood floater frame
Surface is protected with four coats of an archival UV protective varnish
Signed, verso
Excellent condition and ready to hang
This large abstract geometric painting was made by Hudson Valley based artist, Donise English, in 2022. The composition begins with a bright yellow background overlaid with intricate line work in graphite and colored pencil. Thousands of hand drawn lines serve as a backdrop for a bold geometric form in a dusty violet and dark gray gridded pattern that references "an imagined city grid", says the artist. The painting on paper is mounted to wood panel and complemented with a dark stained wood floater frame. It's in excellent condition and ready to hang as is. The surface is protected with four coats of an archival UV protective varnish.
More about the work:
Donise English emphasizes lines, grids, and fields of subtle color to evoke imagined places and invented structures. While precise lines and straight angles are often associated with themes in architecture and urban planning designs, English conveys a geometric motif guided by intuition rather than a ruler. Variations on grids retain flaws and unmistakable traces of the artists’ hand; her style of draftsmanship shies away from intellectualism and instead makes her compositions feel very personal. Each design is intensely intricate, incorporating gouache, acrylic, pen, graphite, ink and colored pencil.
Artist Statement:
My work is about the way visual diagrams present information that describes how something is made or the way it is. I am interested in drawing and collaging multiple layers of information that refer abstractly to maps, architectural drawings and blueprints or patterns and structures found in such things as roller coasters, power lines and fences. I use gouache and collaged paper in a series of layers that are a visual and ideological response to the previous layer to define my pictorial space. For each piece I create a set of rules to follow about the use of a limited palette, a grid format, opacity of paper and whether a piece may include curving lines or maintain a rectilinear structure.
Artist CV:
EDUCATION
Master of Fine Arts in Painting
Bard College 1986
Bachelor of Science in Art History
State University College at New Paltz 1977
Additional Study: New York Studio School (Drawing Marathons)
Columbia University, School of Architecture
Women’s Studio Workshop
TEACHING
Professor of Studio Art, Department of Art and Art History, Marist College, Poughkeepsie, NY
Coordinator, Interior Design Program, Florence, Italy campus
1992-present
AWARDS
NYFA Fellowship in Painting 2018
Invitational Award for Outstanding Contemporary Talent,
University of Bridgeport, CT 2000
Purchase Prize, “11th National Juried Exhibition”
College of Notre Dame of Maryland, Baltimore 1999
First Prize, “Women in the Visual Arts ‘95”
Erector Square Gallery, New Haven, CT 1995
Joseph A. Cain Memorial Purchase Award for Sculpture
Del Mar College, Corpus Christi, TX 1994
Honorable Mention, “National Juried Exhibition”
University of Bridgeport, CT 1993
Individual Artists Fellowship in Sculpture
Dutchess Arts Fund 1992/93
Tallix, Morris, Singer Internship in Sculpture
Tallix Foundry, Beacon, NY 1990/91
MEMBERSHIP Royal British Society of Sculptors
SELECTED JURIED/INVITATIONAL EXHIBITIONS
2020
“edu: Art Faculty of the Hudson Valley”, Hudson Valley MOCA, Peekskill, NY
2019
“Contemporary Abstraction”, Carrie Haddad Gallery, Hudson, NY
“Mixed Media”, SITE Gallery, Brooklyn, NY
2018
“JuxtaPositions”, The Painting Center, New York, NY
“Peculiar Rarities”, Carrie Haddad Gallery, Hudson, NY
2017
“Interlock: Color and Contrast in Abstraction”, Carrie Haddad Gallery, Hudson, NY
“Donise English: Encaustics”, Catskill Art Society, Livingston Manor, NY
2016
“Let’s Stay in Touch”, Howard County Center for the Arts, Ellicott City, MD
“Under, Over, After Over”, Vassar College, Poughkeepsie, NY
2015
“Off the Grid”, Arts & Culture Program, Albany International Airport, Albany, NY
“Gridspace”, KMOCA, Kingston, NY
“Abstraction”, Carrie Haddad Gallery, Hudson, NY
“Assuming Identity”, NY Institute of Technology, New York, NY
2013
“Modern Artists”, Carrie Haddad Gallery, Hudson, NY
“Artists of the Mohawk-Hudson Region”, The Hyde Collection, Glens Falls, NY
Stone Canoe/Community Folk Art Center, Syracuse, NY
2012
New York Institute of Technology, New York, NY
“Contemporary Painters (Who Just Happen To Be Women)”,
Carrie Haddad Gallery, Hudson, NY
“Strange Glue: Collage at 100”, Cambridge School, Weston, MA
“Dear Mother Nature”, Dorsky Museum, SUNY New Paltz, NY
“Fresher Paint”, Rockland Center for the Arts, Nyack, NY
Courthouse Gallery, Lake George Arts Project, Lake George, NY
2011
“Process+Content: Donise English”, Vassar College, Poughkeepsie, NY “Donise English-Paintings”,Orange County Community College,
Newburgh, NY
“Gender Matters/Matters of Gender”, Freedman Gallery,
Albright College, Reading, PA
2010
Carrie Haddad Gallery, Hudson, NY
“Encaustics: Wax and Image”, Westchester Community College,
White Plains, NY
“Dots, Lines and Figures”, Carrie Haddad Gallery, Hudson, NY
“Spring Awakening”, NY Institute of Technology, New York, NY
“Clay City Dreams”, NY Institute of Technology, New York, NY
“Texture,Pattern, Fragment”, Krause Gallery, Moses Brown School,
Providence, RI
2009
“Collage”, NY Institute of Technology, New York, NY
“Working in Wax”, Bedford Gallery, Walnut Creek, CA
“Encaustic 2009”, College of New Rochelle, NY
“Three Artists”, Carrie Haddad Gallery, Hudson, NY
“Convergence: The Human Experience”,Howard County Center for the Arts, MD
2008
“Suckers and Biters: Love, Lollipops, and Exquisite Corpse”
Chashama Gallery, New York, NY
Carrie Haddad Gallery, Hudson NY
2007
“Patterns and Light”, Blue Hill Gallery, Blue Hill, ME
“Suckers and Biters”, AG Gallery, Brooklyn, NY
2006
“100 Artists, 100 Watercolors”, Jeannie Freilich Fine Art,
New York, NY
“On/Of Paper”,Kirkland Art Center, Clinton, NY
“The Love Show”, Manchester Community College, Manchester, CT
2005
The Soap Factory, Minneapolis, MN
“Small Tales”, Valdosta State University, Georgia
National Juried Exhibition,Art Institute and Gallery
Salisbury, MD, Juror: Stephen Haller
“Greed, Envy, Jealousy, Fear”, TSL Warehouse, Hudson, NY
2004
“Women in the Middle: Borders, Barriers, Intersections”
University of Wisconsin-Milwaukee
“Girl Art Now”,Hera Gallery, Wakefield, RI
3 Person Exhibition, Monterey Peninsula College, Monterey, CA
“The Feminine Eye”, Bradley University, Peoria, IL “Women Painting Women”, McNeese State University, Lake Charles, LA “Thought Patterns”, Kent Place Gallery, Summit, NJ “Surface, Matter and Artifice”, Dutchess Community College Art Gallery
Poughkeepsie, NY
2003
“Beefcake/Cheesecake”,Orange County Center for Contemporary Art,
Santa Ana, CA,Juror: Jamie Wilson, Curator
Halpert Bienniel, Appalachian State University, Boone, NC
Juror: Jeff Fleming, Senior Curator, Des Moines Art Center “The Great White Oak”, Garrison Art Center, Garrison, NY Carrie Haddad Gallery, Hudson, NY
2002
“Cat Calls”, Red Clay Arts, Brooklyn
“Hudson Valley Regional”, SUNY New Paltz
Juror: Sydney Jenkins, Director, Ramapo College Art Galleries
2001
One-Person Exhibition, Davis and Hall Gallery, Hudson, NY “Beyond the Surface”, Womanmade Gallery, Chicago
One-Person Exhibition, Garrison Art Center, Garrison, NY
2000
“Vision 2000...
Category
2010s Abstract Geometric Elizabeth Gourlay Art
Materials
Canvas, Gouache, Archival Paper, Color Pencil, Graphite
Grey, Orange & Blue Plan (Bold Abstract Geometric Framed Painting)
By Donise English
Located in Hudson, NY
Abstract geometric painting with a contrasting palette of blue, grey, and black with orange line work against a soft black acrylic wash background
"Grey, Orange, and Blue Plan" made by Hudson Valley artists, Donise English, in 2022
Graphite, colored pencil, and acrylic painting on vellum
24 x 18 inches unframed, 31 x 25 x 1.5 with an 8-ply white mat, non-glare plexi, and simple black moulding
Signed, verso
Excellent condition and ready to hang
This abstract geometric painting on vellum was made by Hudson Valley based artist, Donise English, in 2022. The composition begins with a freely applied soft black acrylic wash that lends a gentle layer to the bold geometric form in the foreground. A grid of box-like patterns in slate grey and black with bright orange and sky blue line work are stacked to create an irregular shape or an "imagined city grid", says the artist. The painting on vellum is complemented by a simple black frame with an 8-ply white mat, non-glare plexi, and wire backing. It's in excellent condition and ready to hang.
About the artist:
Donise English emphasizes lines, grids, and fields of subtle color to evoke imagined places and invented structures. While precise lines and straight angles are often associated with themes in architecture and urban planning designs, English conveys a geometric motif guided by intuition rather than a ruler. Variations on grids retain flaws and unmistakable traces of the artists’ hand; her style of draftsmanship shies away from intellectualism and instead makes her compositions feel very personal. A central checkerboard formation floats over a ground of pastel color or washes of grey or cream. Each design is intensely intricate, incorporating gouache, acrylic, pen, graphite, ink and colored pencil. The artist recently retired from her decades career teaching at Marist College and is now devoted full time to her art making.
Artist Statement:
My work is about the way visual diagrams present information that describes how something is made or the way it is. I am interested in drawing and collaging multiple layers of information that refer abstractly to maps, architectural drawings and blueprints or patterns and structures found in such things as roller coasters, power lines and fences. I use gouache and collaged paper in a series of layers that are a visual and ideological response to the previous layer to define my pictorial space. For each piece I create a set of rules to follow about the use of a limited palette, a grid format, opacity of paper and whether a piece may include curving lines or maintain a rectilinear structure.
Artist CV:
EDUCATION
Master of Fine Arts in Painting
Bard College 1986
Bachelor of Science in Art History
State University College at New Paltz 1977
Additional Study: New York Studio School (Drawing Marathons)
Columbia University, School of Architecture
Women’s Studio Workshop
TEACHING
Professor of Studio Art, Department of Art and Art History, Marist College, Poughkeepsie, NY
Coordinator, Interior Design Program, Florence, Italy campus
1992-present
AWARDS
NYFA Fellowship in Painting 2018
Invitational Award for Outstanding Contemporary Talent,
University of Bridgeport, CT 2000
Purchase Prize, “11th National Juried Exhibition”
College of Notre Dame of Maryland, Baltimore 1999
First Prize, “Women in the Visual Arts ‘95”
Erector Square Gallery, New Haven, CT 1995
Joseph A. Cain Memorial Purchase Award for Sculpture
Del Mar College, Corpus Christi, TX 1994
Honorable Mention, “National Juried Exhibition”
University of Bridgeport, CT 1993
Individual Artists Fellowship in Sculpture
Dutchess Arts Fund 1992/93
Tallix, Morris, Singer Internship in Sculpture
Tallix Foundry, Beacon, NY 1990/91
MEMBERSHIP Royal British Society of Sculptors
SELECTED JURIED/INVITATIONAL EXHIBITIONS
2020
“edu: Art Faculty of the Hudson Valley”, Hudson Valley MOCA, Peekskill, NY
2019
“Contemporary Abstraction”, Carrie Haddad Gallery, Hudson, NY
“Mixed Media”, SITE Gallery, Brooklyn, NY
2018
“JuxtaPositions”, The Painting Center, New York, NY
“Peculiar Rarities”, Carrie Haddad Gallery, Hudson, NY
2017
“Interlock: Color and Contrast in Abstraction”, Carrie Haddad Gallery, Hudson, NY
“Donise English: Encaustics”, Catskill Art Society, Livingston Manor, NY
2016
“Let’s Stay in Touch”, Howard County Center for the Arts, Ellicott City, MD
“Under, Over, After Over”, Vassar College, Poughkeepsie, NY
2015
“Off the Grid”, Arts & Culture Program, Albany International Airport, Albany, NY
“Gridspace”, KMOCA, Kingston, NY
“Abstraction”, Carrie Haddad Gallery, Hudson, NY
“Assuming Identity”, NY Institute of Technology, New York, NY
2013
“Modern Artists”, Carrie Haddad Gallery, Hudson, NY
“Artists of the Mohawk-Hudson Region”, The Hyde Collection, Glens Falls, NY
Stone Canoe/Community Folk Art Center, Syracuse, NY
2012
New York Institute of Technology, New York, NY
“Contemporary Painters (Who Just Happen To Be Women)”,
Carrie Haddad Gallery, Hudson, NY
“Strange Glue: Collage at 100”, Cambridge School, Weston, MA
“Dear Mother Nature”, Dorsky Museum, SUNY New Paltz, NY
“Fresher Paint”, Rockland Center for the Arts, Nyack, NY
Courthouse Gallery, Lake George Arts Project, Lake George, NY
2011
“Process+Content: Donise English”, Vassar College, Poughkeepsie, NY “Donise English-Paintings”,Orange County Community College,
Newburgh, NY
“Gender Matters/Matters of Gender”, Freedman Gallery,
Albright College, Reading, PA
2010
Carrie Haddad Gallery, Hudson, NY
“Encaustics: Wax and Image”, Westchester Community College,
White Plains, NY
“Dots, Lines and Figures”, Carrie Haddad Gallery, Hudson, NY
“Spring Awakening”, NY Institute of Technology, New York, NY
“Clay City Dreams”, NY Institute of Technology, New York, NY
“Texture,Pattern, Fragment”, Krause Gallery, Moses Brown School,
Providence, RI
2009
“Collage”, NY Institute of Technology, New York, NY
“Working in Wax”, Bedford Gallery, Walnut Creek, CA
“Encaustic 2009”, College of New Rochelle, NY
“Three Artists”, Carrie Haddad Gallery, Hudson, NY
“Convergence: The Human Experience”,Howard County Center for the Arts, MD
2008
“Suckers and Biters: Love, Lollipops, and Exquisite Corpse”
Chashama Gallery, New York, NY
Carrie Haddad Gallery, Hudson NY
2007
“Patterns and Light”, Blue Hill Gallery, Blue Hill, ME
“Suckers and Biters”, AG Gallery, Brooklyn, NY
2006
“100 Artists, 100 Watercolors”, Jeannie Freilich Fine Art,
New York, NY
“On/Of Paper”,Kirkland Art Center, Clinton, NY
“The Love Show”, Manchester Community College, Manchester, CT
2005
The Soap Factory, Minneapolis, MN
“Small Tales”, Valdosta State University, Georgia
National Juried Exhibition,Art Institute and Gallery
Salisbury, MD, Juror: Stephen Haller
“Greed, Envy, Jealousy, Fear”, TSL Warehouse, Hudson, NY
2004
“Women in the Middle: Borders, Barriers, Intersections”
University of Wisconsin-Milwaukee
“Girl Art Now”,Hera Gallery, Wakefield, RI
3 Person Exhibition, Monterey Peninsula College, Monterey, CA
“The Feminine Eye”, Bradley University, Peoria, IL “Women Painting Women”, McNeese State University, Lake Charles, LA “Thought Patterns”, Kent Place Gallery, Summit, NJ “Surface, Matter and Artifice”, Dutchess Community College Art Gallery
Poughkeepsie, NY
2003
“Beefcake/Cheesecake”,Orange County Center for Contemporary Art,
Santa Ana, CA,Juror: Jamie Wilson, Curator
Halpert Bienniel, Appalachian State University, Boone, NC
Juror: Jeff Fleming, Senior Curator, Des Moines Art Center “The Great White Oak”, Garrison Art Center, Garrison, NY Carrie Haddad Gallery, Hudson, NY
2002
“Cat Calls”, Red Clay Arts, Brooklyn
“Hudson Valley Regional”, SUNY New Paltz
Juror: Sydney Jenkins, Director, Ramapo College Art Galleries
2001
One-Person Exhibition, Davis and Hall Gallery, Hudson, NY “Beyond the Surface”, Womanmade Gallery, Chicago
One-Person Exhibition, Garrison Art Center, Garrison, NY
2000
“Vision 2000...
Category
2010s Abstract Geometric Elizabeth Gourlay Art
Materials
Canvas, Gouache, Archival Paper, Color Pencil, Graphite
H 31 in W 25 in D 1.5 in
Almost Paradise Large Abstract Painting
Located in Delray Beach, FL
Almost Paradise Large abstract Painting
gallery wrap, artist signed and titled on verso.
Frank Monaco.
Studied and worked with Marilyn Stiles of The Art Institute of Chicago/ Art H...
Category
2010s Abstract Elizabeth Gourlay Art
Materials
Vinyl, Cotton Canvas, Acrylic
Previously Available Items
Duende Two, Geometric Abstract Painting, Beige, Blue, Orange, Brown, Gray
By Elizabeth Gourlay
Located in Kent, CT
Clean and precise, carefully ordered stripes and blocks of color in warm orange, soft blue, pale yellow and yellow ochre are lively and vibrant against the soft gray and beige backgr...
Category
2010s Contemporary Elizabeth Gourlay Art
Materials
Canvas, Vinyl
Ashgreylime, Beige, Light Green, Sage, Lemon Yellow Stripes, Geometric Abstract
By Elizabeth Gourlay
Located in Kent, CT
Clean and precise, carefully ordered stripes and blocks of color in light green, dark sage, yellow ochre, pale iemon yellow and burnt orange are lively and vibrant against the neutra...
Category
2010s Contemporary Elizabeth Gourlay Art
Materials
Canvas, Acrylic, Color Pencil
Sea Glass Two, Mint Blue, Aqua Green, Brown, Ochre, Beige Painting on Paper
By Elizabeth Gourlay
Located in Kent, CT
Clean and precise, carefully ordered blocks of color in shades of mint green, light blue, pale teal and golden brown are bright against the neutral off-white color of the archival pa...
Category
2010s Contemporary Elizabeth Gourlay Art
Materials
Archival Ink, Gouache, Archival Paper, Graphite
T30, Abstract Painting, Pink, Blue, Green, Yellow on Geometric Shaped Panel
By Elizabeth Gourlay
Located in Kent, CT
In this abstract painting in acrylic on linen mounted on a shaped panel by Elizabeth Gourlay, carefully ordered blocks of color in thin lines in pink, golden yellow, blue, light purp...
Category
2010s Contemporary Elizabeth Gourlay Art
Materials
Acrylic, Panel, Linen
M30 (Abstract Painting)
By Elizabeth Gourlay
Located in London, GB
M30 (Abstract Painting)
Acrylic on canvas mounted on shaped panel - Unframed
Elizabeth Gourlay is an American abstract artist whose work emerges from a progressive process of layer...
Category
2010s Minimalist Elizabeth Gourlay Art
Materials
Canvas, Acrylic, Panel
BK 2 (Abstract Painting)
By Elizabeth Gourlay
Located in London, GB
BK 2 (Abstract Painting)
Colored pencil and acrylic on canvas mounted on panel - Unframed
Elizabeth Gourlay is an American abstract artist whose work emerges from a progressive pro...
Category
2010s Minimalist Elizabeth Gourlay Art
Materials
Canvas, Acrylic, Panel, Color Pencil
Blueaqua, Abstract Painting in Blue, Sage Green, Violet, Beige, Gray
By Elizabeth Gourlay
Located in Kent, CT
In this abstract painting in colored pencil and acrylic on canvas by Elizabeth Gourlay, clean and precise, carefully ordered blocks of color in blue gray and light sage green are liv...
Category
2010s Contemporary Elizabeth Gourlay Art
Materials
Canvas, Acrylic, Color Pencil
H 44 in W 40 in D 1.25 in
Portal 5 (Abstract painting)
By Elizabeth Gourlay
Located in London, GB
Portal 5 (Abstract painting)
Flashe on aluminum panel - Unframed
Elizabeth Gourlay uses a wide range of media such as oil, flashe, acrylic, ink and graphite to create artfully simp...
Category
2010s Abstract Elizabeth Gourlay Art
Materials
Vinyl, Panel
With lemon (Abstract Painting)
By Elizabeth Gourlay
Located in London, GB
With lemon (Abstract Painting)
Graphite and oil on panel - Unframed
This piece is part of a series begun in 2012 and is inspired by Elizabeth Gourlay's interest in color, music and...
Category
2010s Minimalist Elizabeth Gourlay Art
Materials
Oil, Panel, Graphite
Ashblue, Square Abstract Painting with Coral, Mint Green, Blue, Brown on Linen
By Elizabeth Gourlay
Located in Kent, CT
In this abstract square painting in flashe and ink on linen mounted on panel by Elizabeth Gourlay, carefully ordered stripes in shades of mint green, peachy coral, brown and blue are...
Category
2010s Contemporary Elizabeth Gourlay Art
Materials
Linen, Vinyl, Panel, Other Medium
Note d (Abstract print)
By Elizabeth Gourlay
Located in London, GB
Monotype on paper - Unframed
Elizabeth Gourlay uses a wide range of media such as oil, flashe, acrylic, ink and graphite to create artfully simple and strong compositions.
Gourlay ...
Category
2010s Abstract Elizabeth Gourlay Art
Materials
Paper, Monotype
Winter Tulip 2 (Abstract print)
By Elizabeth Gourlay
Located in London, GB
Monotype on paper - Unframed
This monotype is part of a series inspired by thoughts and emotional responses to the color and geometry of the architecture of Umbria, Italy.
It was c...
Category
2010s Minimalist Elizabeth Gourlay Art
Materials
Monotype
Elizabeth Gourlay art for sale on 1stDibs.
Find a wide variety of authentic Elizabeth Gourlay art available for sale on 1stDibs. If you’re browsing the collection of art to introduce a pop of color in a neutral corner of your living room or bedroom, you can find work that includes elements of orange, blue, green and other colors. You can also browse by medium to find art by Elizabeth Gourlay in paint, synthetic resin paint, fabric and more. Much of the original work by this artist or collective was created during the 21st century and contemporary and is mostly associated with the contemporary style. Not every interior allows for large Elizabeth Gourlay art, so small editions measuring 5 inches across are available. Customers who are interested in this artist might also find the work of Holly Miller, Debra Ramsay, and Ricky Hunt. Elizabeth Gourlay art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $1,115 and tops out at $8,500, while the average work can sell for $3,000.