Emma Bell Art

miniature glass vessels with wooden texture, volume VII, limited edition of 12 unique pieces approximate dimensions: 5-6 cm / 75-100 ml These little glass sculptures can be used as ...

The sculpture is signed and numbered. Edition 20/99. About the Artwork: The Chinese Zodiac can’t be ignored in the traditional culture of China. It’s closely interconnected with the social customs and habits, the aesthetic taste and the opinion of value. The Twelve animals of Year represent the traditional Chinese wisdom that the laws of Nature governs all things and that man must seek harmony with Nature. I created this Series of twelve zodiac animals made of gold and pottery, trying to give the “zodiac”-this long-standing cultural symbols a meaning of the prosperity and the luckiness. –He Wenjue About the artist: He Wenjue was born in 1970 in Hunan Province, China. He received his MA in painting from Jilin Academy of Fine Arts. Member of Chinese Art Association, Member of Chinese Painting Association.The vice-President of Hunan Oil-Painting Association. Research Fellow of Beijing Academy of China Xieyi Oil Painting.He is currently the vice president of Hunan Oil Painting Society, a member of China Artists Association and a member of Chinese Oil Painting Society. His works have been displayed on exhibitions at“Scenery in Map”ShangHai Solo Exhibition、Solo Exhibition, Frank Schlag Gallery, Essen, Germany、Sense of the Sparkle: He Wenjue Singapore Solo Exhibition, Singapore、Water: Senses of Sparkle, Tang Gallery, Bangkok, Thailand、The 9th & The 10th National Annual Fine Arts Exhibition、The first Chinese Freehand Brushwork Oil Painting、4th Jakarta Contemporary Ceramics Biennale, 6th BICMA ,、Painting the Present, Certosa di San Giacomo, Via Certosa 1 - Capri, Capri, Italy、The 2nd Chinese Oil Painting Biennale, The National Art Museum of China、The Xinjiang International Art Biennial 2014、Ethics as the DNA Art: The 9th Florence Biennale、SEA OF PEACE: Japan-Korea Contemporary Art Exhibition, Incheon Art Platform, Incheon, Korea、Faces and Figures, Germany、East side, Michael Schultz Gallery, Berlin, Germany、Vanhaerents Museum Collection, Brussel Belgium、China...

MATT SMITH (BRITISH) Aiden (Spout with pearls), 2021 Black Parian, Freshwater pearls 20 x 12 x 6 cm 7 3/4 x 4 3/4 x 2 1/4 in. (MS210) UK-born Matt Smith is well known for his site-...

My work bridges the divide between sculpture and painting and drawing. Paintings are geometric masses of color in oil paint and wood dowels, on shaped canvas. Often grouped in d...

Multicolored abstract ceramic sculpture titled "Reef Ware iV" by Lauren Skelly Bailey. Glazed stoneware with gold. Size: 7 x 6 x 5 inches. Dedica...

“Untitled” 2018-2019 Porcelain, Paper Clay Cone 6 Size: 33.25 in. x 17 in. COA provided Danielle Weigandt explores the construct of events in time and their role in our lives. Time ...

"Warm Luau" is an original, painted ceramic sculpture by John Oliver Lewis measuring 7”h x 5”w x 5”d. ABOUT // Originally from Wisconsin, John Oliver Lewis currently lives and works...

Abstract Minimalist Ceramic Sculpture in White Organic and minimalist sculpture by "Toki" John Toki (Japanese, 20th Century). This piece was pressed by hand from a mold. There is a ...

Midnight Blue, a ceramic relief sculpture of high-fired porcelain pigmented with oxides, paint and epoxy, is a recent work by New York artist Harold Wortsman. This sculpture is ready to be mounted to the wall. Note the artist's hand in the mark-making – cuts and radiating lines, the suggestion of maps, geometry and counting systems – it is characteristic of Wortsman's practice. Warm, contemporary, uniquely crafted, yet speaks to ancient, tribal traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets. Midnight Blue was recently exhibited at Harold Wortsman: Time and Space, Orange Art Foundation, New York City, February 2022. From Harold Wortsman – "With sculpture, my material of choice is high-fired clay. Pieces are first low-fired in an electric kiln. I do not use glazes. Instead, I use oxides applied to the bisqued (low-fired) clay. As with a tattoo, oxides permit the surface underneath to breathe—like naked skin. The work is then high-fired in a gas kiln with double reduction to cone 10. The final temperature is 2,300 degrees F. At a certain point, oxygen intake is reduced to the kiln. Because the fire has reached a critical mass, it needs oxygen and chemically takes it from the clay and the oxides painted on. Like a jazz improvisation, each kiln load comes out slightly different." From Jonathan Goodman – "Wortsman has increasingly moved into his own – a place in which the relations between the abstractions of volume and the intimations of very old culture are merged in a way that is new." – Essay, "Harold Wortsman: Time and Space", Orange Art Foundation, February 2022, New York City. Harold Wortsman is a sculptor and printmaker based in Brooklyn, NY. He “creates forms that bring to mind archaic cult objects and exude a quiet concentrated strength.” (Argauer Zeitung, Switzerland). His work, an edgy mix of freedom and clarity, can be found in public and private collections in the US, including The Library of Congress, Yale University, The New York Public Library Print Collection, The New York Historical Society, Smith College, Indiana University’s Lilly Library, Brandeis University, The Newark Public Library Special Collections Division, and the Jane Voorhees Zimmerli Art Museum Print Archive. Also in private and public collections in Europe, including the Municipal Collection of the City of Brugg, Switzerland. Harold studied at the New York Studio School of Drawing, Painting and Sculpture, with sculptor George Spaventa...

This exquisite porcelain, hairless, rat sculpture is hand-built without the use of molds by New York artist, Bethany Krull. The super white porcelain is built solid on a system of a...

Untitled XII, by Charo Oquet Ceramic 14 H in x 15 D in. 2018 These gravity-defying ceramics stacked constructions struggle to soar beyond the boundaries of the spaces that contain ...

Honor your inner superstar with a unique porcelain ceramic artwork from Katharine Morling's newest series, "The Paparazzi Collection". This sculpture titled "Camera with Long Zoom Lens" is handcrafted and especially designed in the artist's signature monotone black & white style by award winning ceramicist Katharine Morling. Morling's ceramic sculptures have been shown internationally at Bergdorf Goodman in New York, Liberty’s London, Miami, Italy, Kuwait, Algiers, Germany and France. She has also had solo exhibitions in Sweden, The Netherlands and throughout the UK. In 2019, Katharine Morling’s work was selected for the Royal Academy Summer Exhibition. It was the fifth time that Katharine Morling has exhibited in the Summer Exhibition and “Cut”, an over-sized chainsaw is the largest piece which Morling has shown to date. After graduating from the Royal College of Art in 2009, she was awarded first prize at the 2010 World Crafts Council Triennial in Belgium. Morling also represented the UK at the 2010 European Ceramic Context in Denmark. For COLLECT 2011, she showed a new installation Out of the House in the Project Space of the Saatchi Gallery. Other projects include created a large wall mounted installation for the new children’s ward commissioned by the Royal London Hospital through Vital Arts and a contemporary dance piece at the Royal Opera House...