Erle Loran Landscape Paintings

Orange Grove Landscape, 1941, gouache on illustration board, 14 inches x 18 inches (image), 22 x 26 inches (framed) signed and dated lower right, newly framed with museum glazing ...

This series of paintings is inspired by the relationship between the artist and the Fontainebleau forest region. Here we're talking about the Episy marsh, a sensitive, protected natu...

Wolf Kahn Dark Diagonal, 2012 Signed lower center Pastel on paper 9 x 12 inches An important member of the second generation New York School, Wolf Kahn is renowned for his luminous,...

I enjoy working on impressionist artworks with an expressive touch. This is the one of the artworks which was inspired by the beauty of the south of France and in particularly, by P...

Maria Poroy's "Dancing Blossoms II" is a 40" x 60" acrylic on canvas diptych that captures the lively spirit of spring. The abstract expressionist landscap...

Wolf Kahn Behind Reeds, 2004 Signed lower left Pastel on paper 7 x 9 inches Provenance: The artist Ameringer McEnery Yohe Gallery, New York Private Collection, Florida An important...

'Central City, Colorado' by Leonard Silverstein is an original gouache on paper from 1954. Hand signed, titled, and dated by the artist in the lower right...

Abstract drawing of a blue house in a yellow field by German-American painter, Wolf Kahn. Signed and dated by the artist in the lower right corner. Framed and matted in a silver wood...

Pond at Dusk is an contemporary abstract painting by Texan artist Eleanor McCarthy. It can also be described as a abstract landscape painting. Eleanor McCarthy uses acrylic paints on canvas to create the soothing colors in her new contemporary paintings that were just painted in 2023. LOOK FOR SHIPPING DISCOUNT QUOTE WHEN YOU CHECK OUT. Every client sees a different landscape or type of water in her pond series. Pond at Dusk by Eleanor McCarthy is framed which makes the painting 31 x 41. She is inspired by the scenery of Texas, Southwestern Colorado, and Europe. Eleanor has recently begun to pursue non-representational painting and has enjoyed exploring the process of abstraction in creating new works of art. She has added acrylic painting and mixed media application to her artworks. Eleanor graduated from Tulane University with a BA in Sociology and from Southern Methodist University School of Law with a JD. Eleanor began to pursue painting after her children went to college. She has studied with Nancy Paris Pruden in Houston for the last 20 years and for two years with Arielle Masson at the Glassell School of Art. Eleanor has furthered her training with painting workshops in Texas, Colorado and Washington State under Mitch Albala, Jeanne Mackenzie, Joshua Been, LaNell Arndt, John Lasater, Qiang Huang, Derek Penix, Julie Schumer and Adele Sypesteyn...

Colorado mountain landscape watercolor painting signed by artist Rita Derjue (1934-2020) depicts Cabins in the Snow in bright tones of blue, yellow, green and red/brown. Signed by the artist in the lower right corner. Presented in a custom frame with archival materials, outer dimensions measure 24 ⅛ x 31 ½ x 1 ¼ inches. Image sight size is 14 ½ x 21 ½ inches. About the Artist: Born Rhode Island, 1934 Artist, educator, mentor and community activist, Derjue is the daughter of European parents whose family members had previous connections with New York and New England. Her drawing talent as a youngster in Rhode Island caught the attention of family friend Johann Groen, a Dutch-born painter and photographer, who encouraged her to spend time touring and studying in Europe to further her art education. In 1956 she earned her Bachelor of Fine Arts degree at the Rhode Island School of Design that emphasized the fundamentals of drawing and design. Her most memorable teacher was Richard Hamilton, whose work was influenced by German Expressionist Max Beckmann and the jazz greats. Her studies from nature and Cubist compositions done at that time reflect her interest in early twentieth-century European modernist painting. She had the opportunity to experience it firsthand during a year of post-graduate work at the renowned Akademie den Bildenden Kunste in Munich, Germany, in 1956-57. She studied with Ernest Geitlinger (1895-1972) whom the Nazi government classified as a “degenerate” artist in the 1930s, preventing him from exhibiting in Germany. After World War II he was one of the co-founders of the Munich artists’ association, Neue Gruppe, in 1946 and played an important role in abstract painting. While studying with him in Munich she produced a number of canvases in a referential abstract style. She also became acquainted with the Blaue Reiter group that flourished in the early twentieth century and whose expressionism strongly influenced her color palette and painting style. She particularly admired the work of Blaue Reiter co-founder and Wassily Kandinsky’s long-time partner, Gabriele Münter, whose work she studied at the Lenbachhaus in Munich and at the Gabriele Münter Haus and the Schlossmuseum in Murnau south of Munich. Derjue’s immersion in German Expressionism imparted a bold, simplified style to her work. In 1958 with a friend from Munich she went to Mexico for a year, studying with artist Frank Gonzalez in his studio in San Angel, Mexico City, and with Canadian artist, Toni Onley, in San Miguel de Allende. Onley had recently won a scholarship to the Instituto Allende to study mural and fresco painting with David Siqueiros, one of the three greats of Mexican muralism. At the Instituto Onley began painting large black-and-white canvases in an abstract impressionistic style which he imparted to Derjue, who thereafter began exploring color and space in the dimensions of her own large compositions. With writer Gregory Strong, he subsequently published Onley’s Arctic and his autobiography, The Tony Onley Story. After returning to the United States, she worked as a graphic designer for Little, Brown and Company, publishers in Boston. She began dating her future husband, Carle Zimmerman, whom she met earlier in Europe and whom she married in 1960. Joining him at Cornell University where he was completing his Ph.D degree, she earned her Master of Arts degree at the same institution and participated in group shows at the Herbert F. Johnson Museum and the Munson-Williams-Proctor Arts Institute in upstate New York. In 1963 Derjue and her husband relocated to Littleton, Colorado, where he spent his entire career, first as a research engineer and later as a departmental manager for the Marathon Oil...

"Sea Garden 2" by Katheryn Holt is a 60" x 84" mixed media canvas that dives into the depths of marine serenity. Through a blend of turquoise, teal, and seafoam green, interspersed w...

Jack Hooper "Fruit Still Life" 10-1996 Conte crayon and gouache on paper 19.75"x14.25" cherry wood frame with white sides 24.25"x18.25" Signed and dated in...