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Artist: Félicien Rops
Chute d'un Ange - Original Etching by Félicien Rops - Late 19th Century
By Félicien Rops
Located in Roma, IT
Chute d’un Ange is an original drypoint on laid paper realized by Félicien Rops, hand monogrammed and inscribed "Ah! N'insultez jambs une femme qui tombe!". In very good conditions....
Category

Late 19th Century Symbolist Félicien Rops Prints and Multiples

Materials

Etching, Drypoint

La diligence d’Uccle - Original Etching by Félicien Rops - Late 19th Century
By Félicien Rops
Located in Roma, IT
Signed on plate. Includes passepartout: 49x34 cm. Good conditions. This artwork is shipped from Italy. Under existing legislation, any artwork in Italy created over 70 years ago by ...
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Late 19th Century Symbolist Félicien Rops Prints and Multiples

Materials

Etching

Le Pendu (The Hanged Man) - Etching by Félicien Rops - 1868
By Félicien Rops
Located in Roma, IT
The Hanged Man is an original etching realized by Félicien Rops in 1868, – 3rd state on 4, plate from “Uylenspiegel”, title "Le pendu, ou la mère gran...
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1860s Symbolist Félicien Rops Prints and Multiples

Materials

Etching

Le Calvaire - Etching and Heliogravure by Félicien Rops - 1882
By Félicien Rops
Located in Roma, IT
Le Calvaire is an original etching, soft ground and colour héliogravure on Japanese paper, realized by Félicien Rops in 1882, signed on plate, plate from Les Sataniques In very ...
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1880s Symbolist Félicien Rops Prints and Multiples

Materials

Engraving, Etching

L'agonie - Etching by Félicien Rops - 1896
By Félicien Rops
Located in Roma, IT
L’agonie is an original colored etching on paper realized by Félicien Rops in 1886, 3rd state of colours proof n°8, from Pellet éditeur, inscribed in p...
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1890s Symbolist Félicien Rops Prints and Multiples

Materials

Etching

Le Vice Supreme - Etching by Félicien Rops - 1883
By Félicien Rops
Located in Roma, IT
Le Vice Suprême is an original etching on Japanese paper realized by Félicien Rops in 1883, signed on plate and monogrammed in red pencil on bottom cent...
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1880s Symbolist Félicien Rops Prints and Multiples

Materials

Etching

L'Affûteur
By Félicien Rops
Located in Middletown, NY
Paris: Cadart, 1876 Etching on watermarked D & C Blauw cream laid paper, 6 x 9 1/4 inches (151 x 234 mm), full margins. Significant toning, handling creases and some mottling due to ...
Category

Late 19th Century Victorian Félicien Rops Prints and Multiples

Materials

Etching, Laid Paper

Ma fille! Monsieur Cabanel - Drypoint by Félicien Rops - 1850s
By Félicien Rops
Located in Roma, IT
Etching Héliogravure and drypoint. Signed with artist's monogram. Hand titled. Second state.  Good condition. Ref. Rouir 905; Exteens 411. 
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1850s Surrealist Félicien Rops Prints and Multiples

Materials

Drypoint

God of the Mother Superior
By Félicien Rops
Located in Middletown, NY
Heliogravure with soft varnish on Japan paper, 7 5/8 x 6 1/2 inches (192 x 164 mm), full margins. In good condition with some very minor handling wear, uniform toning, and one spot ...
Category

Late 19th Century French School Félicien Rops Prints and Multiples

Materials

Photogravure

Vieille Masken, La Servante Anversoise
By Félicien Rops
Located in Middletown, NY
Etching with engraving and drypoint printed in brownish black ink on cream laid paper with a partial heraldic A and fleur-de-lis watermark, 5 5/8 x 4 1/4 inches ( 341 x 107 mm), full...
Category

Late 19th Century French School Félicien Rops Prints and Multiples

Materials

Laid Paper, Engraving, Drypoint, Etching

Le Sire De Lumey
By Félicien Rops
Located in Middletown, NY
Brussels: J. Bouwens, 1867. Etching with aquatint and engraving on laid Japan paper, 9 3/4 x 6 1/2 inches (247 x 163 mm), full margins. Fifth state (of 5). Scattered moderate foxing....
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Late 19th Century Symbolist Félicien Rops Prints and Multiples

Materials

Laid Paper, Engraving, Etching, Aquatint

Prêtresse antique (Ancient Priestess)
By Félicien Rops
Located in Middletown, NY
Heliogravure by Félicien Rops (1833 – 1898), a Belgian artist, known primarily as a printmaker in etching and aquatint. He is noted for his drawings depicting erotic and Satanic them...
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Late 19th Century Symbolist Félicien Rops Prints and Multiples

Materials

Handmade Paper, Photogravure, Stencil

L'examen (The Examination)
By Félicien Rops
Located in Middletown, NY
Heliogravure on light weight Japan paper, full margins. Titled in pencil in the lower right margin. In good condition with some minor handling creases, dog-eared lower right corner, ...
Category

Late 19th Century Victorian Félicien Rops Prints and Multiples

Materials

Photogravure

Médecine Expérimentale - Etching by Félicien Rops - 1854
By Félicien Rops
Located in Roma, IT
Médecine Expérimentale (Experimental medicine), is an original etching, soft ground, on Japanese paper realized by Félicien Rops in 1854, signed in the ...
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1870s Symbolist Félicien Rops Prints and Multiples

Materials

Etching

Nymph - Lithograph by Félicien Rops - Late 19th Century
By Félicien Rops
Located in Roma, IT
Nymph is an original lithograph on ivory-colored paper realized by Félicien Rops. In very good conditions. Specimen 1/2 handwritten note in pencil at the bottom. Image Dimensions: ...
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Late 19th Century Modern Félicien Rops Prints and Multiples

Materials

Lithograph

Le Werwolf - Etching by Félicien Rops - 1868
By Félicien Rops
Located in Roma, IT
Le Werwolf is an original etching realized by Félicien Rops in 1868 on Japanese paper, 2nd state on 6 before the letter, plate from “Uylenspiegel”. In v...
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1860s Symbolist Félicien Rops Prints and Multiples

Materials

Etching

Le Po au Lait - Original Etching by Félicien Rops - Late 19th Century
By Félicien Rops
Located in Roma, IT
Le Pot au Lait is a beautiful and rare engraving of the second half of the XIX century, realized with different techniques by the Belgian artist Felicien Rops. This is a Last State a...
Category

Late 19th Century Symbolist Félicien Rops Prints and Multiples

Materials

Etching

Related Items
Marc Chagall - Moses Striking Water from the Rock - Original Handsigned Etching
By Marc Chagall
Located in Collonge Bellerive, Geneve, CH
Marc Chagall - Moses Striking Water from the Rock - Original Handsigned Etching 1958 Printed by Tériade Dimensions: 54 x 39 cm Handsigned and numbered handcolored Edition: 100 Reference: Cramer 30. Marc Chagall (born in 1887) Marc Chagall was born in Belarus in 1887 and developed an early interest in art. After studying painting, in 1907 he left Russia for Paris, where he lived in an artist colony on the city’s outskirts. Fusing his own personal, dreamlike imagery with hints of the fauvism and cubism popular in France at the time, Chagall created his most lasting work—including I and the Village (1911)—some of which would be featured in the Salon des Indépendants exhibitions. After returning to Vitebsk for a visit in 1914, the outbreak of WWI trapped Chagall in Russia. He returned to France in 1923 but was forced to flee the country and Nazi persecution during WWII. Finding asylum in the U.S., Chagall became involved in set and costume design before returning to France in 1948. In his later years, he experimented with new art forms and was commissioned to produce numerous large-scale works. Chagall died in St.-Paul-de-Vence in 1985. The Village Marc Chagall was born in a small Hassidic community on the outskirts of Vitebsk, Belarus, on July 7, 1887. His father was a fishmonger, and his mother ran a small sundries shop in the village. As a child, Chagall attended the Jewish elementary school, where he studied Hebrew and the Bible, before later attending the Russian public school. He began to learn the fundamentals of drawing during this time, but perhaps more importantly, he absorbed the world around him, storing away the imagery and themes that would feature largely in most of his later work. At age 19 Chagall enrolled at a private, all-Jewish art school and began his formal education in painting, studying briefly with portrait artist Yehuda Pen. However, he left the school after several months, moving to St. Petersburg in 1907 to study at the Imperial Society for the Protection of Fine Arts. The following year, he enrolled at the Svanseva School, studying with set designer Léon Bakst, whose work had been featured in Sergei Diaghilev's Ballets Russes. This early experience would prove important to Chagall’s later career as well. Despite this formal instruction, and the widespread popularity of realism in Russia at the time, Chagall was already establishing his own personal style, which featured a more dreamlike unreality and the people, places and imagery that were close to his heart. Some examples from this period are his Window Vitebsk (1908) and My Fianceé with Black Gloves (1909), which pictured Bella Rosenfeld, to whom he had recently become engaged. The Beehive Despite his romance with Bella, in 1911 an allowance from Russian parliament member and art patron Maxim Binaver enabled Chagall to move to Paris, France. After settling briefly in the Montparnasse neighborhood, Chagall moved further afield to an artist colony known as La Ruche (“The Beehive”), where he began to work side by side with abstract painters such as Amedeo Modigliani and Fernand Léger as well as the avant-garde poet Guillaume Apollinaire. At their urging, and under the influence of the wildly popular fauvism and cubism, Chagall lightened his palette and pushed his style ever further from reality. I and the Village (1911) and Homage to Apollinaire (1912) are among his early Parisian works, widely considered to be his most successful and representative period. Though his work stood stylistically apart from his cubist contemporaries, from 1912 to 1914 Chagall exhibited several paintings at the annual Salon des Indépendants exhibition, where works by the likes of Juan Gris, Marcel Duchamp and Robert Delaunay were causing a stir in the Paris art world. Chagall’s popularity began to spread beyond La Ruche, and in May 1914 he traveled to Berlin to help organize his first solo exhibition, at Der Sturm Gallery. Chagall remained in the city until the highly acclaimed show opened that June. He then returned to Vitebsk, unaware of the fateful events to come. War, Peace and Revolution In August 1914 the outbreak of World War I precluded Chagall’s plans to return to Paris. The conflict did little to stem the flow of his creative output, however, instead merely giving him direct access to the childhood scenes so essential to his work, as seen in paintings such as Jew in Green (1914) and Over Vitebsk (1914). His paintings from this period also occasionally featured images of the war’s impact on the region, as with Wounded Soldier (1914) and Marching (1915). But despite the hardships of life during wartime, this would also prove to be a joyful period for Chagall. In July 1915 he married Bella, and she gave birth to a daughter, Ida, the following year. Their appearance in works such as Birthday (1915), Bella and Ida by the Window (1917) and several of his “Lovers” paintings give a glimpse of the island of domestic bliss that was Chagall’s amidst the chaos. To avoid military service and stay with his new family, Chagall took a position as a clerk in the Ministry of War Economy in St. Petersburg. While there he began work on his autobiography and also immersed himself in the local art scene, befriending novelist Boris Pasternak, among others. He also exhibited his work in the city and soon gained considerable recognition. That notoriety would prove important in the aftermath of the 1917 Russian Revolution when he was appointed as the Commissar of Fine Arts in Vitebsk. In his new post, Chagall undertook various projects in the region, including the 1919 founding of the Academy of the Arts. Despite these endeavors, differences among his colleagues eventually disillusioned Chagall. In 1920 he relinquished his position and moved his family to Moscow, the post-revolution capital of Russia. In Moscow, Chagall was soon commissioned to create sets and costumes for various productions at the Moscow State Yiddish Theater, where he would paint a series of murals titled Introduction to the Jewish Theater as well. In 1921, Chagall also found work as a teacher at a school for war orphans. By 1922, however, Chagall found that his art had fallen out of favor, and seeking new horizons he left Russia for good. Flight After a brief stay in Berlin, where he unsuccessfully sought to recover the work exhibited at Der Sturm before the war, Chagall moved his family to Paris in September 1923. Shortly after their arrival, he was commissioned by art dealer and publisher Ambroise Vollard to produce a series of etchings for a new edition of Nikolai Gogol's 1842 novel Dead Souls. Two years later Chagall began work on an illustrated edition of Jean de la Fontaine’s Fables, and in 1930 he created etchings for an illustrated edition of the Old Testament, for which he traveled to Palestine to conduct research. Chagall’s work during this period brought him new success as an artist and enabled him to travel throughout Europe in the 1930s. He also published his autobiography, My Life (1931), and in 1933 received a retrospective at the Kunsthalle in Basel, Switzerland. But at the same time that Chagall’s popularity was spreading, so, too, was the threat of Fascism and Nazism. Singled out during the cultural "cleansing" undertaken by the Nazis in Germany, Chagall’s work was ordered removed from museums throughout the country. Several pieces were subsequently burned, and others were featured in a 1937 exhibition of “degenerate art” held in Munich. Chagall’s angst regarding these troubling events and the persecution of Jews in general can be seen in his 1938 painting White Crucifixion. With the eruption of World War II, Chagall and his family moved to the Loire region before moving farther south to Marseilles following the invasion of France. They found a more certain refuge when, in 1941, Chagall’s name was added by the director of the Museum of Modern Art (MOMA) in New York City to a list of artists and intellectuals deemed most at risk from the Nazis’ anti-Jewish campaign. Chagall and his family would be among the more than 2,000 who received visas and escaped this way. Haunted Harbors Arriving in New York City in June 1941, Chagall discovered that he was already a well-known artist there and, despite a language barrier, soon became a part of the exiled European artist community. The following year he was commissioned by choreographer Léonide Massine to design sets and costumes for the ballet Aleko, based on Alexander Pushkin’s “The Gypsies” and set to the music of Pyotr Ilyich Tchaikovsky. But even as he settled into the safety of his temporary home, Chagall’s thoughts were frequently consumed by the fate befalling the Jews of Europe and the destruction of Russia, as paintings such as The Yellow Crucifixion...
Category

1960s Surrealist Félicien Rops Prints and Multiples

Materials

Etching

"Master Arthur" from the suite "Cirque de l'Etoile Filante" Original aquatint.
By Georges Rouault
Located in San Francisco, CA
This artwork titled "Master Arthur" from the suite "Cirque de l'Etoile Filante" created in 1934, printed in 1938 is an original color aquatint, etching and drypoint by renown French ...
Category

Mid-20th Century Expressionist Félicien Rops Prints and Multiples

Materials

Aquatint

Large Pop Art Woman Female Artist India Set 25 Etching set Ed 4/7 Storytelling
By Sonal Varshneya Ojha
Located in Norfolk, GB
Compelling set of 25 etchings from an exciting new talent, Indian Artist Sonal Varshneya Ojha. The 25 works are Edition 4/7. Editions 1, 2 & 3 have already sold, Edition 2 has been purchased by a Museum Collection in Belgium. Loved by private clients and Interior designers alike, Sonal has exhibited at International art fairs and exhibited with leading Galleries. Vachik, Edition 4/7, 25 Etchings on Archival paper, dated 2022, signed and titled under each piece in pencil 65" x 50" (depending on hanging layout), without framing, comprising 25 etchings. Each etching, sheet size 17" x 14", image size 13" x 10" 2022 Signed, Editioned, dated and titled in pencil Provenance: From the artist's studio Sonal is a storyteller. Her primary medium of choice is printmaking, exquisite etchings whose protagonists jump off the page to tell their stories. Like all good narratives that lucidly roll from one tale to the other the artist works in series. Be it her Kissa Goi or her new Vachik stories, each work comprises of many parts, all fitting together as one large work, or, equally as pleasing, as individual works that may or may not speak to each other in any combination of pattern. Sonal lives and works in Lucknow, in India, the City famous for its tradition of Ghazal poetry. In past times the poems were displayed in Diwan's (illustrated books) a calligrapher and artist would be commissioned to illustrate the poems. Sonal references these traditions and we can see traces of this in her contemporary images. Ghazal's delight and employ elements of playfulness, anecdote and surprise. They take their audience on a bitter-sweet journey and Sonal invites us to do the same. The artist explains that in the evenings the women gather on the roof terraces of her town to tell the tales that are passed from the older generations to the younger women. These are stories that primarily revolve around the woman and their everyday role in a patriarchal society. These tales become mixed with the contemporary, both local and global events that effect the lives of the women. At first glance there is an anecdotal quality to the visual narratives but look a little longer and you will be rewarded by layer upon layer of meaning. Through the clever use of text and images of objects which may at first appear to be dislocated, each part of the image pulls together the narrative, expanding it into many different levels. In Sonal's own words, 'This work is very close to my heart, a lot of emotions are attached to this work. Some such feelings that awakened for the first time and they were priceless. I have lived that time, felt it very closely, whatever happened to me at that time, I have tried my best to make it work. Kajal has a very important role, when there are children and grandmothers complete it, it is said that by applying Kajal in the eyes of the children, the eyes become bigger. Which we call Nazarota which is a small iron vessel. Kashmiri shawls...
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2010s Contemporary Félicien Rops Prints and Multiples

Materials

Archival Paper, Etching

Guy Allen, Dachshund and Butterfly, Affordable Animal Art, Traditional Artwork
By Guy Allen
Located in Deddington, GB
Guy Allen Dachshund and Butterfly Etching Edition Size: 75 Year Completed: 2015 Image Size: H 40m x W 54 cm Approximate Size When Framed: H 69c...
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21st Century and Contemporary Contemporary Félicien Rops Prints and Multiples

Materials

Paper, Etching

Art Deco French signed Lithograph style of Icart
Located in FR
Art Deco signed Print from the Louis Icart era of 'Les Elegantes' Signed in pencil by the artist and Numbered 67 Original print produced for the artist ...
Category

1920s Art Deco Félicien Rops Prints and Multiples

Materials

Engraving, Aquatint, Lithograph

Large French Judaica Lithograph Carborundum Etching Jewish Hebrew Embossing
By Théo Tobiasse
Located in Surfside, FL
Theo Tobiasse Suite: Shavuot Festival Year: 1984 Medium: Original carborundum embossed etching lithograph in colors on Arches paper (deckle edged paper) Signature: Hand signed by the artist Publisher Nahan Gallery, New Orleans Theo Tobiasse, born Tobias Eidesas, 1927 in Jaffa then in British Mandate Palestine, died 2012 in Cagnes-sur-Mer in France. Well known painter, engraver, draftsman and sculptor. French Jewish artist. The youngest son of Chaim (Charles) Eidesas and Brocha (Berthe) Slonimsky from Kaunas, Lithuania, Théo Tobiasse was born in Mandatory Palestine in 1927, where his Jewish parents lived since 1925, far from the threat of pogroms and upheavals of East European policies. The family encountered material difficulties and decided to return to Lithuania, ultimately leaving for Paris in 1931 where his father typographer finds work in a Russian printing press. Theodore Tobiasse...
Category

1970s Modern Félicien Rops Prints and Multiples

Materials

Etching, Lithograph

Large French Judaica Lithograph Carborundum Etching Jewish Hebrew Embossing
By Théo Tobiasse
Located in Surfside, FL
Theo Tobiasse Suite: Shavuot Festival Year: 1984 Medium: Original carborundum embossed etching lithograph in colors on Arches paper (deckle edged paper) Signature: Hand signed by the artist Publisher Nahan Gallery, New Orleans Theo Tobiasse, born Tobias Eidesas, 1927 in Jaffa then in British Mandate Palestine, died 2012 in Cagnes-sur-Mer in France. Well known painter, engraver, draftsman and sculptor. French Jewish artist. The youngest son of Chaim (Charles) Eidesas and Brocha (Berthe) Slonimsky from Kaunas, Lithuania, Théo Tobiasse was born in Mandatory Palestine in 1927, where his Jewish parents lived since 1925, far from the threat of pogroms and upheavals of East European policies. The family encountered material difficulties and decided to return to Lithuania, ultimately leaving for Paris in 1931 where his father typographer finds work in a Russian printing press. Theodore Tobiasse...
Category

1970s Modern Félicien Rops Prints and Multiples

Materials

Etching, Lithograph

Annette Facing Front
By Alberto Giacometti
Located in Washington, DC
Artist: Alberto Giacometti Title: Annette Facing Front Portfolio: Derriere le Miroir Tenth Anniversary Edition Medium: Etching Date: 1956 Edition: 2000 Frame Size: 19 1/2" x 14 1/4" ...
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1950s Félicien Rops Prints and Multiples

Materials

Etching

Annette Facing Front
Annette Facing Front
Free Shipping
H 19.5 in W 14.25 in
Engraving #4 by Ernst Fuchs: KABBALAH (SEFER YETSIRA and 32 PATHS OF WISDOM)
By Ernst Fuchs
Located in Cliffside Park, NJ
Original engraving #4 by Ernst FUCHS from Kabbalah (THIRTY-TWO PATHS OF WISDOM by SEFER YETZIRA), 1978 Etching signed and numbered 16/30 E.A. Page size - 30 x 22 in 76 x 56 cm Image...
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1970s Modern Félicien Rops Prints and Multiples

Materials

Paper, Etching

Engraving #3 by Ernst Fuchs: KABBALAH (SEFER YETSIRA and 32 PATHS OF WISDOM)
By Ernst Fuchs
Located in Cliffside Park, NJ
Original engraving #3 by Ernst FUCHS from Kabbalah (THIRTY-TWO PATHS OF WISDOM by SEFER YETZIRA), 1978 Etching signed and numbered 16/30 E.A. Page size - 30 x 22 in 76 x 56 cm Image...
Category

1970s Modern Félicien Rops Prints and Multiples

Materials

Paper, Etching

Large French Judaica Lithograph Carborundum Etching Jewish Hebrew Embossing
By Théo Tobiasse
Located in Surfside, FL
Theo Tobiasse Suite: Shavuot Festival Year: 1984 Medium: Original carborundum embossed etching lithograph in colors on Arches paper (deckle edged paper) Signature: Hand signed by the artist Publisher Nahan Gallery, New Orleans Theo Tobiasse, born Tobias Eidesas, 1927 in Jaffa then in British Mandate Palestine, died 2012 in Cagnes-sur-Mer in France. Well known painter, engraver, draftsman and sculptor. French Jewish artist. The youngest son of Chaim (Charles) Eidesas and Brocha (Berthe) Slonimsky from Kaunas, Lithuania, Théo Tobiasse was born in Mandatory Palestine in 1927, where his Jewish parents lived since 1925, far from the threat of pogroms and upheavals of East European policies. The family encountered material difficulties and decided to return to Lithuania, ultimately leaving for Paris in 1931 where his father typographer finds work in a Russian printing press. Theodore Tobiasse...
Category

1970s Modern Félicien Rops Prints and Multiples

Materials

Etching, Lithograph

Oval Head of a Woman with Hair (Plate XIX), from Carmen
By Pablo Picasso
Located in Washington, DC
Artist: Pablo Picasso Title: Oval Head of a Woman with Hair (Plate XIX) Portfolio: Carmen Medium: Etching on Montval wove paper Year: 1949 Edition: 289 Frame Size: 18 3/4" x 16 3/4" ...
Category

1940s Félicien Rops Prints and Multiples

Materials

Etching

Previously Available Items
Revue La Plume n° 172 - Original Rare Book Illustrated by Félicien Rops - 1896
By Félicien Rops
Located in Roma, IT
Revue La Plume n° 172 is an original Modern rare Book illustrated by Félicien Rops (7 July 1833 – 23 August 1898) in 1896. Original Edition. Published by La Plume, Paris. Format: ...
Category

1890s Symbolist Félicien Rops Prints and Multiples

Materials

Paper, Etching

La Pudeur de Sodome - Original Rare Book Illustrated by Félicien Rops - 1888
By Félicien Rops
Located in Roma, IT
La pudeur de Sodome is an original Rare Book written by Alexis Antoine Paul Gustave Guiches (Albas, 1860 - Paris, 1935) and illustrated by Félicien Rops (7 July 1833 – 23 August 189...
Category

1890s Symbolist Félicien Rops Prints and Multiples

Materials

Paper, Etching

10 Eaux-fortes pour les Diaboliques - Original Etchings by Félicien Rops - 1886
By Félicien Rops
Located in Roma, IT
10 Eaux-fortes pour les Diaboliques de J.Barbey d’Aurevilly is an original modern artwork illustrated by Félicien Rops (7 July 1833 – 23 August 1898) i...
Category

1880s Symbolist Félicien Rops Prints and Multiples

Materials

Paper, Etching

Le Sphinx - Original Heliogravure by Félicien Rops - 1882
By Félicien Rops
Located in Roma, IT
Le Sphinx is an original heliography on laid paper realized by Félicien Rops. Hand signed in red pencil lower center. In very good conditions. The art...
Category

1880s Symbolist Félicien Rops Prints and Multiples

Materials

Engraving

Les Pornocratès - Original Etching by Félicien Rops - 1885
By Félicien Rops
Located in Roma, IT
Les Pornocratès is an original colored etching on Japanese paper realized by Félicien Rops in 1885, etched by Eugène Gaujean. In very good conditions....
Category

1880s Symbolist Félicien Rops Prints and Multiples

Materials

Etching

Humanité - Etching by Félicien Rops - 1880s
By Félicien Rops
Located in Roma, IT
Humanité is an original colored etching, aquatint, drypoint on laid paper realized by Félicien Rops. Print proof of 1st state. Image dimensions 23.4x16...
Category

1880s Symbolist Félicien Rops Prints and Multiples

Materials

Aquatint, Etching

La Tentation de St.Antoine - Original Etching by Félicien Rops - 1880
By Félicien Rops
Located in Roma, IT
La Tentation de St.Antoine is an original etching on laid paper realized by Félicien Rops in 1880, signed in plate. In very good conditions. The artwork...
Category

1880s Symbolist Félicien Rops Prints and Multiples

Materials

Etching

Seule. (Alone)
By Félicien Rops
Located in Storrs, CT
Heliogravure printed in color. Exsteens 642. Rouir 632.i/iii. Image: 6 1/2 x 5 5/16; Plate: 7 1/8 x 6 1/2; sheet: 17 1/8 x 6 1/2. Series: Les Sataniques. A beautifully wiped impress...
Category

Late 19th Century Impressionist Félicien Rops Prints and Multiples

Materials

Color, Etching, Other Medium

Félicien Rops prints and multiples for sale on 1stDibs.

Find a wide variety of authentic Félicien Rops prints and multiples available for sale on 1stDibs. You can also browse by medium to find art by Félicien Rops in etching, engraving, drypoint and more. Much of the original work by this artist or collective was created during the 19th century and is mostly associated with the Surrealist style. Not every interior allows for large Félicien Rops prints and multiples, so small editions measuring 5 inches across are available. Customers who are interested in this artist might also find the work of Odilon Redon, Alberto Martini, and Max Klinger. Félicien Rops prints and multiples prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $300 and tops out at $5,013, while the average work can sell for $891.

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