Gail Potocki Figurative Paintings

Louis Joseph César DUCORNET (Lille 1806 – Paris 1856) Portrait of a young girl Oil on canvas H. 92 cm; L. 73 cm Signed upper left, dated 1837 When he came into the world in Lille in...

DESCRIPTION: Perhaps the best Romney in private hands. If Vogue Magazine existed in the late 18th century, this image of Lady Caroline Price would be ...

French school circa 1840 Sketch of a dandy portrait Oil on canvas mounted on cardboard H. 21 cm; L. 20.5 cm

A beautiful and rare antique American portrait of a young woman in a stunning period frame, likely original to the piece. Unsigned but beaut...

Hans Bertle (Austrian, 1880-1943) Geburt des Todes - Kain und Abel (Birth of Death - Cain und Abel) • Symbolistic painting • Oil on canvas, ca. 62 x 72 cm • Original Frame, ca. 87 ...

This large artwork is an early work from the figurative, symbolist artistic period of Françoise Duprat. It depicts a blue-haired woman looking in a l...

This large artwork figures a bamboo forest in the night. The artist impasto technique is light, with textured painting and a few small reliefs. This artwork is not framed. Françoi...

Giovanni Maria DELLE PIANE, known as IL MULINARETTO (Genoa, 1660 – Monticelli d'Ongina, 1745) Portrait of a man Oil on oval canvas H. 108 cm; L. 83 cm Proven...

John William Godward 1861-1922 British A Pompeian Lady Signed and dated "J.W. Godward 1904" (lower right, partially covered by frame) Oil on canvas One of the last and greatest Victorian neoclassical painters, John William Godward is celebrated for his flawlessly executed images of graceful women posed in idealized ancient settings. In this work, entitled A Pompeian Lady, a classical beauty is caught idling in a moment of quiet, solitary reflection. Godward's elegant subjects are depicted with a degree of technical mastery that remains unsurpassed, and the work's dramatic palette, luxurious fabrics and classical vision are all characteristics of his unique take on the neoclassical style. Godward was unmatched in terms of his technical skill and attention to detail. A master of contrasting textures, he paints a diaphanous gown draping against the model’s smooth, milky white skin, which sits against the painstakingly rendered individual hairs of a tiger’s pel. Scintillating color permeates the canvas as well, energizing the otherwise static scene. Each element is given careful attention, and the overall effect is one of both immaculate technique and sensual tactility. Along with his contemporary and mentor, Sir Lawrence Alma-Tadema, Godward set the tone for the Victorian neoclassicist movement. He built his career upon creating images of idealized feminine beauty infused with a Greco-Roman-inspired style. Though greatly influenced by Alma-Tadema, Godward distinguished himself through his predilection for the solitary female figure. His fame rose dramatically in the first few years of the 20th century, when the present work was completed, due to the burgeoning strength of the British Empire and the Victorian society’s preoccupation with ancient Rome. To many of the newly affluent, Roman society was, as Iain Gale writes, “a flawless mirror of their own immaculate world.” The sensuality and mystery of Godward’s maidens, combined with his impressive antique backdrops...

Mystical and mysterious, a mythological Ondine rests beside an ethereal forest pond in this majestic, original oil on canvas by French Symbolist Pierre-Amédée Marcel-Béronneau. A stu...

This artwork is an early work from the figurative, symbolist artistic period of Françoise Duprat. It depicts a woman riding a horse at night on the beach. The horse is looking straight at the spectator, with oversized eyes. A purple cloth...

Na Kumuwaiwai Hohonu, Underwater Spirt - Hawaiian Symbolist Figurative Hawaiian symbolist nocturnal figurative of glowing whispy figure underwater with mountains and red coral garden by Marguerite Louis Blasingame (American; 1906-1947), circa 1940-45. Marguerite and her husband Frank Blasingame...