Gene Davis Paintings

Nataliia Svitlychna "Elegy of Ariadne"

Acrylic on canvas. Signed, titled, and dated on verso. 86 x 74 in. 87.25 x 75.25 in. (framed) Please note: This work was re-framed AFTER photography was completed. The frame seen in the photos was original, and has since been replaced with a solid maple floater, finished in a polyurethane clear coat (see other listings for an example of this frame). Provenance Steve Chase Design, Palm Springs, CA Ronnie Landfield was born in the Bronx, NY on January 9, 1947 - the same day as his older brother. As a teenager, he was encouraged to pursue a career as an artist, subsequently creating his first real paintings around the age of 14. He was particularly influenced by a Life magazine article from 1961 on the Abstract Expressionists, most notably: Jackson Pollock, Willem de Kooning, Adolph Gottlieb, Hans Hofmann, Mark Rothko, Clyfford Still, Robert Motherwell and Franz Kline. After stints at the Art Students League, the Kansas City Art Institute, the San Francisco Art Institute, and the University of California at Berkeley, Landfield’s professional career as a painter began in New York in 1965. The following year, after completing a major series of hard-edge border paintings, success as a painter began to materialize. The famous architect and collector Philip Johnson and the collector Robert Scull each acquired large paintings works, as did the Sheldon Memorial Museum in Lincoln, Nebraska. In 1967, Landfield was invited to participate in the Whitney Annual at the end of the year. His work attracted considerable attention, and he was invited to participate in important group exhibitions at the Bykert, Bianchini, and Park Place Galleries in New York. Landfield joined the David Whitney...

Paris. Banks of the Seine. 1961, oil on canvas, 60x81 cm

Large painting titled Edge on Center; signed verso and dated 2002 8 feet x 5 feet (approx.) Peter Lodato was born in 1946 in Los Angeles, California, has exhibited extensively and ...

Acrylic and resin on 3-D stretched canvas. Sculpture, blue, green, orange. Abstract, biomorphic.

"Day at the Coast" by Robert Glick is a captivating 30" x 30" acrylic on canvas that masterfully blends the realms of abstraction and geometry. As part of...

Bernhard Zimmer produces deeply layered, subtly textured abstract paintings that contain diametrically opposed elements—order and chaos, abstraction and representation, boldness and ...

Alex McClurg My work is informed by my attraction to geometric illustrations from book covers created in the 1960’s and 1970’s, quilt patterns and the idea of displacement. I continu...

Signs mixed media on canvas 50x50 cm original artwork this painting is as if stretched on a wooden frame ready to hang one in a kind

Acrylic and resin on 3-D stretched canvas. Sculpture, blue, green, orange. Abstract, biomorphic.

Janssart, pseudonym Wouter W. Janssen As early as the age of six, the talented Wouter painted the blossoming blossom trees in his parents' garden. At fourteen, he painted a portrait of his teacher at school and was rewarded with a ten for ‘drawing’ on his diploma. His fascination with painting of the 15th and 16th centuries led to a nearly perfect copy of "El Greco's Madonna" at age 16. This love of artistic expression continued to grow over the years, fuelled in part by the success of his creations. At the age of eighteen, this passionate painter decided to devote his life entirely to fine art, combining his studies at art school with working in a restoration studio. Here he discovered the secrets and painting techniques of the old masters, it fuelled his interest in art history and art movements. The extraordinary thing is that so coincidentally the history of painting became synchronized with his artistic life. Wouter Janssen studied the painting technique of his favourite painter Rembrandt for more than ten 10 years. He became wanted to unravel the mystery of the master. The paints used at that time were naturally rubbed by himself to approximate a historical effect. In a subsequent episode, he immersed himself in the technique of Romanticism. His paintings, mostly landscapes, were made in the style of the Dutch Romantic School. And led to unprecedented success in America. For example, with one-man exhibitions on Rodeo Drive in Beverly Hills. After watching a documentary on the life of Vincent Van Gogh, Wouter Janssen wondered what it would be like to paint in an impressionist style. It came naturally, after consuming half a bottle of gin, with extraordinary results as a result. The urge to complete the historical circle was further completed by his transition to Zero Art...

Bernhard Zimmer produces deeply layered, subtly textured abstract paintings that contain diametrically opposed elements—order and chaos, abstraction and representation, boldness and ...