Günther Kieser Prints and Multiples

The title of the piece makes reference to the subject of the piece, in this case Bubby (Grandmother in Yiddish) and Zayde (Grandfather in Yiddish). In terms of style, it looks illustrative, cartoonist, and fairy-tale like. Edition 76/260. Michoel Muchnik was born in Philadelphia in 1952. Muchnik received his artistic training at the Rhode Island School of Design. He later studied Jewish and Talmudic studies at the Rabbinical College of America in Morristown, New Jersey. Michoel Muchnik's art focuses on imaginative and joyful depictions of traditional and mystical Jewish and Hasidic themes. Muchnik has exhibited his work and lectured on Hasidic art throughout the United States as well as abroad. In 1977, Muchnik was selected alongside four other Hasidic artists, including Hendel Lieberman...

Roy Lichtenstein at Modern Art Pavilion, Seattle Art Museum Limited Edition poster, 1976 Offset lithograph Limited Edition of 1500 22 1/2 × 28 inches Unframed This limited edition o...

Tony Graham is a graphic artist known for his drawings and prints of New York City. “Manhattan” is the artist’s most iconic and collectible image published in 1978. Nicely framed. M...

Vintage pencil signed and numbered limited edition lithograph on deckle edged Arches paper. Shalom of Sefad (Shulem der Zeigermacher in Yiddish Shalom Moskowitz) Shalom of Tzfat lived for over seventeen years in his native town of Safed in the hills of the Galilee. There he worked as a watchmaker, stonemason and silversmith, during the 50's. Since then this self-taught artist has achieved an international reputation. Shalom is a naive painter, but not a primitive one, he expresses a very elaborate way of thinking in his own way. While belonging to Hasidism, Shalom of Safed...

Mariage a la Campagne is an original, hand drawn, limited edition lithograph(not a photo reproduction or digital print) by the French artist Michel Delacroix, printed using tradition...

Jane Wooster Scott (American, b. 1920) Autumn in New York, c. 20th Century Lithograph Sight: 15 x 12 in. Framed: 27 3/4 x 23 3/4 x 1 in. Signed and titled lower right in plate: Autum...

JIM DINE This is How I Remember Now (Hand Signed), 2008 Offset Lithograph Poster for exhibition of photographs by Jim Dine 32 × 24 inches Signed boldly in white marker by Jim Dine on the front Unframed Published by: Det Kongelige Bibliotek, Denmark Provenance: Jim Dine personally signed it for the present owner in 2012 at a special poetry reading that the artist gave at the Dia Art Foundation. Extremely rare when hand signed! This poster was produced in conjunction with a 2008 German exhibition of Jim Dine's photographs. Jim Dine personally signed it for the present owner in 2012 at a poetry reading that the artist gave at the Dia Art Foundation, so provenance is direct and impeccable. The text on the poster reads "This Is How I Remember Now Portraits", with a portrait of the artist juxtaposed in the background - and is perhaps as a commentary on the elusiveness of memory in life, art and photography. The poster is accompanied by a copy of the flyer publicizing the event where Jim Dine signed...

An original hand-signed lithograph by Native American artist, RC Gorman. Numbered AP 15.

Lithograph in colors depicting an enchanted evening in Paris with a snowman and children playing outside the restaurant Chez Joseph on a winter day. Signed in bottom right margin "M...

"Cardinal" - Jim Dine at Albright Knox poster, 1984 LARGE: 40 inches (vertical) x 24 inches (horizontal) (Ships rolled in a tube measuring 36" x 6" ) Offset lithograph poster Limite...

Château de Cheverny in the Loire Valley of France Lithograph in colors depicting an enchanted evening at Cheverny with a horse drawn wagon and carriages on a winter day, Signed in...

This artwork titled "Feeding the Ravens" 1997 is a color offset lithograph on paper by noted American artist Rie Mounier Munoz, 1921-2015. It is hand signed and numbered 29/950 in pencil by the artist. The image size is 9.65 x 8.35 inches, sheet size is 13.85 x 12.25 inches. It is in excellent condition, has never been framed. About the artist: Alaska painter Rie Mounier Munoz was the child of Dutch parents who immigrated to California, where she was born and raised. She is known for her colorful scenes of everyday life in Alaska. Rie (from Marie) Munoz (moo nyos), studied art at Washington and Lee University in Virginia. In 1950, she traveled up the Inside Passage by steamship, fell in love with Juneau, and gave herself until the boat left the next day to find a job and a place to live. Since then Juneau has been home to Munoz. She began painting small vignettes of Alaska soon after arriving in Juneau, and also studied art at the University of Alaska-Juneau. Munoz painted in oils in what she describes as a "painstakingly realistic" style, which she found stiff and "somewhat boring." Her breakthrough came a few years later when an artist friend introduced her to a versatile, water-soluble paint called casein. The immediacy of this inexpensive medium prompted an entirely new style. Rie's paintings became colorful and carefree, mirroring her own optimistic attitude toward life. With her newfound technique she set about recording everyday scenes of Alaskans at work and at play. Of the many jobs she has held journalist, teacher, museum curator, artist, mother, Munoz recalls one of her most memorable was as a teacher on King Island in 1951, where she taught 25 Eskimo children. The island was a 13-hour umiak (a walrus skin boat) voyage from Nome, an experience she remembers vividly. After teaching in the Inupiat Eskimo village on the island with her husband during one school year, she felt a special affinity for Alaska's Native peoples and deliberately set about recording their traditional lifestyles that she knew to be changing very fast. For the next twenty years, Rie practiced her art as a "Sunday painter," in and around prospecting with her husband, raising a son, and working as a freelance commercial artist, illustrator, cartoonist, and curator of exhibits for the Alaska State Museum. During her years in Alaska, Munoz has lived in a variety of small Alaskan communities, including prospecting and mining camps. Her paintings reflect an interest in the day-to-day activities of village life such as fishing, berry picking, children at play, as well as her love of folklore and legends. Munoz says that what has appealed to her most were "images you might not think an artist would want to paint," such as people butchering crab, skinning a seal, or doing their laundry in a hand-cranked washing machine. In 1972, with her hand-cut stencil and serigraph prints selling well in four locations in Alaska, she felt confident enough to leave her job at the Alaska State Museum and devote herself full time to her art. Freed from the constraints of an office job, she began to produce close to a hundred paintings a year, in addition to stone lithograph and serigraph prints. From her earliest days as an artist, Rie had firm beliefs about selling her work. First, she insisted the edition size should be kept modest. When she decided in 1973 to reproduce Eskimo Story Teller as an offset lithography print and found the minimum print run to be 500, she destroyed 200 of the prints. She did the same with King Island, her second reproduction. Reluctantly, to meet market demand, she increased the edition size of the reproductions to 500 and then 750. The editions stayed at that level for almost ten years before climbing to 950 and 1250. Her work has been exhibited many solo watercolor exhibits in Alaska, Oregon and Washington State, including the Charles and Emma Frye Art Museum, Alaska State Museum in Juneau, Anchorage Historical and Fine Arts Museum, Tongass Historical Museum in Ketchikan, and Yukon Regional Library in Whitehorse; Yukon Territory, and included in exhibits at the Smithsonian Institute and Russell Senate Office Building in Washington, D.C. Munozs paintings have graced the covers of countless publications, from cookbooks to mail order catalogs, and been published in magazines, newspapers, posters, calendars, and two previous collections of her work: Rie Munoz...