Heather Allen Hietala Mixed Media

Marie Laforey is a self-taught artist based in New York, US who maintains a sustainable art practice using primarily organic material. Laforey enjoys the tactility of working with or...

"Sexual Self" is an original mosaic by Isaiah Zagar measuring 17in x 29in. This piece ships in the pictured wooden frame. Isaiah Zagar is an award-winning mosaic mural artist who...

Virginia Mahoney’s “Illogical Sequence” is an 18 x 14 x 7 inch ceramic and metal wall sculpture in peach, teal, pink, gold, green, and brown. A cutout metal figure painted in gold an...

The details are so painstakingly exact that the viewer is deceived into believing they are viewing a full scale replica of a lawyer's office from 1885. ...

Cartography, the study and practice of making and using maps, was at the cutting edge in the 18th-century, helping to shape and define a world rapidly coming into focus. Over the course of the century, exploration and colonization expanded the scope of the known world, especially in the Pacific and the Americas. Advances in geography enabled cartographers to map these new discoveries with increasing accuracy. The days of conjecture and myth in cartography were fast coming to an end. Here, the Kupjack Studios has captured this discipline with exacting details. From the smallest of tools, to the rolls of maps and maps in progress displayed on the desk, the world of miniatures comes to life and brings us into a bygone era. Kupjack Miniatures 18th Century New England Cartographer, circa. 2008 mixed media 14h x 26.25w x 14.75d in 35.56h x 66.67w x 37.47d cm KJK001 Eugene Kupjack and his sons Hank and Jay created museum quality miniature rooms in their studio outside of Chicago for many years. Hank and Jay learned the at their father’s side as he assisted Mrs. Narcissa Niblack Thorne with the creation her many miniature rooms now housed at The Art Institute of Chicago. Almost every piece of molding, furniture, rugs, and accessory items that are contained in their rooms are designed and created by hand. In addition to designing and building rooms they would sometimes work to restore the rooms built many years ago by their father and Mrs. Thorne. Their work can be seen in various museums as far away as Turkey where they were exhibited in 2009. In the United States their work can be seen in the permanent collections of The Kentucky Museum Center, The Art Institute of Chicago, The Philadelphia Art Museum...

Virginia Mahoney’s “Neither Here nor There” is a 34 x 34 x 8 inch 3-piece ceramic and metal wall sculpture in green, pink, blue, black, green, orange, and brown. Three cutout figures...

Eugene Kupjack's love affair with miniatures began when he saw an article in Life Magazine about MrsNarcissa Niblack Thorne's (of the Montgomery Ward fortune) European-Style miniatur...

Memoria Entre Líneas Pieza #3, 2023 Ivan Castiblanco From The Memoria Entre Líneas Series 1030° ceramic and found hydraulic tile Size: 20 H x 20 W x 20 D cm. Weight: 7 kg Approx. _...

"Cradle to Cradle" apple, commercial wood, screws, 16" x 30" x 30", 2007. This mixed media sculptural vessel was done by San Francisco-based artist, Gyöngy Laky...

Virginia Mahoney’s “Floundering” is a 25 x 16 x 8 inch ceramic and metal wall sculpture in royal blue, gold, black, and silver. One cutout metal figure in silver, black and blue pain...

Virginia Mahoney’s “Comparing Outliers” is a 20 x 22 x 6 inch ceramic and metal wall sculpture in teal, gold, blue, black, orange, and brown. Two cutout figures in multicolored and b...

Virginia Mahoney’s “Ambiguous Clarification” is a 13.5 x 18 x 6 inch ceramic and metal wall sculpture in various shades of teal, brown, black, and silver. A cutout figure in silver a...