Hiroyuki Tajima Art

Jill Moser, Ariadne, 2021 Woodcut print on Khadi 100 % cotton paper Signed and numbered by the artist on recto Paper size: 8.25 x 8 in Edition of 18 Published by Eminence Grise Editions, New York Printed by Andrew Mockler...

Artist: Keisuke Serizawa, Japanese (1895-1984) Title: Metamorphosis of Zan Biell Year: circa 1970 Medium: Woodcut on Rice Paper, signed and numbered in pencil Edition: AP Size: 29 x...

Shipping on request This impressive offset lithograph by Serge Poliakoff, a significant figure in abstract art, captures the powerful dynamism of his work. The skillful interplay of ...

"Shapes of Noyo" Woodblock Print on Paper (Artist's Proof) Bold woodblock print by notable artist Emmy Lou Packard (American, 1914-1998). Large dark grey shapes are placed over a lighter grey background. Both of them have strong woodgrain texture. There are this white shapes floating around the composition, with a large block of blue in the upper right corner and a smaller block in the lower left. Titled, numbered, and signed along the bottom edge: Shapes of Noyo Proof Packard Presented in a dark wood frame with a grey mat. Frame size: 18.75"H x 26.75"W Image size: 11.5"H x 19.5"W Emmy Lou Packard was born on April 15, 1914, near El Centro, California. In 1927, the Packard family traveled to Mexico. Emmy, then 13 years old, was already painting and drawing. Her mother introduced her to artists Diego Rivera and Frida Kahlo, marking the beginning of a long friendship and mentorship. In 1934, she eloped to Nevada with the architect Burton Cairns, a recent graduate of the University of California, Berkeley. In 1936 Packard graduated from the University of California, Berkeley with her bachelor's degree and later studied sculpture, mural and fresco painting at the San Francisco Art Institute. In 1939, her husband died in a car accident. After his death, she traveled to Mexico to live with Rivera and Kahlo, working as their studio assistant. During the time she stayed with Rivera and Kahlo, she took a number of photographs of the couple. When Diego Rivera came to San Francisco in 1940 for the Golden Gate International Exposition (GGIE), he asked Emmy to be the chief assistant for painting the Pan American Unity mural. Between 1944 and 1945, she briefly worked as an illustrator of a labor newspaper for the San Francisco Bay Area shipyards. Packard designed and executed the mural on the exterior of the dining commons at the University of California, Berkeley in the Lower Sproul student union center. She also designed the terrace parapet which is embellished with an 85-foot long, 5-foot high, bas-relief, Modernist mural depicting California landscape features, including coastal bluffs, cultivated fields, mountains, and rivers located in the central façade of Chávez Student Center at the University of California, Berkeley in the Lower Sproul. On May 29, 1959, she married artist Byron T. Randall; they divorced in 1972. Packard was an active community member in the Mission District of San Francisco and San Francisco's community mural movement. In 1974 she served as a mural technical adviser for the Bank of America building mural located at Mission Street and 23rd Street; the local artists that painted this mural are Jesús “Chuy” Campusano, Luis Cortázar and Michael Rios...

Joan Miro (Spain, 1893-1983) 'Felicitación de 1971 de la imprenta Fequet-Baudier', 1970 woodcut on paper Rives BFK 300 g. 7.1 x 9.3 in. (17.8 x 23.5 cm.) Edition of 50. According to ...

This is a unique woodcut print of a forest and stream in dark eggplant purple offset by a minty light teal greenish blue and pale yellow background. The monotype brings to mind the t...

Ohne Titel (Blatt 2 der Folge Genesis), 2006 Woodcut in colors, on wove paper 29 3/4 x 17 3/4 in. (75.5 x 45 cm) Edition of 35 Signed and numbered in pencil, lower margin

This work is immediately recognizable as the work of Haku Maki (1924-2000). It is one of his well-known abstract compositions. The print is in very good condition, with no flaws noted on the surface. There is some very, very light toning in the margins, barely visible only under bright light. Maki Haku (巻白, 1924–2000) is the artistic name of Maejima Tadaaki, who was born in Ibaraki Prefecture. He was a sōsaku-hanga artist in 20th Century Japan. During World War II, Maejima Tadaaki was trained as a kamikaze pilot in the Japanese air force, but the war ended before he was assigned a mission. Haku had no formal art training, but studied for two years with the sōsaku-hanga artist Onchi Kōshirō...

Jill Moser, Luna, 2021 Woodcut print on Khadi 100 % cotton paper Signed and numbered by the artist on recto Paper size: 8.25 x 8 in Edition of 18 Published by Eminence Grise Editions, New York Printed by Andrew Mockler...

These lively, colorful works are full of movement and Mira's characteristic mysterious, mythical figures and shapes. Victor Mira Set of three woodcuts on buff, textured paper, 1983...

Gerhard Richter Untitled Abstract Picture, 2002 Offset lithograph on GardaMatt Art 250 GSM paper Not signed, edition of 3433 12 1/2 × 16 3.5 inches Unframed Printed on GardaMatt Art 250 GSM paper, this beautiful and colorful piece was part of a portfolio of loose plate reproductions for Gerhard Richter's Abstraktes works. Released during his exhibitions at the San Francisco Museum of Art (Abstract Pictures) and the Museum of Modern Art (Gerhard Richter, 40 Years of Painting). It depicts Richters 1999 Oil on Aluminum abstract picture) More about Gerhard Richter: Gerhard Richter was born in 1932 in Dresden, Germany. Throughout his career, Richter has negotiated the frontier between photography and painting, captivated by the way in which these two seemingly opposing practices speak to and challenge one another. From exuberant canvases rendered with a squeegee and acerbic color charts to paintings of photographic detail and close-ups of a single brushstroke, Richter moves effortlessly between the two mediums, reveling in the complexity of their relationship, while never asserting one above the other. Richter’s life traces the defining moments of twentieth-century history and his work reverberates with the trauma of National Socialism and the Holocaust. In the wake of the Second World War, Richter trained in a Socialist Realist style sanctioned by East Germany’s Communist government. When he defected to West Germany in 1961, a month before the Berlin Wall was erected, Richter left his entire artistic oeuvre up to that point behind. From 1961 to 1964—alongside Blinky Palermo and Sigmar Polke—Richter studied at the Staatliche Kunstakademie Düsseldorf, where he began to explore the material, conceptual, and historical implications of painting without ideological restraint. Richter’s earliest paintings in Düsseldorf, stimulated by a fascination with current affairs and popular culture, responded to images from magazines and newspaper cuttings. Through the 1960s, Richter continued to address found and media images of subjects such as military jets, portraits, and aerial photographs. Notably, he reimagined family pictures he had smuggled from East Germany that included his smiling uncle Rudi, dressed in a Nazi uniform...

Frank Stella at Leo Castelli (Hand Signed and Dated), 1969 Offset Lithograph Invitation Boldly signed and dated 2014 in black marker; Stella signed this f...