James Coughlin Art

Cleve Gray Conjugations, 1975 Vermont Series Mixed media on paper 14 1/2 x 22 1/2 inches each

This work is a part of the "Chaos and Control Theory" Series - the artist's signature series. It was created with the pages from an Oxford Dictionary of Quotations. This technique gives a special character to the work - you can play with it by asking questions, pointing to any part of the work, and you will get a meaningful phrase or a word. The work has blue and white colors. Great for the modern interior. The work is unstretched and will be shipped in a roll. -- "Chaos and Control Theory" Series is about depth and space. It’s about information overload, and what information looks like when you take out a meaning. I create lots of layers, using found materials and printed materials. I do an abstract expressionism painting on a surface first before I apply the printed and found materials. And then I begin to organize the surface, ultimately thinking about balance and flow and how the piece is going to contribute to the space it is going to be hanging in. -- Zach Touchon is an American contemporary abstract expressionist artist and muralist based in Los Angeles, CA. Besides that, Touchon is also an actor, a singer, a screenwriter, and a writer. Zach Touchon is an artist in the second generation. By rethinking abstract expressionism ideas, using different media he creates large abstract artwork along with small collages, huge...

This work is a part of the "Chaos and Control Theory" Series - the artist's signature series. It was created with the pages from an Oxford Dictionary of Quotations. This technique gi...

Original abstract Acrylic Painting on Canvas, affixed to Windsor Newton paper. The moods and whims of nature influence the work of Sarah Van Beckum. D...

Harry Bertschmann (Swiss American, born 1931). Acrylic painting on paper. Artist signature to lower right. Provenance: Joy Moos Gallery (this was exhibited at the Outsider Art Fai...

Large Abstract Expressionist color field painting. Similar in the manner of the colorful abstract works of Paul Jenkins. This one is a bit more muted in color. Lamar Briggs (1935-2...

This work is a continuation of Bianca Wellwood's abstract collage process. It is about a woman dancing and feeling free. Ready to hang: yes, suspensio...

Wang Ming "Enter the World of Infinity" Acrylic paint on Japon paper mounted on canvas Dimensions: H: 39 inches: W: 25 inches WANG MING WANG Artist Ming Wang, born November 4, 1921, died peacefully on Sunday, June 26, 2016 in Bethesda. Ming Wang was born in Tianjin, China and was a pilot in Chinese Nationalist Air Force during WWII. Artist Wang Ming's journey began in the 1940s. As he worked as an air traffic controller in Taiwan, he became interested in the beauty of the sky. He was a young man then, having fled from Japanese-occupied China in 1939 at age 18. He came to the US for further military training where he met his first wife, the late Suen Chin. In 1949, Wang went Taiwan to escape the Communist takeover of China. He rejoined his wife and young son in Washington DC in 1951. To support a growing family, Wang founded the National Art and Frame shop in Washington DC. He studied art independently and developed his unique artistic style melding modern art with traditional Chinese calligraphy. His paintings, done with a mixture of inks and acrylics on fine paper, are a happy marriage of traditional Chinese disciplines with Western art as it has been handled by Joan Miro and Paul Klee. His works are minimalist and abstract, marked with good design and extremely sensitive use of color. The influence of 1950s American art and abstract expressionism is also clear in his work, and he exhibited with such Washington Color School luminaries as Kenneth Noland and Gene Davis in the 1960s. He later taught calligraphy at George Washington University. Years before the Hubble Telescope began broadcasting images of rainbow clouds and blood red stars, Ming used art to convey what he imagined space to be. His work captured the attention of James Dean, the National Air and Space Museum's first art collector, who purchased two of his pieces. In the 1960's and 1970's, Wang was represented by the Franz Bader Gallery in Washington DC. 1980: Brooklyn Museum, Brooklyn, New York American Drawing in Black & White: 1970-1980, by curator Gene Baro. “The visitors are invited to enjoy the rich variety of marks and means used in attacking subjects that range from meticulous representational rendering to extemporaneous gesture.” Included among many other artists, were Anni Albers, Jasper Johns, Willem De Kooning, Robert Rauschenberg, Jack Tworkov, Robert Motherwell and Andy Warhol. 1982: The Washington Post, by Jo Ann Lewis “His show at the Marvin Center at George Washington University, where he teaches calligraphy, should help clarify the unique nature of his art . ... ‘Independent Reality,’ in which dramatic curves dance across an opened scroll, taking on a life of their own-in any language. The show is filled with the artist’s very special of visual poetry.” He was included in the exhibition American Drawing in Black & White: 1970-1980, by curator Gene Baro at the Brooklyn Museum, Brooklyn, New York. Included among many other artists, were Anni Albers, Jasper Johns, Willem De Kooning, Robert Rauschenberg, Jack Tworkov, Robert Motherwell and Andy Warhol. Wang Ming was also included in the show Asian Traditions/Modern Expressions Asian American Artists and Abstraction, 1945 – 1970 at the Jane Voorhees Zimmerli Art Museum Rutgers, The State University of New Jersey New Brunswick. The senior curator Jeffrey Wechsler reviewed each artist for this traveling group exhibition, including C. C. Wang, Chen chi, Kenzo Okada...

Large Abstract Expressionist color field painting. Similar in the manner of the colorful abstract works of Paul Jenkins. This one is a very vibrant day glo neon color. This is bein...

Michael Azgour is an artist and educator whose work addresses the impact of digital imagery on contemporary culture. His paintings combine evocative, expressive representation with g...

Abstract, 1987 Hand signed and dated verso Not sure of technique. this might be a monotype or monoprint with hand painting. The handmade paper is cut somewhat irregularly as per the artists intentions. Stanley Boxer (1926-May 8, 2000) was an American abstract expressionist artist best known for thickly painted abstract works of art. He was also an accomplished sculptor and printmaker. He received awards from the Guggenheim Fellowship and the National Endowment for the Arts. Boxer was born in New York City, and began his formal education after World War II, when he left the Navy and studied at the Art Students League of New York. He drew, painted, made prints, and sculpted. His work was recognized by art critic Clement Greenberg, who categorized him as a color field painter, A group that included Barnett Newman, Clyfford Still, and Mark Rothko and was a form of Abstract Expressionism and later included Helen Frankenthaler, Ad Reinhardt, Kenneth Noland, Gene Davis, Jules Olitski, Raymond Parker and Morris Louis. Boxer himself was adamant in rejecting this stylistic label. Over the years, he remained loyal to the materially dense abstract mode on which his reputation rested.. Art critic Grace Glueck wrote "Never part of a movement or trend, though obviously steeped in the language of Modernism, the abstract painter Stanley Boxer was a superb manipulator of surfaces, intensely bonding texture and color." In 1953 Boxer had his first solo exhibition of paintings in New York City, and showed regularly thereafter until his death. His paintings and sculpture were represented in New York City during the late 1960s through 1974 by the Tibor de Nagy Gallery, then by the André Emmerich Gallery from 1975 until 1993, and finally by Salander-O'Reilly Galleries until its demise in 2007. Richard Waller...

Michael Azgour is an artist and educator whose work addresses the impact of digital imagery on contemporary culture. His paintings combine evocative, expressive representation with g...