Jean Bactiste Victor Loutrel Art

Early 19th century etching entitled "Veduta dello scavo del Foro Trajano" from Luigi Rossini's "Le Antichita Romane" (Ancient Rome), published in Rome in 1823. It depicts the historical victory column of Trajan standing amidst broken ancient Roman columns that lie around it. The column in Trajan's Forum commemorates Roman emperor Trajan's victory in the Dacian Wars. Buildings in the background represent two libraries and the Basilica Ulpia. There are people in the foreground; some walking through the square, some standing observing the scene and others in discussion. The etching is presented in a silver-colored wood frame with an off-white double mat with a black inner mat. It is in very good condition. See item # LU117324669702 for another Rossini etching...

This 17th century hand-colored engraving of a lemon entitled "Limon Straitus Amalphitanus" is Plate 249 from Giovanni Baptista Ferrari's publication "Hesperides, sive, De Malorum Aur...

"Crucifixion" is an etching and aquatint, printed in brown ink by Conrad M. Metz after a painting by Daniele da Volterra. It was published in London in 1789 in 'Imitations Of Ancient...

These two Giovanni Battista Piranesi 18th century etchings of fireplace designs on one sheet is plate 6 from his publication 'Diverse Maniere d'adornare i cammini ed ogni altra parte degli edifizi desunte dall'architettura Egizia, Etrusca, e Greca con un Ragionamento Apologetico in defesa dell'Architettura Egizia, e Toscana, opera del Cavaliere Giambattista Piranesi...

"Nicolas Poussin, Homage" is an original color lithograph by Claude Weisbuch. The artist signed the piece in the lower right and wrote the edition numb...

This early 19th century etching entitled "Veduta degl' Avanzi delle Torri di Belisario Dalla parte che guarda l' Interno della Città, vicino a Porta S. Giovanni, A. Mura Aureliane" (...

This framed 18th century etching by Giovanni Battista Piranesi is entitled "Dimostransi nella Tav. presente la Pianta, ed Elevazione del Ponte, oggi detto Quattro Capi egli è antichissimo, e chiamavasi Fabrizio da L. Fabrizio Presid. delle Strade, che lo fabbrico' nel fine della Repubblica. "(The Plan and Elevation of the Bridge, today called Quattro Capi. The architect is very ancient, and was called Fabrizio da L. Fabrizio Presid. delle Strade, who built it at the end of the Republic). This is plate 18 in volume 4 of Piranesi's "Le antichita romane opera di Giambatista Piranesi architetto veneziano" (Roman antiquities by Giambatista Piranesi Venetian architect). It was published in Rome in 1756-1757. This etching depicts the plan and elevation of the bridge now called the Ponte dei Quattoro Capi or Ponte Cestio (Bridge of the Four Heads), which in antiquity was called the Bridge of Fabricius after L. Fabricius, the Superintendant of the Streets who built it at the end of the Republic, around 62 BC. It was also been known in the Middle Ages as ‘Ponte Giudeo’ (Bridge of the Jews). The bridge crossed from the left bank or northeast side of the Tiber River to Tiber Island...

This large framed 18th century etching by Giovanni Battista Piranesi is entitled "Vaso antico di Marmo adornato di eccellenti Sculture si nella parte anteriere che nell' opposta, le ...

"Anatomie d'Un Reve" is an original color lithograph by Claude Weisbuch. The artist signed the piece in the lower right and wrote the edition number, IX/CXXX, in the lower left. This...

Artist: After Giuseppe Cesari (Italian 1568-1640) Title: St. George Slaying the Dragon Medium: Giclée Fine Art Print on Ilford Galerie Textured Cotton ...

This is a framed 18th century Giovanni Battista Piranesi etching entitled: "Veduta interna del Sepocro di Santa Costanza, fabbricat...

"Veduta del Sepolcro della Famiglia Plauzia per la Strada Che Conduce da Roma a Tivoli vicino a Ponte Lugano" from "Le Antichità Romane" (Roman Antiquities), one of the most famous works by Piranesi. "Antichita" illustrates the tombs along the Appian Way...