Jules Schyl Art

Antique Italian modernist flower still life oil painting by Giorgio Celiberti (1929 - 1960). Oil on canvas, circa 1960. Signed on verso. Displayed ...

Pierre Carrier-Belleuse 1851-1932 | French Danseuse Signed “Pierre Carrier-Belleuse” (lower right) Pastel on canvas Strikingly elegant, this extraordinary pastel by French impress...

Agustí Ferré Pino (1884-1960) - Still life of flowers - Oil on canvas Oil measurements 61x50 cm. Restored. Frameless.

Antique American modernist signed still life oil painting. Oil on board. Signed. Framed. Image size, 12L x 9H.

Oil on canvas. Framed.

Antique American modernist signed still life oil painting. Oil on board. Signed. Framed. Image size, 21L x 18H.

Nicely painted mid century abstract cubist still life oil painting. Great color and composition. Framed nicely. Oil on canvas. Signed.

Signed, monogram: Pavel Aleksandrovich Shillingovsky (1881 - 1942). Russian artist, master of graphics, representative of modern and neoclassical. He rarely painted with oil paints, ...

Vintage modernist still life with a cat. Oil on canvas. Framed. Signed.

Antique American modernist signed abstract still life oil painting. Oil on canvas. Framed.

Antique American modernist still life oil painting by Norman Baasch. Oil on board, circa 1965. Signed. Displayed in a period frame. Image, 15"L x 12"H.

Signed impressionist figurative pastel on board circa 1895 by sought after French impressionist painter Jean Louis Forain. The piece depicts a man asleep in a bed while a woman stands at the foot of the bed getting dressed. The room is dimly lit by the bedside lamp. Signature: Signed upper right Dimensions: Framed: 22"x26" Unframed: 15"x19" Provenance: Galerie Jean-Claude Bellier Jean Forain was the son of a painter and decorator and was apprenticed to a visiting card engraver. He studied briefly under Gérôme and Carpeaux at the École des Beaux-Arts in Paris and regularly visited the Louvre, where he copied works by the masters. It is said that for a time he made a precarious living by selling small drawings in the style of Grévin. He went on to collaborate on various publications as a draughtsman and columnist, starting in 1876 on La Cravache and then collaborating on the newspapers Le Journal Amusant, Le Figaro and L'Écho de Paris. This introduced him to the diverse worlds of Paris society - the world of the theatre, of shows, and of literature - where he wryly noted the habits and shortcomings particular to each. This led him to follow a route very characteristic of this period, already seen in the work of Steinlen, Caran d'Ache and Toulouse-Lautrec in the journals La Pléiade, La Vogue and La Revue Blanche. His work draws a picture of the society of the period, not in a strictly imitative fashion but in the form of the 'dessin-charge' or mild caricature. In 1880 he illustrated Parisian Sketches...