Justus Sustermans Art
to
2
3
2
3
2
1
Overall Height
to
Overall Width
to
1
2
2
1
1
1
1
3
3
6,886
3,210
2,514
1,217
3
3
3
3
Artist: Justus Sustermans
Cosimo III de Medici
By Justus Sustermans
Located in London, GB
Justus Sustermans was first recorded working for the Medici in Florence in October 1621. He then worked continuously for the Grand Dukes until his death 60 years later in 1681. Suste...
Category
17th Century Old Masters Justus Sustermans Art
Materials
Canvas, Oil
Portrait of Ferdinand II de' Medici (1610-1670), Grand Duke of Tuscany, in armou
By Justus Sustermans
Located in Lincoln, GB
The son of Cosimo II and his wife, Maria Maddalena of Austria, Ferdinando II was born in Florence on 14 July 1610. His father's early death in 1621 marked the start of a long regency...
Category
Early 17th Century Justus Sustermans Art
Materials
Canvas, Oil
Antique Flemish Baroque painting, 17th Century Portrait "Medici" Oil on canvas.
By Justus Sustermans
Located in Berlin, DE
Antique Flemish Baroque painting, 17th century, portrait, Medici. Oil on canvas.
The painting is probably attributed to the Flemish painter Justus Sustermns.
Pictured is most likel...
Category
17th Century Baroque Justus Sustermans Art
Materials
Canvas, Oil
Related Items
G Negri called Il Boccia Baroque Figurative Painting 17th century oil canvas
By Girolamo Negri called Il Boccia
Located in Florence, IT
Oil on canvas, 62 x 51 cm (without the frame)
Even if on the background there is an attribution to “Francesco Gessi pupil of Guido Reni” by the bolognese art historian Guido Zucchini (dated 1945), recent studies are tending to add it to the corpus of Girolamo Negri called Il Boccia (Bologna 1648-1718) due to lots of similarities with his style (the pale and warm palette chosen, the profile)
The painting represents a lady on profile wearing a brown turban, a yellow clock...
Category
Late 17th Century Baroque Justus Sustermans Art
Materials
Canvas, Oil
Italian 18th Century Oval Religious Oil on Canvas Painting with Saint Dominic
By Francesco de Mura
Located in Firenze, IT
This beautiful Italian 18th Century old masters oil painting on oval canvas with giltwood frame is attributed to Solimena and features a religious scene.
In this splendid oval-shaped painting are depicted Saint Dominic...
Category
18th Century Old Masters Justus Sustermans Art
Materials
Oil, Canvas
Huge 17th Century Spanish Old Master Oil Painting Wounded Pilgrim with Angel
Located in Cirencester, Gloucestershire
The Pilgrim and Angel
Spanish School, 17th Century
oil on canvas, gilt framed
framed: 48 x 37 inches
canvas: 43 x 32 inches
provenance: private collection, Barcelona, Spain
condition...
Category
17th Century Baroque Justus Sustermans Art
Materials
Canvas, Oil
Male and female portrait, both in silk kimono, possibly textile dealers
By Christoffel Lubieniecki
Located in Amsterdam, NL
CHRISTOFFEL LUBIENIECKI (1659-1729)
Pair of portraits of a gentleman and a lady, both in silk kimono, before a country house (circa 1680)
Indistinctly signed “C.......” on a box under the man’s left hand
Oil on canvas, 79.5 x 67 cm each
Both sitters are portrayed wearing a silk “Japanese” coat. During the second half of the seventeenth the Japanese silk coat, an adapted Japanese kimono, became a real vogue in the Dutch elite. The exclusive Dutch trade contacts with Japan can explain the popularity of the kimono-style silk coats in the Netherlands. Everybody who could afford one, dressed in such a fashionable and comfortable coat and, like the present sitters, some proud owners had themselves portrayed in a “Japanese” coat often together with an oriental carpet to underline their standing and international connections. These portraits are the work of the Polish-born portraitist Christoffel Lubieniecki (also known as Lubienitski, Lubinitski or Lubiniecki)
Lubieniecki was first trained in Hamburg under Julian Stuhr and after 1675 in Amsterdam under Adriaen Backer and Gerard de Lairesse. He specialized in landscapes, generally of an Italianate character, and in portraits. The loving execution of these contented burghers, enjoying the garden vistas of their country house, places him alongside Amsterdam portraitists such as Constantijn Netscher and Michiel van Musscher...
Category
1680s Old Masters Justus Sustermans Art
Materials
Canvas, Oil
Free Shipping
H 31.34 in W 26.38 in D 1.97 in
Portrait of a Lady in Blue Silk Dress & Crimson Mantle c.1695; by Thomas Murray
Located in London, GB
The sitter is elegantly attired in a blue silk dress over a white frilled chemise and a striking crimson mantle. The artist, Thomas Murray, can be described as one of the most successful and talented during the last part of the seventeenth century. It is not surprising that Murray painted the portraits of King William III, Queen Mary, Queen Ann as well as several other high-ranking individuals. The influence of Sir Godfrey Kneller is evident and even expected considering the importance of Kneller, and even though the formula employed for head and shoulders portraits of woman during the period is similar, Murray’s work is distinguishable by a refined and elegant manner, a smooth overall feel, and often, distinctive eyes. Murray is known to have employed not only the same pattern as our portrait but the three distinctive colours (blue, white, red) many times.
Thomas Murray was born in Scotland but moved to London to study with a member of the De Critz family. Later he was a pupil of the English portraitist John Riley (1646-1691), who was court painter to King William III and Queen Mary, and was practising as a painter on his own in the 1680s. In 1691 he took over Riley’s studio when that artist died in 1691 and he established a very successful practice.
The Rev, James Dalloway accounted that Murray “was remarkable for his personal beauty and for the elegance of his manner” and he was also noted to have been hard working, courteous and popular with his customers. His portraiture retains an individual style and easily recognised but his earlier work is similar to John Closterman, who was a fellow pupil, and many consider this period to be his finest.
Murray invested wisely in property and when he died in 1735, he left around £40,000. He had no children and he bequeathed his money to a nephew with instructions that his monument, with a bust, should be erected in Westminster Abbey, provided that it did not cost too much – but his nephew decided that it was indeed “too expensive” and the plan did not proceed. He is buried in St. Paul's, Covent Garden.
Murray’s work is represented in many British country houses and private collections, the National Portrait Gallery London, Royal Society and Middle Temple in London, and in the Uffizi Gallery in Florence.
A good example of 17th century British portraiture...
Category
17th Century Old Masters Justus Sustermans Art
Materials
Canvas, Oil
H 35.44 in W 30.32 in D 1.97 in
Continence of Scipio, Erasmus Quellinus, School Rubens, Baroque Art, Old Master
By Erasmus Quellinus the Younger
Located in Greven, DE
Erasmus Quellinus
The Continence of Scipio
Oil on Canvas
The painting is included in the Catalogue Raisonné of the artist.
The Roman commande...
Category
17th Century Baroque Justus Sustermans Art
Materials
Oil, Canvas
Free Shipping
H 42.52 in W 64.18 in
Portrait of a Gentleman in Scarlet Robe Holding Flowers c.1675, Oil on canvas
Located in London, GB
Titan Fine Art present this striking portrait, which was painted by one of the most talented artists working in England during the last half of the 17th century, John Greenhill. Gre...
Category
17th Century Old Masters Justus Sustermans Art
Materials
Canvas, Oil
H 55.12 in W 44.1 in D 2.37 in
Madonna Addolorata By Sassoferrato
By Giovanni Battista Salvi da Sassoferrato
Located in New Orleans, LA
Sassoferrato (Giovanni Battista Salvi)
1609-1685 Italian
Madonna Addolorata
Oil on canvas
Celebrated Italian artist Sassoferrato and his moving religious imagery are the epitome ...
Category
17th Century Baroque Justus Sustermans Art
Materials
Canvas, Oil
H 38.5 in W 32.38 in D 3.63 in
Portrait of a Lady, Katherine St Aubyn, Godolphin, Cornelius Johnson, Oil canvas
By Cornelius Johnson
Located in London, GB
Titan Fine Art are pleased to present this charming bust-length portrait, which is a good example of the style of portrait painted in England in the second quarter of the seventeenth century. The attire consists of the finest silks, and the full billowing sleeves, bows, and hairstyle help in dating this portrait to circa 1637. The accessory par excellence – pearls – are worn as a necklace and were a very popular accessory. The artist makes no attempt to obey the rules of Baroque and instead sensitively depicts in complete honesty his sitter against a plain wall, and without distracting backdrops and flowing draperies – this work is very redolent of the sumptuous half-length female portraits that Cornelius Johnson...
Category
17th Century Old Masters Justus Sustermans Art
Materials
Canvas, Cotton Canvas, Oil
H 32.29 in W 27.96 in D 1.58 in
Venice Landscape Italian Oil on Canvas Painting in Gilt Wood Frame, Belle Epoque
Located in Firenze, IT
This delightful turn of the century (early 20th century) oil on canvas painting represents an Italian landscape with one of the most famous squares in the world: Piazza San Marco in ...
Category
Early 20th Century Impressionist Justus Sustermans Art
Materials
Canvas, Oil
Venice Landscape Italian Oil on Canvas Painting in Gilt Wood Frame, Belle Epoque, Early 20th Century
H 51.19 in W 33.47 in D 1.19 in
Saint Martin de Porres
Located in New York, NY
Provenance: Private Collection, New York, until 2022.
Martín de Porres was born in Lima in 1579, the illegitimate son of a Spanish-American father, J...
Category
Late 18th Century Justus Sustermans Art
Materials
Canvas, Oil
Portrait of a Lady with a Chiqueador
Located in New York, NY
Provenance: Torres Family Collection, Asunción, Paraguay, ca. 1967-2017
While the genre of portraiture flourished in the New World, very few examples of early Spanish colonial portraits have survived to the present day. This remarkable painting is a rare example of female portraiture, depicting a member of the highest echelons of society in Cuzco during the last quarter of the 17th century. Its most distinctive feature is the false beauty mark (called a chiqueador) that the sitter wears on her left temple. Chiqueadores served both a cosmetic and medicinal function. In addition to beautifying their wearers, these silk or velvet pouches often contained medicinal herbs thought to cure headaches.
This painting depicts an unidentified lady from the Creole elite in Cuzco. Her formal posture and black costume are both typical of the established conventions of period portraiture and in line with the severe fashion of the Spanish court under the reign of Charles II, which remained current until the 18th century. She is shown in three-quarter profile, her long braids tied with soft pink bows and decorated with quatrefoil flowers, likely made of silver. Her facial features are idealized and rendered with great subtly, particularly in the rosy cheeks.
While this portrait lacks the conventional coat of arms or cartouche that identifies the sitter, her high status is made clear by the wealth of jewels and luxury materials present in the painting. She is placed in an interior, set off against the red velvet curtain tied in the middle with a knot on her right, and the table covered with gold-trimmed red velvet cloth at the left. The sitter wears a four-tier pearl necklace with a knot in the center with matching three-tiered pearl bracelets and a cross-shaped earing with three increasingly large pearls. She also has several gold and silver rings on both hands—one holds a pair of silver gloves with red lining and the other is posed on a golden metal box, possibly a jewelry box. The materials of her costume are also of the highest quality, particularly the white lace trim of her wide neckline and circular cuffs.
The historical moment in which this painting was produced was particularly rich in commissions of this kind. Following his arrival in Cuzco from Spain in the early 1670’s, bishop Manuel de Mollinedo y Angulo actively promoted the emergence of a distinctive regional school of painting in the city. Additionally, with the increase of wealth and economic prosperity in the New World, portraits quickly became a way for the growing elite class to celebrate their place in society and to preserve their memory. Portraits like this one would have been prominently displayed in a family’s home, perhaps in a dynastic portrait gallery.
We are grateful to Professor Luis Eduardo Wuffarden for his assistance cataloguing this painting on the basis of high-resolution images. He has written that “the sober palette of the canvas, the quality of the pigments, the degree of aging, and the craquelure pattern on the painting layer confirm it to be an authentic and representative work of the Cuzco school of painting...
Category
17th Century Old Masters Justus Sustermans Art
Materials
Canvas, Oil
H 66.25 in W 43.75 in
Justus Sustermans art for sale on 1stDibs.
Find a wide variety of authentic Justus Sustermans art available for sale on 1stDibs. You can also browse by medium to find art by Justus Sustermans in canvas, fabric, oil paint and more. Not every interior allows for large Justus Sustermans art, so small editions measuring 23 inches across are available. Customers who are interested in this artist might also find the work of Giovan Battista Viola, Sir Peter Lely, and Suzi Fadel Nassif. Justus Sustermans art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $20,097 and tops out at $141,429, while the average work can sell for $80,763.