Skip to main content

Ker Xavier Roussel Art

to
3
12
1
1
1
7
6
12
1
Overall Height
to
Overall Width
to
11
12
8
8
3
2
1
13
2
1
9
13
6,886
3,210
2,514
1,217
10
2
1
1
1
Artist: Ker Xavier Roussel
Fete Champetre - Symbolist Figurative Oil Painting by Ker Xavier Roussel
By Ker Xavier Roussel
Located in Marlow, Buckinghamshire
Signed symbolist oil on panel circa 1910 by French Les Nabis painter Ker-Xavier Roussel. This beautiful painting depicts nudes and figures dressed in robes in a wooded landscape. Signature: Signed lower left Dimensions: Framed: 31"x40" Unframed: 23"x32" Provenance: JPL Fine Arts - London c. 1985 Ker-Xavier Roussel met Édouard Vuillard at the Lycée Condorcet, which they both attended. Together they visited Eugène Ulysse Napoléon Maillard's studio, where Roussel became acquainted with Charles Cottet, going on to study at the Académie Julian under Bouguereau and Jules Lefebvre. There, he became interested in the Synthetism promoted by Sérusier, following Sérusier's heeding of the line Gauguin had adopted in Pont-Aven. He joined the Nabis group. He and his friends form a link between the Impressionists - he knew Cézanne, Degas, Renoir and Monet - and the Fauves and Cubists. In his earliest paintings, Roussel adopted a dark palette for Realist still-lifes. Later, his work bore the influence of Gauguin, Sérusier, the Nabis and Cézanne, in Intimist scenes painted in flat tints not yet clearly delineated. Their dull, saturated tones are reminiscent of Cézanne. In about 1900 he started painting mythological scenes full of nymphs and fauns and set in his home region of Île-de-France. After a bicycle trip in Provence with Maurice Denis, during which he met Cézanne, he lightened his palette, much taken by the cloudless skies below which he would now set the mythological and idyllic compositions which link him to Poussin and Corot. This wondrous, unreal world found its way into large-scale works, including the stage curtain of the Champs-Élysées theatre in 1913, a large Pax Nutrix for the Palais des Nations in Geneva and Dance for the Palais de Chaillot in 1937. He is best remembered for: Silenius' Triumph, Polyphemus, Diana, The Abduction of the Daughters of Leucippus. The nymphs and fauns of a mythology quite his own appear in clearings and woods from the outskirts of Paris, but the sun they rejoice in is Mediterranean. To capture the vibration of bright colours under a permanent sun, he later turned to pastels. He was more a Symbolist than a Nabi and signed himself K.-X. Roussel. He also produced lithographs. He took part in exhibitions from 1891 with the Groupe des Vingt at le Barc de Bouteville's gallery in Brussels. Then he exhibited in Revue Blanche Painters ( Les Peintres de la revue blanche) in Paris; with the Nabis at Café Volponi in Paris; before World War I with Free Aesthetics in Brussels; from 1901 at the Salon des Indépendants and the Salon d'Automne; in the 1930s in Revue Blanche Painters ( Les Peintres de la Revue blanche) hosted in Paris by designer Bolette Natanson, the daughter of the Revue Blanche's owner. He took part in The Masters of Contemporary Art ( Les Maîtres de l'art contemporain) at the Musée du Petit Palais in Paris, and at the 1938 Venice Biennale and 1939 New York World Fair. He featured posthumously in Toulouse-Lautrec and the Nabis ( Toulouse-Lautrec et les Nabis) at Bern Kunsthalle; From the Revue Blanche ( Autour de la revue blanche) in the Galerie Maeght, Paris, and in Tokyo and Brussels. He had one-man shows in Paris before his death in 1944. Retrospectives were mounted in the 1960s in London and Bremen. Museum and Gallery Holdings: Geneva (Petit Palais): Haystacks on the Seaside Paris (BNF): Training the Dog; Landscapes (engraving); Nymph and Faun (c. 1895, etching) Paris (Louvre): Poject for a Screen (drawing) Paris (MNAM-CCI): The Road (c. 1905); The Cyclops (1908); Venus and Cupid on the Seafront (1908); The Abduction of Leucippus' Daughters (1911); Pastorale (1920); Diana at Rest (1923); Portrait of Vuillard (1934) Paris (Mus. d'Orsay): The Gate (pastel); Woman in Profile with Green Hat; In Bed; Félix Valloton...
Category

Early 20th Century Symbolist Ker Xavier Roussel Art

Materials

Oil, Panel

"The Bathers" original lithograph
By Ker Xavier Roussel
Located in Henderson, NV
Medium: original lithograph. Catalogue reference: Salomon 27. This lithograph was executed by K X Roussel in homage to Paul Cezanne, printed in 1914 and published in Paris by Bernhei...
Category

1910s Ker Xavier Roussel Art

Materials

Lithograph

Nude in Woods - Etching by Ker Xavier Roussel - 1920s
By Ker Xavier Roussel
Located in Roma, IT
Nude in Woods is an original etching print artwork on ivory-colored paper realized by Ker-Xavier Roussel in 1920 ca. Hand-Signed on the lower right margin. Very Good conditions. Ker-Xavier Roussel (Lorry-les-Metz,1867 – L'Étang-La-Ville, 1944), the French artist, together with his friend Édouard Vuillard , studied at the artist studio of the painter Diogène Maillart. In 1888, he attended the École des Beaux-Arts, and then he studied at the Académie Julian where Maurice Denis and other artists formed the group Les Nabis , shifting towards mythological compositions with clear and luminous palettes of color. As a matter of fact, he is well-known for his paintings of French landscapes, usually depicting nymphs and fauns, women, and children in bucolic settings. In Gertrude Stein's Autobiography o f Alice B...
Category

1920s Modern Ker Xavier Roussel Art

Materials

Etching

Nude in Woods - Etching by Ker Xavier Roussel - 1920s
By Ker Xavier Roussel
Located in Roma, IT
Nude in Woods is an original etching print artwork on ivory-colored paper realized by Ker-Xavier Roussel in 1920 ca. Hand-Signed on the lower right margin. Very Good conditions. Ker-Xavier Roussel (Lorry-les-Metz,1867 – L'Étang-La-Ville, 1944), the French artist, together with his friend Édouard Vuillard , studied at the artist studio of the painter Diogène Maillart. In 1888, he attended the École des Beaux-Arts, and then he studied at the Académie Julian where Maurice Denis and other artists formed the group Les Nabis , shifting towards mythological compositions with clear and luminous palettes of color. As a matter of fact, he is well-known for his paintings of French landscapes, usually depicting nymphs and fauns, women, and children in bucolic settings. In Gertrude Stein's Autobiography o f Alice B...
Category

1920s Modern Ker Xavier Roussel Art

Materials

Etching

Nude in Woods - Etching by Ker Xavier Roussel - 1920s
By Ker Xavier Roussel
Located in Roma, IT
Nude in Woods. is an original etching print artworkk on ivory-colored paper realized by Ker-Xavier Roussel in 1920 ca. Hand-Signed on the lower right margin. Very Good conditions. Ker-Xavier Roussel (Lorry-les-Metz,1867 – L'Étang-La-Ville, 1944), the French artist, together with his friend Édouard Vuillard , studied at the artist studio of the painter Diogène Maillart. In 1888, he attended the École des Beaux-Arts, and then he studied at the Académie Julian where Maurice Denis and other artists formed the group Les Nabis , shifting towards mythological compositions with clear and luminous palettes of color. As a matter of fact, he is well-known for his paintings of French landscapes, usually depicting nymphs and fauns, women, and children in bucolic settings. In Gertrude Stein's Autobiography o f Alice B...
Category

1920s Modern Ker Xavier Roussel Art

Materials

Etching

Nude in Woods - Etching by Ker Xavier Roussel - 1920s
By Ker Xavier Roussel
Located in Roma, IT
Nude in Woods is an original etching print artwork on ivory-colored paper realized by Ker-Xavier Roussel in 1920 ca. Hand-Signed on the lower right margin. Very Good conditions. ...
Category

1920s Modern Ker Xavier Roussel Art

Materials

Etching

Pastorales - Etching by Ker Xavier Roussel - 1920s
By Ker Xavier Roussel
Located in Roma, IT
Pastorales is an original etching print artwork on ivory-colored paper realized by Ker-Xavier Roussel in 1920 ca. Hand-Signed on the lower right margin. Very Good conditions. Ker-Xavier Roussel (Lorry-les-Metz,1867 – L'Étang-La-Ville, 1944), the French artist, together with his friend Édouard Vuillard , studied at the artist studio of the painter Diogène Maillart. In 1888, he attended the École des Beaux-Arts, and then he studied at the Académie Julian where Maurice Denis and other artists formed the group Les Nabis , shifting towards mythological compositions with clear and luminous palettes of color. As a matter of fact, he is well-known for his paintings of French landscapes, usually depicting nymphs and fauns, women, and children in bucolic settings. In Gertrude Stein's Autobiography o f Alice B...
Category

1920s Modern Ker Xavier Roussel Art

Materials

Etching

Nude in Woods - Etching by Ker Xavier Roussel - 1920s
By Ker Xavier Roussel
Located in Roma, IT
Nude in Woods is an original etching print artwork on ivory-colored paper realized by Ker-Xavier Roussel in 1920 ca. Hand-Signed on the lower right margin. Very Good conditions. ...
Category

1920s Modern Ker Xavier Roussel Art

Materials

Etching

Pastorales - Etching by Ker Xavier Roussel - 1920s
By Ker Xavier Roussel
Located in Roma, IT
Pastorales is an original etching print artwork on ivory-colored paper realized by Ker-Xavier Roussel in 1920 ca. Hand-Signed on the lower right margin. Very Good conditions. Ker-Xavier Roussel (Lorry-les-Metz,1867 – L'Étang-La-Ville, 1944), the French artist, together with his friend Édouard Vuillard , studied at the artist studio of the painter Diogène Maillart. In 1888, he attended the École des Beaux-Arts, and then he studied at the Académie Julian where Maurice Denis and other artists formed the group Les Nabis , shifting towards mythological compositions with clear and luminous palettes of color. As a matter of fact, he is well-known for his paintings of French landscapes, usually depicting nymphs and fauns, women, and children in bucolic settings. In Gertrude Stein's Autobiography o f Alice B...
Category

1920s Modern Ker Xavier Roussel Art

Materials

Etching

Nude in Woods - Etching by Ker Xavier Roussel - 1920s
By Ker Xavier Roussel
Located in Roma, IT
Nude in Woods. is an original etching print artworkk on ivory-colored paper realized by Ker-Xavier Roussel in 1920 ca. Hand-Signed on the lower right margin. Very Good conditions....
Category

1920s Modern Ker Xavier Roussel Art

Materials

Etching

Nymphe et Faunes - Etching by K.-X. Roussel - 1900 ca.
By Ker Xavier Roussel
Located in Roma, IT
Image dimensions: 11,7 x 15,3 cm. Hand signed in pencil. Note lower left "2em état". Artist's proof, II state. Original etching. Catalogue Salomon n. 116.
Category

Early 1900s Modern Ker Xavier Roussel Art

Materials

Etching

Nymphe et Faunes - Etching by K.-X. Roussel - 1900 ca.
By Ker Xavier Roussel
Located in Roma, IT
Image dimensions: 11,7 x 15,3 cm. Hand signed in pencil. Note lower left "3em état". Artist's proof, III state. Original etching. Ref: Catalogue Salomon n. 116.
Category

Early 1900s Modern Ker Xavier Roussel Art

Materials

Etching

Pastorales
By Ker Xavier Roussel
Located in Roma, IT
Fine lithograph on ivory colored China paper. Signature on plate on the lower right margin. Beautiful artwork representing a bucolic scene.Excellent conditions, including cardboard p...
Category

1920s Modern Ker Xavier Roussel Art

Materials

Lithograph

Related Items
Figurative Landscape painting -Este Castle
Located in Beijing, CN
Feng Shi, born in Shanghai in 1990, professional painter. In 2009, he studied in the painting department of the school of fine arts of Shanghai Normal University. After graduating from the University in 2013, in September of the same year, he entered the studio of Giovanni Chiapello in the painting department of l'accademia Di Belle arti...
Category

2010s Contemporary Ker Xavier Roussel Art

Materials

Wood Panel, Oil

Figure Composition
By Martin Shortis
Located in Storrs, CT
Figures Composition. 1984. Etching and drypoint. 6 1/2 x 5. Three states, two artist's proofs. Each printed on cream wove paper. Each titled, dated, and signed 'Shortis N[ew] Y[ork]'...
Category

Late 20th Century Modern Ker Xavier Roussel Art

Materials

Etching

Leonor Fini - Untitled - Original Handsigned Etching
By Leonor Fini
Located in Collonge Bellerive, Geneve, CH
Leonor Fini - Untitled - Original Handsigned Etching Circa 1982 On colored paper Handsigned and Numbered Edition: 275 Dimensions: 69 x 52.5 cm Leonor Fini is considered one of the most important women artists of the mid-twentieth century, along with Leonora Carrington, Frida Kahlo, Meret Oppenheim, Remedios Varo, and Dorothea Tanning – most of whom Fini knew well. Her career, which spanned some six decades, included painting, graphic design, book illustration, product design (the renowned torso-shaped perfume bottle for Schiaparelli’s Shocking), and set and costume design for theatre, ballet, opera, and film. In this compellingly readable, exhaustively researched account, author Peter Webb brings Fini’s provocative art and unconventional personal life, as well as the vibrant avant-garde world in which she revolved, vividly in life. Born in Buenos Aires in 1907 (August 30 – January 18, 1996, Paris) to Italian and Argentine parents, Leonor grew up in Trieste, Italy, raised by her strong-willed, independent mother, Malvina. She was a virtually self-taught artist, learing anatomy directly from studying cadavers in the local morgue and absorbing composition and technique from the Old Masters through books and visits to museums. Fini’s fledging attempts at painting in Trieste let her to Milan, where she participated in her first group exhibition in 1929, and then to Paris in 1931. Her vivacious personality and flamboyant attire instantly garnered her a spotlight in the Parisian art world and she soon developed close relationships with the leading surrealist writers and painters, including Paul Eluard, Salvador Dali, Man Ray, and Max Ernst, who became her lover for a time. The only surrealist she could not abide because of his misogyny was André Breton. Although she repeatedly exhibited with them, she never considered herself a surrealist. The American dealer Julien Levy, very much impressed by Fini’s painting and smitten by her eccentric charms, invited her to New York in 1936, where she took part in a joint gallery exhibition with Max Ernst and met many American surrealists, including Joseph Cornell and Pavel Tchelitchew. Her work was included in MoMA’s pivotal Fantastic Art, Dada and Surrealism exhibition, along with De Chirico, Dali, Ernst, and Yves Tanguy. In 1939 in Paris she curated an exhibition of surrealist furniture for her childhood friend Leo Castelli for the opening of his first gallery. Introductions to her exhibition catalogues were written by De Chirico, Ernst, and Jean Cocteau. A predominant theme of Fini’s art is the complex relationship between the sexes, primarily the interplay between the dominant female and the passive, androgynous male. In many of her most powerful works, the female takes the form of a sphinx, often with the face of the artist. Fini was also an accomplished portraitist; among her subjects were Stanislao Lepri...
Category

1980s Modern Ker Xavier Roussel Art

Materials

Etching

Vérité (Truth) /// French Modern Impressionist Art Lithograph Nude Figurative
By Henri Fantin-Latour
Located in Saint Augustine, FL
Artist: Henri Fantin-Latour (French, 1836-1904) Title: "Vérité (Truth)" Portfolio: Revue de l'Art Ancien & Moderne *Issued unsigned Year: 1900 (third state of three) Medium: Original Lithograph on chine appliqué on wove paper Limited edition: Unknown Printer: A. Clot, Paris, France Publisher: Revue de l'Art Ancien & Moderne, Paris, France Reference: Floury No. 156; Hediard-Mason No. 156; L No. 139 Sheet size: 11.5" x 8.5" Image size: 7.5" x 5.5" Condition: In excellent condition This review was founded in 1897 in the continuity of the review Les Beaux-Arts published between 1861 and 1865; Jules Comte, the founder, entitled his first issue Les Beaux-Arts - Revue nouvelle then changed the title to La Revue de l'art ancien et moderne. Jules Comte directed the review until his death in 1912. Raymond Woog took over , who was provisional director until the start of the war in July 1914. In 1919, André Dezarrois took over this review and was its director until December 1937, date of last issue (published in January 1938). In the meantime, it publishes the Bulletin of ancient and modern art, which has gained a certain notoriety in the community. Biography: Henri Fantin-Latour, in full Ignace-Henri-Jean-Théodore Fantin-Latour (born Jan. 14, 1836, Grenoble, France—died Aug. 25, 1904, Buré), French painter, printmaker, and illustrator noted for his still lifes with flowers and his portraits, especially group compositions, of contemporary French celebrities in the arts. Fantin-Latour’s first teacher was his father, a well-known portrait painter. Later, he studied at the school of Lecoq de Boisbaudran and attended the École des Beaux-Arts. He exhibited at the official French Salons, but in 1863 he also showed his work in the rebel Salon des Refusés. Although academic in manner, Fantin-Latour was independent in style. He had numerous friends among the leading French painters of his day, including J.-A.-D. Ingres, Eugène Delacroix, Camille Corot, Édouard Manet, and Gustave Courbet. His portrait groups, often arranged in rows of heads and figures like 17th-century Dutch guild...
Category

Early 1900s Impressionist Ker Xavier Roussel Art

Materials

Lithograph

Letter "Y" from the Alphabet Suite
By Erte - Romain de Tirtoff
Located in Saugatuck, MI
Erte hand signed and numbered limited edition lithograph and screen print. From the Alphabet Suite. Framed dimensions are 26" W x 31" T. Near Mint condi...
Category

1970s Art Deco Ker Xavier Roussel Art

Materials

Screen, Lithograph

André Derain - Ovid's Heroides - Original Etching
By André Derain
Located in Collonge Bellerive, Geneve, CH
André Derain - Ovid's Heroides Original Etching Edition of 134 Dimensions: 32 x 25 cm Ovide [Marcel Prevost], Héroïdes, Paris, Société des Cent-une, 1938...
Category

1930s Modern Ker Xavier Roussel Art

Materials

Etching

Kansas City There I was (Oo La La) Jim Dine phallic bright yellow poetry print
By Jim Dine
Located in New York, NY
This cheeky, bright yellow print is from the Oo La La portfolio of 15 lithographs printed offset from zinc plates, drawn by both artists. Produced in collaboration with Ron Padgett...
Category

1970s Pop Art Ker Xavier Roussel Art

Materials

Lithograph

"The Secret", Woman Looking in the Mirror Symbolist Oil Painting
By Françoise Duprat
Located in Clermont-Ferrand, Auvergne-Rhône-Alpes
This large artwork is an early work from the figurative, symbolist artistic period of Françoise Duprat. It depicts a blue-haired woman looking in a l...
Category

Late 20th Century Symbolist Ker Xavier Roussel Art

Materials

Canvas, Oil

Alexander Calder - Fete de L’Humanite - HAND SIGNED
By Alexander Calder
Located in Brooklyn, NY
Sku: MI1151-B Artist: Alexander Calder Title: Fete de L’Humanite Year: 1969 Signed: Yes Medium: Lithograph Paper Size: 32 x 22.5 inches ( 81.28 x 57.15 cm ) Image Size: 32 x 22.5 in...
Category

1960s Contemporary Ker Xavier Roussel Art

Materials

Lithograph

Four Figures and a Head, on Giant Phallus by Claes Oldenburg erotic nude scene
By Claes Oldenburg
Located in New York, NY
This sensuous and playful scene is characteristic of Oldenburg’s printmaking ouevre: a veritable heap of women displaying various expressions of joy and come-hither coquettishness. T...
Category

1970s Modern Ker Xavier Roussel Art

Materials

Etching

Friday
Located in Llanbrynmair, GB
’Friday’ By Jane Anderson Medium - Lithograph Edition - 26/70 Signed - Yes Size - 765mm x 550mm Date - 1987 Condition - Excellent. 10 out of 10. Colour of print may not be accurate when viewed on a monitor. Jane Anderson was born 1952 in Portsmouth, England and studied at Ealing School of Art and the Slade School of Art, London. She worked with the Treadwell Gallery from 1972 till 1990. It is interesting to note how her work developed from the heterosexually sexy drawings...
Category

1980s Other Art Style Ker Xavier Roussel Art

Materials

Lithograph

Friday
Friday
H 21.66 in W 30.12 in
Scotland Yard (Oo La La) Jim Dine pale pink erotic drawing of hairstyles
By Jim Dine
Located in New York, NY
This cheeky, pastel pink print depicts a range of intimate styles, a tongue-in-cheek recollection of the gridded haircuts displayed outside barber shops. It is from the Oo La La portfolio of 15 lithographs printed offset from zinc plates, drawn by both artists. Produced in collaboration with Ron Padgett...
Category

1970s Pop Art Ker Xavier Roussel Art

Materials

Lithograph

Previously Available Items
Nymphe et Faunes - Original Etching by Ker Xavier Roussel - 1910s
By Ker Xavier Roussel
Located in Roma, IT
Not signed. Original etching, Sanguine version.Artist's proof. I State. Ref. Catalogue Salomon n. 116. Signs of oxidation on the sheet.
Category

1910s Modern Ker Xavier Roussel Art

Materials

Etching

Bacchanale - 20th Century, Mythological Figures Dancing in Landscape by Roussel
By Ker Xavier Roussel
Located in Marlow, Buckinghamshire
A wonderful oil on canvas, circa 1930 by Ker Xavier Roussel depicting a Bacchanale dance. Signed lower right. Framed dimensions are 19.5 high by 24.5 wide. Ker-Xavier Roussel met Édouard Vuillard at the Lycée Condorcet, which they both attended. Together they visited Eugène Ulysse Napoléon Maillard's studio, where Roussel became acquainted with Charles Cottet, going on to study at the Académie Julian under Bouguereau and Jules Lefebvre. There, he became interested in the Synthetism promoted by Sérusier, following Sérusier's heeding of the line Gauguin had adopted in Pont-Aven. He joined the Nabis group. He and his friends form a link between the Impressionists - he knew Cézanne, Degas, Renoir and Monet - and the Fauves and Cubists. In his earliest paintings, Roussel adopted a dark palette for Realist still-lifes. Later, his work bore the influence of Gauguin, Sérusier, the Nabis and Cézanne, in Intimist scenes painted in flat tints not yet clearly delineated. Their dull, saturated tones are reminiscent of Cézanne. In about 1900 he started painting mythological scenes full of nymphs and fauns and set in his home region of Île-de-France. After a bicycle trip in Provence with Maurice Denis, during which he met Cézanne, he lightened his palette, much taken by the cloudless skies below which he would now set the mythological and idyllic compositions which link him to Poussin and Corot. This wondrous, unreal world found its way into large-scale works, including the stage curtain of the Champs-Élysées theatre in 1913, a large Pax Nutrix for the Palais des Nations in Geneva and Dance for the Palais de Chaillot in 1937. He is best remembered for: Silenius' Triumph, Polyphemus, Diana, The Abduction of the Daughters of Leucippus. The nymphs and fauns of a mythology quite his own appear in clearings and woods from the outskirts of Paris, but the sun they rejoice in is Mediterranean. To capture the vibration of bright colours under a permanent sun, he later turned to pastels. He was more a Symbolist than a Nabi and signed himself K.-X. Roussel. He also produced lithographs. He took part in exhibitions from 1891 with the Groupe des Vingt at le Barc de Bouteville's gallery in Brussels. Then he exhibited in Revue Blanche Painters ( Les Peintres de la revue blanche) in Paris; with the Nabis at Café Volponi in Paris; before World War I with Free Aesthetics in Brussels; from 1901 at the Salon des Indépendants and the Salon d'Automne; in the 1930s in Revue Blanche Painters ( Les Peintres de la Revue blanche) hosted in Paris by designer Bolette Natanson, the daughter of the Revue Blanche's owner. He took part in The Masters of Contemporary Art ( Les Maîtres de l'art contemporain) at the Musée du Petit Palais in Paris, and at the 1938 Venice Biennale and 1939 New York World Fair. He featured posthumously in Toulouse-Lautrec and the Nabis ( Toulouse-Lautrec et les Nabis) at Bern Kunsthalle; From the Revue Blanche ( Autour de la revue blanche) in the Galerie Maeght, Paris, and in Tokyo and Brussels. He had one-man shows in Paris before his death in 1944. Retrospectives were mounted in the 1960s in London and Bremen. Museum and Gallery Holdings: Geneva (Petit Palais): Haystacks on the Seaside Paris (BNF): Training the Dog; Landscapes (engraving); Nymph and Faun (c. 1895, etching) Paris (Louvre): Poject for a Screen (drawing) Paris (MNAM-CCI): The Road (c. 1905); The Cyclops (1908); Venus and Cupid on the Seafront (1908); The Abduction of Leucippus' Daughters (1911); Pastorale (1920); Diana at Rest (1923); Portrait of Vuillard (1934) Paris (Mus. d'Orsay): The Gate (pastel); Woman in Profile with Green Hat; In Bed; Félix Valloton...
Category

Mid-20th Century Symbolist Ker Xavier Roussel Art

Materials

Canvas, Oil

Neo-Classical Scene
By Ker Xavier Roussel
Located in Fairlawn, OH
Signed lower right Provenance: de Bayser SA, Paris
Category

1920s Ker Xavier Roussel Art

Materials

Pastel

Ker Xavier Roussel art for sale on 1stDibs.

Find a wide variety of authentic Ker Xavier Roussel art available for sale on 1stDibs. You can also browse by medium to find art by Ker Xavier Roussel in etching, lithograph, oil paint and more. Much of the original work by this artist or collective was created during the 20th century and is mostly associated with the modern style. Not every interior allows for large Ker Xavier Roussel art, so small editions measuring 8 inches across are available. Customers who are interested in this artist might also find the work of Hermine David, François Desnoyer, and Toyen Marie Cerminova. Ker Xavier Roussel art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $382 and tops out at $7,581, while the average work can sell for $485.

Artists Similar to Ker Xavier Roussel

Recently Viewed

View All