Kristin Cohen Paintings

Stormy Skies is an original landscape painting by Stephen Kinder. The painting has a strong gestural composition and loose brushwork, which heightens the changing light, and tide. A...

Artist: Catherine Warren Title: Untitled Year: 1978 Medium: Acrylic and Japanese Paper on Canvas Size: 54.5 x 72 in. (138.43 x 182.88 cm) An abstract expressionist painting on a l...

Saint Malo Sky is an Original Painting by Eleanor Woolley. Preliminary sketches we made in Saint Malo to inspire this colourful depiction of the Intra Muros. The setting sun reflect ...

Mark Acetelli's "The Muse" beckons viewers into a world of artistic contemplation through this mesmerizing original abstract figurative painting. Executed with a masterful command of...

"Paradiso" is a small winter sky abstract landscape painting mounted in a simple white floater frame. This painting is one of my signature "Littles", smaller paintings that pack a po...

"Rising Moon" is a serene contemporary impressionist seascape in blue and purple Kelly Carmody’s work has been widely exhibited and collected. One of her major figurative works was...

Californian Coastline Seascape Landscape Impasto Oil Painting by 20th Century Artist, Constance Lee Art measures 19 x 15 inches Frame measures 21 x 17 ...

Atmospheric Earthy Sunset Seascape Landscape Impasto Oil Painting by 20th Century Artist, Constance Lee Art measures 19 x 15 inches Frame measures 21 x...

Jim’s of Lambertville is proud to offer this artwork by: Vaclav Vytlacil (1892-1984) He was born to Czechoslovakian parents in 1892 in New York City. Living in Chicago as a youth, he took classes at the School of the Art Institute of Chicago, returning to New York when he was 20. From 1913 to 1916, he enjoyed a scholarship from the Art Students League, and worked with John C. Johansen (a portraitist whose expressive style resembled that of John Singer Sargent), and Anders Zorn. He accepted a teaching position at the Minneapolis School of Art in 1916, remaining there until 1921. This enabled him to travel to Europe to study Cézanne’s paintings and works of the Old Masters. He traveled to Paris, Prague, Dresden, Berlin, and Munich seeking the works of Titian, Cranach, Rembrandt, Veronese, and Holbein, which gave him new perspective. Vytlacil studied at the Royal Academy of Art in Munich, settling there in 1921. Fellow students were Ernest Thurn and Worth Ryder, who introduced him to famous abstractionist Hans Hofmann. He worked with Hofmann from about 1922 to 1926, as a student and teaching assistant. During the summer of 1928, after returning to the United States, Vytlacil gave lectures at the University of California, Berkeley, on modern European art. Soon thereafter, he became a member of the Art Students League faculty. After one year, he returned to Europe and successfully persuaded Hofmann to teach at the League as well. He spent about six years in Europe, studying the works of Matisse, Picasso, and Dufy. In 1935, he returned to New York and became a co-founder of the American Abstract Artists group in 1936. He later had teaching posts at Queens College in New York; the College of Arts and Crafts in Oakland, California; Black Mountain College in North Carolina; and the Art Students League. His paintings exhibit a clear inclination toward modernism. His still lives and interiors from the 1920s indicate an understanding of the art of Cézanne. In the 1930s, his works displayed two very different kinds of art at the same time. His cityscapes and landscapes combine Cubist-inspired spatial concerns with an expressionistic approach to line and color. Vytlacil also used old wood, metal, cork, and string in constructions, influenced by his friend and former student, Rupert Turnbull. He eventually ceased creating constructions as he considered them too limiting. The spatial challenges of painting were still his preference. During the 1940s and 1950s, his works indicated a sense of spontaneity not felt in his earlier work. He married Elizabeth Foster in Florence, Italy, in 1927 and they lived and worked in Positano, Italy for extended periods of time. Later on, they divided their time between homes in Sparkill, New York and Chilmark, Massachusetts, where Vyt, as he was affectionately called, taught at the Martha's Vineyard Art...

Late 20th century gouache landscape of "Les Baux de Provence" on paper by French artist Désiré Villain, signed bottom left and to the reverse and dated 199...

A landscape of a serene river viewed, imbued in tones of blue and green and using line and negative space to abstract the view. "I love the idea of suggesting a landscape to a viewer...

"Friday Night, Frith Street, Soho" by David Farren is a captivating original cityscape painting that immerses viewers in the vibrant energy of London's Soho district as the city come...