Leonard Pytlak Art

James Rosenquist (1933-2017) "Color of Mind and Muscle" Screenprint in colors on wove paper, 1996 31-1/2 x 25-3/4 inches (80 x 65.4 cm) (sheet) A.P. 7/10 edition of 30 Signed, numb...

This is a bright color screenprint on canvas laid on board by American artist Gene Davis (1920-1985). It is titled "Series 2", measures 30" x 24" and completed in 1969. It is beautif...

Untitled (orange) 1980 screenprint by Richard Hunt measuring 22 by 30 inches. This example is designated 41 from an edition of 80. The work is professionally matted.

’Concentration’ By Harvey Daniels Medium - Screen print Signed - Yes Edition - 16/30 Size - 890mm x 670mm Condition - 10 Colour of print may not be accurate when viewed on a monitor...

Untitled, from ‘The International Association of Art Portfolio’ By Max Bill Medium - Screen print Edition - 3/25 Signed - Yes Size - 640mm x 460mm Date...

Robert Motherwell, American (1915 - 1991) Lincoln Center's Mostly Mozart Festival, 25th Anniversary. Lithograph, Edition of 800, unsigned and unnumber...

Irish Fair Lithograph, 1923 Signed and numbered in pencil by the artist (see photo) Titled "Irish Fair" by the artist in pencil Edition: 84 Housed in an archival frame with acid free...

Wild Roses, 2010 Lithograph/etching/woodcut 28 3/8 × 38 3/8 in 72.1 × 97.5 cm This print combines etching, lithography, and woodcut to create a great variet...

Roses and Chrysanthemums, 2014 Color Lithograph 27 1/2 × 34 3/8 in 69.9 × 87.3 cm Edition 54 + 12AP A view from the artist's studio looking out on WaterMill, Long Island

This still life in front of the view from her studio window in Water Mill Long Island is a signature motif of Jane Freilicher's.

This work is from the series Formulation Articulation consisting of 127 original silkscreens, selected from forty years of Albers' study of the conceptual relationship between color ...

“Trees and Fields” lithograph commissioned for the Print Club of Cleveland by Peter Takal Peter Takal’s original lithograph “Trees and Fields” is an accomplished work of art created in 1957. This lithograph bears the stamp “The Print Club of Cleveland” on verso. This impression is signed by Takal in pencil. “Trees and Fields” is a fine example of the art created by the 20th century Romanian / German / American artist, Peter Takal. Peter Takal: Born in Romania in 1905, Peter Takal spent most of his youth in Berlin and was mainly self-taught. His first one-man exhibition took place in the Gurlitt Gallery, Berlin, in 1932. During the following seven years his art was frequently exhibited at galleries in Berlin, Munich, Paris and as well as Casablanca and Algiers. At the beginning of the Second World War (1939), Peter Takal came to the United States for an exhibition of his art at the Katherine Kuhe Gallery, Chicago. He decided to remain in the United States and became an American citizen in 1944. Living in New York, Peter Takal quickly established himself as a leading printmaker and a modern master of both lithography and drypoint engraving. One-man exhibitions of his art took place in New York City (1942), Chicago (1939 & 1941), Washington (1959) and Los Angeles (1966). International exhibitions of his art were held at the Galeria de Arte Mexicano, Mexico City (1959), the Palazzo Strozzi, Florence, Italy (1960) and at the Kestner-Museum in Germany (1962). Museums to date that include Peter Takal's original prints in their collections are, the Chicago Art Institute, the Library of Congress, Washington, the Los Angeles County Museum of Art, the United States State Department, UCLA, the Berlin National Museum and the Bibliotheque Nationale, Paris. Over the years, the Museum of Modern Art in New York and the Arkansas Arts Center have acquired a very extensive collection of Peter Takal's lithographs and drypoints. The artist died in 1995. The Print Club of Cleveland: The Print Club of Cleveland is a non-profit adjunct organization and the country's first museum-affiliated print club devoted to the promotion of art and printmaking as a fine art for printmakers and collectors alike. With its creation in 1919, it has helped to support the growth of the department of prints and drawings at the Cleveland Museum of Fine Arts and has also been a source of great enrichment for collectors of fine prints. During the organizations long history, the club has annually commissioned one original etching engraving, lithograph, woodcut and or other form of original graphic art from such fine American artists as John Taylor Arms, Suzanne Anker, Luigi Lucioni, Will Barnet, Mark Tobey, Lyonel Feininger, Henry George Keller, Louis Lozowick, Karl Schrag, David Jansheski, Deborah Remington, and Peter Takal, as well as from leading international artists such as Henri Matisse, Edmund Blampied, Jean-Emile Laboureur, Salvador Dali, Michael di Cerbo, Phyliss Sloane, Paolo Boni, Juvenal Sanso...