Lilian E. Whitteker Art

The Menthol Mood, 2009, Nancy Lamb, Oil on canvas, 48 x 85" Nancy Lamb (American, born 1956), sculptor and painter. Formally trained at Texas Christian Un...

Still life composition Structural Analysis : It's an Impressionist still life, composition with glass in the foreground_ behind, flower pot, a basket of vegetables, a bottle, a viol...

Erasmus Quellinus The Continence of Scipio Oil on Canvas The painting is included in the Catalogue Raisonné of the artist. The Roman commande...

Provenance: Robert L. and Bertina Suida Manning, New York, until 1996 Private Collection, USA One of the leading artists in Genoa during the second half of the seventeenth century, Domenico Piola came from a successful family of artists, renowned for their many illusionistic ceiling programs throughout Genoese churches and palaces. A prolific draughtsman and painter, Domenico oversaw an extremely productive studio. In addition to his collaborations with numerous other artists, Domenico also provided many designs for book illustrations and prints that circulated throughout Europe, earning him international exposure and high acclaim in his own day. As Dr. Anna Orlando has indicated (written communication), the present work is an early work by Piola, datable from the late 1640s. At this time the young artist came strongly under the influence of Castiglione and Valerio Castello, while admiring the works of Giulio Cesare Procaccini. Piola’s works from this period are exuberant and fluid, and the artist’s love of portraying children is evident from the angels and putti that populate both his altarpieces and more intimate paintings. The present work depicts three angels...

Red Rumps -Horses Racing an original painting by Garth Bayley. Oil on Canvas There they go into the distance, a convivial bunch. Affordable art. Horses Capturing the Heart of Moments...

Mikael Olson's (US based) "Hollow Tree" is an original, handmade oil painting that depicts a close up view of a mature tree trunk casting shade onto the gr...

Provenance: Charles H. and Virginia Baldwin, Claremont, Colorado Springs, Colorado ca. 1907-1934; thence by descent until sold in 1949 to: Charles Blevins Davis, Claremont (renamed Trianon), Colorado Springs 1949 -until gifted in 1952 to: The Poor Sisters of Saint Francis, Trianon, Colorado Springs, 1952 until acquired, 1960, by: John W. Metzger, Trianon, renamed as the Trianon School of Fine Arts, Colorado Springs, 1960-1967; when transferred to: The Metzger Family Foundation, Trianon Art Museum, Denver, 1967 - 2004; thence by descent in the Metzger Family until 2015 Exhibited: Trianon Art Museum, Denver (until 2004) The present work is a spectacular jewel-like canvas by Amigoni, rich in delicate pastel colors, most likely a modello for an altarpiece either lost or never painted. In it the Madonna stands firmly upon a cloud in the heavens, her Child resting on a delicate veil further supported by a cloud, as he gently wraps his arm around his mother’s neck. From above angels prepare to lower flowers and a wreath, while other angels and seraphim surrounding the two joyfully cavort. Dr. Annalisa Scarpa, author of the forthcoming monograph on Jacopo Amigoni...

Modern impressionist still life with vegetables signed Michelle. Charming composition depicting eggplant, celery, peppers, tomatoes and more. Original period frame.

Portrait of Johann Theodor of Bavaria (1703-1763) by Joseph Vivien Johann Theodor of Bavaria (* September 3, 1703 in Munich; † January 27, 1763 in Lièg...

Original painting on canvas. Hand signed on front; titled and dated on verso by the artist. Painting is stretched. Artwork is in excellent condition. Certificate of Authenticity i...

The two works are for sale together. Together they are more meaningful. The two figures are side by side, looking at each other. Each work is 92X73 cm. If it is desired to be exhibited together, the frame of one is slightly larger than the other. However, the canvas dimensions are exactly the same size. If desired, the frame can be changed. The work is oil on canvas. The artist does not use white paint on white areas. That is the nature of the artist. More information is right below. Ömer Kaleşi...

Study for a Man, perhaps Italian School , Follower of Caracci. Old Master Painting. In a Golden Frame, 52 x 46 cm.