Lizbeth Mitty Art

Rafael Duran Benet (1931-2015) - Still life - Oil Oil on canvas glued to board. Measures work 46x55 cm. Frameless. Rafael Duran Benet (Terrassa, 1931 - Barcelona, 2015) is a Catalan...

Framed 21.2 X 25.5 Unframed 17 X 21 Signed and dated 1920. Nina Karasek (Joële) born 1883 Kuttenberg, Czech Lands, Austro-Hungarian Empire, died in 1952 (I have also seen the date recorded as 1933) Vienna, Austria. Nina Karasek was an Austrian Impressionist & Modern artist who was born in 1883. Her work was featured in exhibitions at the Es Baluard, Museum of Modern & Contemporary Art and the Bildraum Bodensee. Little is known of Nina Karasek's life. She was born in 1883 in Kuttenberg (Kutná Hora) in Bohemia, studied art at the Kunstschule für Frauen und Mädchen (Art School for Women and Girls) in Vienna, Austria, under Adalbert Seligmann and Tina Blau. She studied at the Frauenakademie in Vienna and Munich. In the 1920's she worked first as a landscape painter and an illustrator, later turning toward symbolism, painting mystical subjects after her interest in spiritualism. Her conventional works were shown at various exhibitions. At the age of 44, while she was copying a work by Rembrandt in an Italian museum, she fell into an altered state of consciousness. Rembrandt appeared to her, took possession of her arm, and immediately her hand started to draw something quite different from what she had intended. From then on, for the rest of her life Nina Karasek was in “supernatural” contact with a series of great masters like Rembrandt, Albrecht Dürer, Goya, Raphael, Leonardo da Vinci, Gustav Klimt and others. Under their guidance and inspiration, she drew and painted works "in the style" of the masters. But very soon her works became stylistically more and more unrestricted and Symbolist, showing an enormous range of creative expression, ranging from symbolic and allegorical motifs to bewildering images with a fantastic arsenal of figures and private characters, signs, and symbols, and to frantic, gestural sketches and abstract compositions. From then on, she often signed her works with her esoteric “primordial name” Joële. (Nina Karasik-Joel) Almost everything we know about her life was from what she noted on the reverse of her drawings: sometimes diary-like notes of her horrible living conditions during World War II, but often strangely impenetrable explanations of the depicted motifs – often as fascinating and mysterious as the drawings themselves. In her works and notes, an exciting private cosmology and mythology unfolds, a drama of hidden powers and principles that flow through macrocosm as well as microcosm. Shortly after their discovery, Nina Karasek's Spiritualist, mediumistic works have found their way into galleries and major international collections. SELECT EXHIBITIONS 2019 The Medium’s Medium: Spiritualist Art Practices From the Turn of the Century and Beyond. The Gallery of Everything, London, (she showed with Madge Gill...

This impressionist still life by French painter Léon Garraud depicts a table set with a plate of peaches and a vase of pink peonies and delicate white flowers. The warm palette of or...

This mid-20th-century oil painting by British artist Harry Keay (1914-1994) depicts a still life with a book, bonnet, teacup and sewing paraphernalia. It was shown at the Royal Socie...

Early 20th Century oil on canvas still life of oranges, hops and flowers signed E Pritchard and dated 1904 bottom left, presented in period gilt ...

Giovanni Müller (Swiss, * 25.4.1890 Krinau, † 11.1.1970 Zürich) Still Life of Fruit in a Bowl • C. 1930 • Oil on canvas, ca. 39 x 51 cm • Frame, ca. ...

Surreal hyper realistic trompe l'oeil oil painting by Latin American artist Victor Del Castillo. Peaches, grapes and cherries in rich brilliant colors and incredible detail. Measures...

Large early 20th century French oil on canvas of tulips displayed in a confit jar. Signed Jean Julien to the bottom left and presented in a period frame. A rather charming and romantic impression of a tulip display. The colour palette is soft and gentle, light and airy and the artist has managed to impart to the whole painting a chalky texture which gives the impression of soft focus. The tulips are delicately painted but with great precision and attention to detail. The artist has thought carefully about both the scale and the shape of the image. The elongated rectangle is a perfect fit for the long ranging tulip stems. A thoroughly charming painting. Jean Pierre Louis Joseph Julien was a French painter born in Marseille on the 12th of May 1888. Julien was a member of the Salon des Artistes Français, friend of Marcel Pagnol, Fernandel, Raimu and Tino Rossi. Guy Dornand called him “the ambassador of Provence in Paris”. Between the wars, he stayed in Italy, travelled to North Africa and designed posters for tourism, murals and theatre sets, while remaining faithful to his hometown. He was a member of the 'Association des Marseillais de Paris.' along with his colleague Auguste Durand-Rosé. In 1933 Emmanuel Pontremoli, director of the École nationale supérieure des beaux-arts proposed a design project for a school in Rue Saint-Martin, Paris. Several artists were given the chance to compete for this opportunity. Jean Julien impressed and was given the task. Julien taught at the School of Fine Arts in Paris and was also a drawing teacher at the Polytechnic School. Jean Julien died in Sanary-sur-Mer on the 5th of September 1974.

Hiroshi Sato's (US based) "Red and Table 7" is an original, handmade oil painting that depicts a quiet mid century interior where a sleek wooden desk sits with seven varying white va...

Oil on canvas by Roger Charles Halbique (1900-1977), France, 1950s. Still Life With Roses. With frame: 85x98 cm - without frame: 60x73cm. 20F format. Signed lower left "R. Halbique"....

Elegant still life with calla lilies and amaryllis by an unknown artist. Completed in a classical style, two calla lilies and two amaryllis flowers sit in a vase with Chinese designs...

Pierre Coquet - Still life with bottles and an old iron Reference number F287 This is a oil on canvas and wear the stamp of the signature in the bottom right. The painting is not fra...