Louis Valtat Art

JParames is considered one of the most talented and promising Portuguese artists of his generation. Born in Lisbon in 1978, he studied at the National Society of Fine Arts in Lisbon....

This beautiful Italian 18th Century old masters oil painting on oval canvas with giltwood frame is attributed to Solimena and features a religious scene. In this splendid oval-shaped painting are depicted Saint Dominic...

Abstract Watercolor N.8 by Dmitry Samygin Minimalist and geometric paintings. Technique: Watercolor Color: Teal blue Size: H. 35.5 x 27.5 x 0.1 cm Dmitry Samygin is a Furniture a...

This rare to come across woodcut from 1965 is from an edition of 250, individual number 202. In original frame. It was formerly in the collection of The Greenwich Library, Greenwich,...

This delightful turn of the century (early 20th century) oil on canvas painting represents an Italian landscape with one of the most famous squares in the world: Piazza San Marco in ...

Artist: Karl Schmidt-Rottluff (German, 1884-1976) Title: "Christuskopf (Christ Head)" Portfolio: Das Spiel Christa vom Schmerz der Schönheit des Weibes (The Play Christa from the Pain of the Beauty of the Woman) *Issued unsigned Year: 1918 Medium: Original Woodcut Engraving on wove paper Limited edition: Unknown Printer: Fritz Voigt, Berlin, Germany Publisher: Verlag Die Aktion, Berlin, Germany Reference: Schapire No. 227, page 46; Jentsch No. 35. Rifkind No. 2563; Lang No. 300; Reed No. 118 Overall size with attached page: 8.5" x 10.63" Sheet size: 8.5" x 5.38" Image size: 3.63" x 3.38" Condition: Toning to sheet (as normal). One tiny pinhole top margin. In very good condition Very rare Notes: Provenance: private collection - Oxnard, CA. Comes from a complete originally bound 48 page folio with 9 original woodcut engravings by Schmidt-Rottluff. Text by Alfred Brust. Presently attached to its accompanying page which is actually the title page. The cover page in pictures is not included, only for reference/provenance. There is an example of this work in the permanent collection of the Brücke Museum, Berlin, Germany. Biography: Karl Schmidt-Rottluff (born December 1, 1884, Rottluff, near Chemnitz, Germany—died...

Work on paper Brown wooden frame with glass pane 92 x 73 x 5 cm

Hermann Kätelhön (German, * 22. September 1884, Hofgeismar; † 24. November 1940, München) Coal Miners • Woodcut, sheet measures ca. 55 x 40 cm • The sheet is mounted (fixed at the...

A luxuriant forest is the romantic and lyrical landscape where the dance of the nude nymphs takes place in this joyful 19th Century antique oil on canvas painting featuring a mythological scene. Dance of the Nymphs and Naiads is a myth inspired by the tales of ancient Greece and ancient Rome, a subject already much loved in the Renaissance period as an allegory of rebirth - as in one of the most famous paintings in the world the Spring by Sandro Botticelli- then reproduced throughout the neoclassicism by academic painters -due to the renewed interest in classical artworks following the discovery of archaeological sites- and taken up later, with ecological purposes and meanings, also by the Barbizon school and Impressionist artists. The present artwork – signed Vagner low left and datable to the second half of the 19th century - is closely inspired by an important work by the great Camille Corot, which is now housed at the Musée d'Orsay (Paris). This historical oil on canvas painting, featuring a joyful scene with the three graces and other dancing nymphs...

This romantic French 19th century allegoric oil painting on square canvas has a sky blue background, a fluffy cloud fills the central part of the painting where a woman is lying down playing the lyre, while a graceful cherub seems to twirl over her. This oil on canvas painting represents the allegory of music - with a woman dressed in classical clothes and a putto- a very popular theme during all the neoclassical age, with its lively scene inspired by the Rococo period. The composition creates a awesome trompe-l'œil effect thanks to the color palette scheme. Well painted white and gray shadings (chiaro scuro) that stands out from the light blue background in typical grisaille style. This painting originally was an over door frieze...

Kees Van Dongen- L’Espagnole Lithograph in color, 1927 Published by ‘Editions Les Quatre Chemins’, Paris. Edition: 120 Signed in the stone. Numbered 27/120 in pencil Paper size: 52.0...

Paris: 1861 Etching, drypoint, and engraving on cream laid paper, 6 x 4 1/4 inches (152 x 108 mm), full margins. Dog-eared left corner, extending 3-inches into the sheet, but well ou...