Luigi Ademollo Art

For this painting the artist found inspiration from the religious poem on the ‘Sarvesh’ incarnation of Lord Mahadev. This work illustrates the beauty of that poetic description.

The artwork measures 18" x 24", and the frame 25" x 29.5" x 1.75". Upon request a video clip of this work may be provided. About this artist: Julio De Diego crafted a formidable per...

Detailed and vibrant depiction of a kachina dancer by Cliff Bahnimptewa (Native American, 1937-1984). Signed and dated in the lower right corner. Pres...

PIOTR FĄFROWICZ (born in 1958). He studied art history at the Catholic University of Lublin. He deals with painting and graphic design. Winner of numerous awards for illustrations, i...

A rare & important Italian Renaissance tempera on parchment painting, Giuseppe Cesari Il Cavalier d'Arpino (Giuseppe Cesari, 1568-1640), the painting c...

The Circus is an original drawing in tempera realized by Irene Paulz. Hand-signed on the lower right margin. In very good conditions. This artwork is a ...

The present illuminated folio page contains a fine miniature depicting three figures hunting while on horseback, an image meant to accompany a historic epic. During the medieval period, hunting was an important pastime of male nobility throughout the Islamic world. The Quran itself explicitly endorses hunting and the use of animals to aid in capturing prey: "Lawful to you are foodstuffs that are good to eat and any game that, at your wish, is captured by beasts of prey which train as you do dogs, according to the method that Allah has taught you, after you have spoken the name of Allah over it." (Q 6:4) Muslim princes and nobles enjoyed the chase of the prey via horseback, using bow and arrow, crossbows, and blowpipes to capture their prey Horseback riding itself trained young men in the necessary skills for armed combat and warfare, developing their speed and strength. 12 x 8.25 inches, artwork 19.75 x 15.88 inches, frame accompanied on the back with an image of the verso framed to conservation standards with a 100% rag silk-lined mat in a gold gilded frame A Persian miniature is a small Persian painting on paper, whether a book illustration or a separate work of art intended to be kept in an album of such works called a muraqqa. The techniques are broadly comparable to the Western and Byzantine traditions of miniatures in illuminated manuscripts. Although there is an equally well-established Persian tradition of wall-painting, the survival rate and state of preservation of miniatures is better, and miniatures are much the best-known form of Persian painting in the West, and many of the most important examples are in Western, or Turkish, museums. Miniature painting became a significant genre in Persian art in the 13th century, receiving Chinese influence after the Mongol conquests, and the highest point in the tradition was reached in the 15th and 16th centuries. The tradition continued, under some Western influence, after this, and has many modern exponents. The Persian miniature was the dominant influence on other Islamic miniature traditions, principally the Ottoman miniature...

Interior of a Dacha is an original painting in tempera on paper realized by Leonid and Rimma Brailowsky. Hand-signed on the lower right. The state of preservation of the artwork i...

Medium: Tempera and Gouache on Paper Dimensions: 10.50" x 14.00" Signature: Signed Lower Right

Irene Rice Pereira Composition with Figure, 1951 Inscribed, signed and dated Salford/Pereira 2/51 (lr); inscribed I Rice Pereira/2669 Great Clowes St/Sa...

Wonderful vibrant modernist abstract figurative of a dancing man comprised of inventive shapes, colors, and forms by Michael William Eggleston (American, 20th c.). From a collection ...

Modern Venus Part of "Nude in Interior" series. Original work on colored paper, with blue ultramarine tempera, inspired by Matisse. Size 2is 7.5x19.5in / 70x50cm . Shipped rolled in...