Mara Tran-Long Art

Some People Together, 1974 Hand-signed and dated in pencil Color lithograph and screenprint Sheet 22 x 29 3/4 inches; 559 x 756 mm. Edition 110

This print is part of my private collection. They were published in a numbered unsigned edition of 1000, and a signed edition of 200, printed by Serifraphie Fernand Leger, Paris and ...

This print is part of my private collection. They were published in a numbered unsigned edition of 1000, and a signed edition of 200, printed by Serifraphie Fernand Leger, Paris and ...

E.H. Raskin Oceanic Flowers, 1926 Original lithograph and stencil Printed signature in the plate On paper, 37,5 x 27,5 cm (c. 14,7 x 10,8 inch) INFORMATION : This lithograph is par...

E.H. Raskin Oceanic Batik, 1926 Original lithograph and stencil Printed signature in the plate On paper, 37,5 x 27,5 cm (c. 14,7 x 10,8 inch) INFORMATION : This lithograph is part ...

Some People Together, 1974 Hand-signed and dated in pencil Color lithograph and screenprint Sheet 22 x 29 3/4 inches; 559 x 756 mm. Edition 110

Karel Appel. Title: See me running again by Appel Series. Technology: Lithograph. Published by Atelier Dumas of New York, U.S.A. Paper size format: 76 x 56 cm. Year: 1978. Framed...

This print was made for the American Abstract Artists Portfolio, 1937. All the images were lithographs made on zinc plates. Usually they were signed in the image -- on the plate, as ...

Richard Serra (American, B. 1938) Stop B S (G. 2024), 2004. From the portfolio 'Artists Coming Together' Lithograph on wove paper Signed in pencil and numbered 127/250 (there were al...

This large Allen Jones lithograph is printed exuberantly in primary colors. A swath of bright red brushstrokes represents the side of a bus. In the upper left, small windows reveal the passengers: a woman’s face is cut off above her vampy red lips, and a blue-haired man’s face is hidden. Royal blue fills the upper right corner of the composition, giving the impression of looking up at a passing bus against the cloudless sky. One can imagine Jones was thinking of the iconic red double decker bus the AEC Routemaster, first introduced in London in 1954. In the 1960s buses were a living symbol of familiar and new technology coexisting: as David Bucken put it, “In and around London a midpoint change on a journey might involve alighting from an RT bus, of which production had started just prior to World War II, and getting on one of the sexy new Routemasters.” In the artist’s words: “The whole problem as a figurative artist was that it was going against the main march of modernism, which was towards abstraction. But here was a way of making the subject you were painting the same as the object you were painting on. By making the canvas a rhomboid, and putting little wheels on it, you have a schematic version of a vehicle, in this case a London bus.” Jones plays with the space between abstraction and figuration: windowed passengers, elaborated with just a few lines and placed adjacent to a weighty red ground of brushstrokes, easily convey the form of a bus, yet the print also conveys Jones’ visceral, painterly delight in color play. Four color lithograph on wove paper Paper 28.5 x 42.5 / 72.4 X 108 cm Wood frame 31 x 46 x 2 in. / 78.75 x 117 x 5 cm with 1 in. moulding Signed by the artist lower right in pencil, labeled Trial Proof lower left in pencil. Edition 20. Printed at Tamarind Los Angeles with Clifford Smith...

Theo Tobiasse (1927-2012) "Woman" Original Color Lithograph Signed / Numbered c.1960s Titled "Woman" Dimensions 27" x 20.5". The frame measures 36.5" x 30.25". Signed and numbered...

Little is known about the artist, Edward (Ed) Sacks, although this print may have been made at the Art Students League in NYC. it is a cross between, as the title suggests, a Seated ...