Maria Stelmaszczyk Art

This artwork formed part of Elisia Nghidishange's 2022 solo exhibition 'Ehafo' which translates to 'Joy'. Elisia Nghidishange (b. 1981) was born in Eenhana in northern Namibia. Thi...

Color woodcut, Edition 30. Lotus is a twenty-six color woodcut from seven woodblocks printed in an edition of 30, plus proofs, on white Thai Mulberry paper. In this print, a compe...

Color woodcut, Edition 30. In all of Morinoue's work there is a compelling sense of place--the ocean shoreline, lava flows and Japanese gardens. He is a patient observer of nature...

Ai Weiwei Cats (Red), 2022 Screen print on Saunders Waterford 300gsm paper Hand signed, dated, and numbered 87/150 by Ai Weiwei on the front 13 1/2 × 17 inches Unframed This print was originally published by Kettle's Yard - before it rapidly sold out. It is accompanied by the Certificate of Authenticity issued by the publisher to the original owner. The print was editioned by master printer, Kip Gresham at The Print Studio, Cambridge for Kettle's Yard. It was made using an original drawing ‘cut’ into an acrylic sheet. The image is then reversed when printed. Description from the publisher: "Drawing has been fundamental to Ai Weiwei’s artistic practice from an early age. He also has a longstanding love of cats, and they appear frequently in the artist’s social media posts. Many cats used to roam his studio in Beijing. As part of the Kettle’s Yard exhibition, Ai’s ‘Cats wallpaper’ (2015) will be displayed in the Castle Street window. This artwork was originally exhibited as ‘Studio Cats’ in the exhibition Andy Warhol / Ai Weiwei at the National Gallery of Victoria in Melbourne, reflecting both artists’ mutual love of cats. For Kettle’s Yard, the drawing of Maple and Birch has been inserted among the other cats depicted on the wallpaper." Quote from Ai Weiwei: "I like cats very much because of their independent character, alertness and understanding of human beings; I have feelings approximating to reverence for them. Cats have been regarded as psychic animals since ancient times, no matter in China or ancient Greece. What’s even more interesting is that if a selfie of mine would be seen by 100 people, a cat photo...

Nelson Dominguez (Cuban, 1947) 'La mujer del café', 2012 Woodcut 124.5 x 84.5 cm. (49 x 33.3 in.) Edition of 10 Unframed

David Shrigley (English, b. 1968) Eyes, 2016 Medium: Woodcut on paper Dimensions: 70 x 50 cm Edition of 20: Hand-signed and numbered Condition: Mint

Sol LeWitt (American, 1928-2007) Isometric Figures (Plate II), 2002 Medium: Linocut in colors on Somerset Satin Dimensions: 50 × 75 cm (19½ × 29½ in) Edition of 55: Hand-signed and n...

Hunt Slonem Anaconda II, 1980 Silkscreen on Arches paper Hand signed, numbered and dated on the front and titled on the back. 29 3/4 × 21 3/4 inches Unframed With tropical animals, worldly sculptures, and vibrant textiles, Hunt Slonem’s early still lifes are filled with treasures that reflect his childhood spent traveling to faraway places. As the son of a Navy officer, Slonem moved every two or three years during his youth, living everywhere from Hawaii to Washington State to Nicaragua. “I would say my whole life could be summed up by the word exotica,” the artist has said. Slonem’s still lifes contain allusions of his various homes, including pineapples, Native American headdresses...

Woodcut woodblock (small possibility it is a Silkscreen Serigraph) print hand signed, numbered. Michail Grobman (Russian: Михаил Гробман, Hebrew: מיכאיל גרובמן‎‎, born 1939) is an a...

Associated with the Minimalist art movement of the 1960s, Mangold developed a reductive vocabulary based on geometric forms, monochromatic color, and an emphasis on the flatness of t...

Linocut on 300gsm Somerset paper. Paper size: 44 x 57 cm Edition of 100 Hand-signed and numbered by the artist

The first crop to ripen is usually the barley. Hares can be seen running through it as it gives good cover for them. You need a keen eye to see these fast creatures, but a glance at ...