Megan Elizabeth Read Art

Algerian women in an interior. Oil on panel. Signed. This work will be recorded in the catalogue raisonné of the work of the artist currently in preparation. Jules Van Biesbroeck...

Work : Original Oil Painting, Handmade Artwork, Unique Work. Ready to Hang. Medium : Oil on coated wood. Artist : Raphaël Renaud Subject : Coin de AS (Title), (EN : Corner of AS). T...

Provenance: Palazzo Pisani at San Stefano, Venice Mrs. F. Craighead (possibly Mrs. Fay Stinson Craighead, Evansville, Indiana) Sale, Sotheby Parke Bernet, New York, 7 June 1978, lot 310, as Bonifazio Veronese Daniel M. Friedenberg, New York, until 2011; and by descent to: Russell Friedenberg, until 2014 Literature: Giuseppe Pavanello, Gli Inventari di Pietro Edwards nella Biblioteca del Seminario Patriarcale di Venezia, Venice 2006, pp. 132, 140, as no. 10 in Pietro Edwards’ inventory of the Palazzo Pisani: “Giuseppe che fugge dalla moglie di Pitifarre” by Bonifacio Veronese. Philip Cottrell and Peter Humfrey, Bonifacio de’ Pitati, (forthcoming), cat. no. 166h. Antonio Palma is the least well-known member of the illustrious Palma family of Venetian painters of the 16th century. He was the nephew of Jacopo Palma—Palma il Vecchio—and upon his uncle’s death in 1528, he began to work with Palma Vecchio’s principal student and the inheritor of the elder artist’s studio, Bonifazio de’ Pitati (Bonifazio Veronese). Antonio worked with Bonifazio as his principal assistant and right-hand man until Bonifazio’s death in 1553, after which he continued his independent career. He married a niece of his master, and their second son, Jacopo, born in 1648, would achieve fame as Palma il Giovane...

The Lute Player, the Flute Player and Singers making Music • 18thC Oil on iron sheet, ca. 32 x 26.5 cm • Later Frame, ca. 40 x 34 cm Here we have a...

Work : Original Oil Painting, Handmade Artwork, Unique Work. Ready to Hang. Medium : Oil on coated wood. Artist : Raphaël Renaud Subject : Coin bas de VH (Title), (EN : Low Corner o...

An original late 20th Century realist interior scene by Italian artist Andrea Vizzini. This important work was exhibited at The Anderson Gallery an...

"Neglected Stone" serves as a poignant metaphor for the potential found within damaged individuals who emerge from underprivileged backgrounds to shine as stars in society. The young man in the artwork embodies the spirit of those who have faced adversity, yet refused to be defined by it. Just as a neglected stone can become the cornerstone of a grand structure, so too can those who have experienced hardship rise above their circumstances to become pillars of strength and inspiration. The brown hat worn by the young man symbolizes the trials and struggles he has encountered throughout his life. It represents the weight of his past, the challenges that threatened to overshadow his potential. However, the hat also serves as a testament to his resilience—the ability to bear the weight of his history while moving forward with determination. Against the backdrop of a vibrant blue, the artwork accentuates the stark contrast between the young man's journey and the potential that lies ahead. Blue, often associated with serenity and tranquility, represents a world of possibilities and a bright future. The blue background serves as a reminder that even amidst difficulties, hope and opportunity can emerge, paving the way for greatness to shine forth. Adewale's artwork eloquently conveys the message that great beauty and strength can emerge from the depths of misfortune. Just as a diamond is formed under immense pressure, so too can individuals forged in the crucible of hardship display a brilliance that defies all odds. The young man in "Neglected Stone" epitomizes the triumph of the human spirit, illustrating that a resilient heart can overcome even the most adverse circumstances. Moreover, the artwork serves as a poignant admonition to society not to write off anyone passing through hard times as totally useless. It is a call for compassion, understanding, and the acknowledgment that every individual has the potential for greatness, regardless of their past or current circumstances. By showcasing the young man's fortitude and determination, Adewale invites viewers to reflect on their own preconceptions and biases, urging them to see beyond the surface and recognize the inherent worth and potential in every human being. In conclusion, "Neglected Stone" by Busari Adewale...

"Filter" by Megan Gibbons, oil on canvas, 48 x 36 inches, $3750. - My work focuses on the meaningfulness in ordinary moments. The beauty of common, tran...

"The Brass Ring" by Bob Byerley is a realistic original oil painting measuring 24x12 in. The artist’s photographic memory of his boyhood adventures combin...

The Goldfish Bowl by Richard Miller (1875-1943) Oil on canvas 37 ½ x 29 ¾ inches unframed (95.25 x 75.565 cm) 46 ⅝ x 36 ¼ inches framed (118.428 x 97.155...

A Tavern Interior - 18th Century Old Master, Figurative Oil Painting by Schaak Little is known about the artist J.S.C. Schaak. He was active in England as a portraitist between 1760-1770. His name indicates his German or Dutch origin. Especially portraits of generals...

Egisto Sarri "Pompeian scene" Oil on canvas, measure: cm 30 x 48 with a filly carved gilt - wood frame cm 46 x 64 Signature in the lower left-hand corner: "E. Sarri Egisto Sarri (Figline val d'Arno 1837 - Florence 1901) Sarri studied at the Academy of Fine Arts in Florence under Giuseppe Bezzuoli and Enrico Pollastrini, and was one of Antonio Ciseri...