Michael Williams Photography

a series of images capturing the epic scale of the iconic landscapes of the American West Desert Daze by Frank Schott 48 x 64 inches / 122cm x 162cm signed edition of 7 30 x ...

Vanilla Sky by Frank Schott a series of images capturing the epique infinety of White Sands 27 x 40 inches / 66cm x 102cm edition of 25 signed 48 x ...

Aspen Study II by Frank Schott a series of images capturing the yellow golden Indian summer foliage palette of aspen trees in California's Sierra Nevada ...

Vanilla Sky by Frank Schott a series of images capturing the epique infinety of White Sands 48 x 72 inches / 122cm x 183cm edition of 7 signed 27 x...

Mitchell Funk is a pioneer of more than 10 different styles of Color Photography generations ahead of his time. In the pre-digital world of the 1970s, 80's and 90's Funk had more th...

A baseball field becomes a color field like painting with wide horizontal bands of day-glo green, earthy ocher and cool grey. Signed and dated on lower...

Landscape I, 2015 by Jill Peters Aerial photography Archival pigment print on heavyweight cotton rag paper Image size: 48 in. H x 68 in. W Edition of 2 Print Unframed All sizes signed, titled, dated, and numbered on artist label verso All Prices are quoted as "initial price". Please note that prices and availability may change due to current sales. _____________________________ Jill Peters finds her inspiration in the quickly changing architectural landmarks of her youth, like the demolished Miami Herald building, an abandoned roller coaster or a neglected go-cart track. Shooting mostly from air, which allows her to find a new level of intrinsic beauty to otherwise overlooked structures, Peters has gone on to capture and document man’s wider imprint on nature. Whether it’s the graphic symmetry of urban architecture or the abstract choreography of the forms and hues of nature itself. Within this body of work, one can marvel at the worn wreckage of the past or the fragile resources of the present. Born in Miami and trained in NYC. Peters worked with prestigious photographers such as Patrick Demarchelier and shot editorials for Harper’s Bazaar, LIFE, Interview, Details, George, Vanity Fair and many more publications. Upon returning to live in Miami Beach in 2012, Peters happened to revisit the Miami Marine Stadium, a landmark she had frequented as a child, Long abandoned. Jill Peters finds her inspiration in the quickly changing architectural landmarks of her youth, like the demolished Miami Herald building, an abandoned roller coaster or a neglected go-cart track. Shooting mostly from air, which allows her to find a new level of intrinsic beauty to otherwise overlooked structures, Peters has gone on to capture and document man’s wider imprint on nature. Whether it’s the graphic symmetry of urban architecture or the abstract choreography of the forms and hues of nature itself. Within this body of work, one can marvel at the worn wreckage of the past or the fragile resources of the present. Jill was recognized in Photo Lucida’s Critical Mass Top 50...

Signed, dated, numbered lower right, recto 3/15, unframed, other sizes available, Printed on Hahnemühle Fine Art paper Mitchell Funk is a "Color Photographer Pioneer". He was colo...

Marine Stadium by Jill Peters Overall size: 48 in. H x 68 in. W 2015 Edition of 2 Archival Pigment Print Print Unframed All sizes signed, titled, dated, and numbered on artist label...

Large horizontal areas of aquamarine blue at juxtaposed with magenta and yellow create a dynamic and lively pictorial surface for a San Francisco facade signed and dated on lower r...

Beach 2, 2015 by Jill Peters Archival Pigment Print 40" x 60" Edition 1/10 Print Unframed All sizes signed, titled, dated, and numbered on artist label verso. Additional sizes are a...

Please be aware that all prints are produced to order and lead times are between 15-20 days. This is a 30x30cm Digital Print on 50x50cm Cotton Paper in an Edition of 9 plus 2 Artis...