Miguel Zapata Art

"Sad Woman/Distant Man" illustrates Holly Roberts' shift from over-painting photographs to constructing photo-based images on top of abstract paintings. By combining the precision of photography with the expression of painting, Roberts marries objectivity with subjectivity, thus paralleling the dichotomy of human experience. Like much of Roberts' contemporary work, "Sad Woman/Distant Man" is a psychoanalytic interpretation of human experience, particularly unrequited love—A woman stares longingly at a disinterested man. The couple is composed of photographs of appendages both modern and medieval in execution, alluding to the immutability of unrequited love as a motif in art and literature. The work's underlying abstract painting figuratively functions as the uninterpretable gulf between the two lovers...

The "White Inferno" series features crafted mixed media artworks, blending diverse mediums to create intense visual compositions. Incorporating collage p...

Nelson Mandela, Hand of Africa, Signed Limited Edition Lithograph Many people are unaware that Nelson Mandela turned his hand to art in his 80's as a way of leaving a legacy for his ...

This rare to come across woodcut from 1965 is from an edition of 250, individual number 202. In original frame. It was formerly in the collection of The Greenwich Library, Greenwich,...

Raoul Dufy- Le grande Baigneuse (The large Bather) Lithograph, 1928 Signed in pencil and numbered 28/40 in pencil Paper size: 67.3 × 51.4 cm Frame size: 96.0 x 78.0 cm This work being the largest color lithograph Raoul Dufy made Framed in a beautiful handmade frame with museum glas. Provenance: From the collection of Jonathan Shaw (a renowned counter-culture opinion maker, author and artist) who inherited the work from his parents; actress Dorothy Dowling and Artie Shaw.

Set of 3 etchings and aquatints in colours by Marino Marini "Triade", 1976-1978 73,7 x 57,5 cm Copy 4/90 Edition of 125 Marino Marini (Pistoia 1901–1980 Viareggio 1980) - Hardly an...

In this painting, Stajan-Ferkul's blends delicate detail with an expressive composition. Full of movement and open to interpretation, it features a textile application, adding a love...

Elegant pair of etchings by Marie Laurencin (French 1883-1956) from the "Poemes de Sapho" published in 1950 ref. 273. Each beautifully mounted in fram...

Kees van Dongen- La Fille au Collier Offset lithograph in colour, 1938 Frontspice for the program for Un grand Soir de Paris- Le Bal des Bijoux, au champs- Elysees, june 24, 1938 Pap...

This is a highly collectible woodcut print by Jacques Hnizdovsky. Plate number 64, as per book by Abe M. Tahir, Jr. It is in very good condition. Edition of 100 and individual numbe...

Kees Van Dongen- L'Espagnole Lithograph in color, 1927 The print is from a portfolio called “Femmes,” published by 'Editions Les Quatre Chemins', Paris, 1927. Edition: 120 & a few un...

Kees van Dongen- Marcelle Leoni Lithograph, on Arches paper (with watermark), 1959. Edition: 200 Signed in ballpoint, numbered 92/200 in pencil (verso) Printed by Mourlot, Paris Pape...