Pete Kasprzak Photography

A Little Blue is a floral landscape painting combining intricate floral detail with intuitive abstract brush work. Delicate collage flowers hand cut from textile and paper, add dimen...

Clay pigment, gesso, needlepoint, and oil on canvas Andrée B. Carter was born and raised in New Orleans. She has lived in Seattle and Los Angeles, and now resides in Palm Desert. An...

Textural work by collaborative artists Asya Dodina and Slava Polishchuk created with Japanese paper and acrylic paint on canvas.

This painting of "Polperro"was created from three separate photograph's of the inner harbour taken by myself in March 2020. This gives the appearance of a panoramic view of Polperro,Cornwall. David Truman artist offers original paintings and limited edition prints exclusively with Wychwood Art. David Truman is based in Lincolnshire and David comments " I became a full time artist in 2009, following a career path of many of the disciplines of Graphic Design working for Advertising Agencies and Art studio’s. I specialise in bringing my subjects to life using watercolour and acrylic mix paintings and also graphite drawings. As far as I can remember, I have always shown an interest in Art, and Art works, and encouraged at an early age by an Uncle, who was an excellent Equine Artist, it seemed a high possibility that I too would become an artist. I attended Lincoln College...

Liquid Landscape 628-060708 by Kimber Berry is a mixed media painting on canvas. It is 36x60. This is a vibrant layered, dimensional contemporary painting. It is filled with a watery feel and perfect for beach house decor...

Textural work by collaborative artists Asya Dodina and Slava Polishchuk created with Japanese paper and acrylic paint on canvas. Image of snowy, cold and moody building has monochro...

"A Perkiomen October" Hand-Colored Photograph Brightly oil paints colored black and white photograph of a pond by Wallace Nutting (American, 1861 - 1941). The viewer looks out across a glass pond, reflecting the scenery above. The pond is surrounded by trees that have been tinted in various shades of yellow, red, and green. Beyond the trees, puffy white clouds hang in a soft blue sky. Signed in the lower right, below the photograph, on the backing mat: Wallace Nutting Titled in the lower left, below the photograph, on the backing mat: A Perkiomen October Tag on verso from the artist. Presented in a wood frame with a tan backing mat. Frame size: 18.5"H x 22.5"W Image size: 10.5"H x 13"W Wallace Nutting (American, 1861-1941) was an American minister, photographer, artist, and antiquarian, who is most famous for his landscape photos of New England. He also was an accomplished author, lecturer, furniture maker, antiques expert and collector. His atmospheric photographs helped spur the Colonial Revival style. Nutting graduated from high school in Augusta, Maine. He studied at Phillips Exeter Academy, Harvard University, Hartford Theological Seminary and Union Theological Seminary. He graduated from Harvard with the class of 1887. Nutting earned a Doctor of Divinity degree from Whitman College in 1893. He received an honorary doctor of Humanities from Washington & Jefferson College in 1938. Nutting began his career as a Congregational minister in several towns including Minneapolis, Seattle, and Providence and Fryeburg, Maine, but he was forced to retire at age 43 because of poor health. He suffered from neurasthenia, and turned to bicycling as a means of relaxation and improving his health. It was on these bicycle rides in the countryside that Nutting started taking photographs. In 1904 he opened the Wallace Nutting Art Prints Studio on East 23rd Street in New York. After a year he moved his business to a farm in Southbury, Connecticut. He called this place "Nuttinghame". In 1912 he moved the photography studio to Framingham, Massachusetts, in a home he called "Nuttingholme". That year he published a catalog of prints that was 97 pages and included about 900 images. By 1915, Nutting claimed to be earning $1,000 per day. Nutting's photographs ranged in subject and price to suit a variety of tastes. His catalog included pastoral scenes such as views of abbeys, cathedrals, bridges, mountains, flowers, and winding roads. One of his most common themes was "Colonials", which were photos of women...

Finely detailed hand tinted color landscape photograph of Stanford Memorial Church produced by Bear Photo Service (American, 1930s). Photographer is unknown. Numbered 904 bottom right. Displayed in a rustic gilt-toned wood frame with antique glass. Image size: 7"H x 11"W. Stanford Memorial Church is located on the Main Quad at the center of the Stanford University...

A rhythm exists here on the farm, beginning with the sunrise and the sounds of nature awakening. My art is a reaction to this sense of place. Whether I’m in the studio, tending to th...

Against a serene backdrop of gentle white and grayish tones, the central figure takes center stage—a radiant burst of orange hues that breathe life into the canvas. This vibrant figu...

Photograph printed in Fuji Crytal Archive paper, size is 20"x30" in 24"x36" white archival mat and frame. Edition 1 of 5, signed by artist. A number of elements came together in this photo, taken during a backpacking trip into the Ansel Adams Wilderness in the Eastern Sierra, California. Just as alpine peaks glow pink long before the sun crests the horizon, so too they blush when the Moon is about to make an appearance. With sufficiently dark skies, the moonlit glow of mountains stands in contrast with the Milky Way rising above the landscape, ephemeral light that is gone far too soon. This is an aluminum Metalprint, printed by infusing dyes directly into a specially coated aluminum sheet.  Vahé Peroomian...

This depicts civil rights icon MLK, the Statue of Liberty, Iwo Jima, an assemblage of mixed media photographic images and painted collaged elements. A powerful, moving work, an ode to the black civil rights movement. John M. Mitchell is originally from North Carolina, and as an art student at North Carolina Central University, he was involved with the Civil Rights movement including participating and getting arrested at a sit-in protest in Durham in 1963. After graduating, he was one of the first art teachers to take a position at the newly integrated schools in his home state. Mitchell continued his education in the 1990s and earned an MFA in painting from the Savannah College of Art and Design in 1993. He later served as a professor there from 1998-2006. Of his inspiration to create, Mitchell says: "A lot of my work is based on my experiences during the Civil Rights movement," he says. "I see art making as a 'record' of experiences. My bittersweet past, growing up in the segregated South, inspires the content, focus and narrative of my work." Savannah-based artist John Mitchell believes that a home is more than a simple edifice. Rather, he argues that the sociological, psychological, architectural, and historical associations embedded in the structure “tell us about our culture, our lives. It tells us about where we come from.” Mitchell's signature shotgun house constructions, crafted from found materials and scraps of newspaper headlines, reference his childhood in North Carolina, where such modest architectural structures were once commonplace. In "ALA 1963," he uses the shotgun shape to create a heartfelt memorial to a group of African-American girls killed in a racially motivated church bombing in Alabama nearly 50 years ago. He also incorporates the shotgun symbol in "Victims," a powerful reflection upon crime in Savannah in the early 1990s, which reveals how little has changed over the past two decades. Mitchell's mixed media constructions operate, in many ways, like memory itself. Scraps, fragments and pieces loosely cohere around a central idea, making symbolic and metaphorical connections. In these richly narrative and boldly stream-of-conscious assemblages, the whole truly is greater than the sum of its parts. Mitchell's jazz collages - carefully crafted from scraps of newspaper, sheet music, magazines and tissue paper - celebrate key players in Savannah's jazz scene, from sultry female vocalists to wiry male saxophone players. A tribute to the late jazz bassist Ben Tucker, a true Savannah legend, is especially moving, incorporating a pencil sketch of the standing bass player as well as newspaper clippings of other Savannah jazz musicians. Mitchell grew up in a shotgun house in North Carolina, a style of vernacular architecture that is particularly prevalent in the South. Mitchell fills his sculptural homes with objects of metaphorical and symbolic, iconic, importance. In Home Sweet Home he includes the American flag, a photograph of Martin Luther King Jr. and Malcolm X, and a china plate depicting The Last Supper, among other items that convey a personal and historical narrative. He notes that making art acts “as a ‘record’ of experiences. My bittersweet past, growing up in the segregated South, inspires the content, focus, and narrative of my work.” While this contains elements reminiscent of folk art and outsider art this is a quite sophisticated tour de force. He was included in the show Complex Uncertainties, Telfair Museum: Modern and contemporary art comprise painting, prints, drawing, photograph, sculpture, and works in new media, representing American artistic achievement from 1945 to the present day. The exhibition includes works by artists such as Bruce Davidson, Elaine de Kooning, Carrie Mae Weems, Sam Gilliam, Ethel Schwabacher, Radcliffe Bailey...