Peter Schlosser Art

"Sad Woman/Distant Man" illustrates Holly Roberts' shift from over-painting photographs to constructing photo-based images on top of abstract paintings. By combining the precision of photography with the expression of painting, Roberts marries objectivity with subjectivity, thus paralleling the dichotomy of human experience. Like much of Roberts' contemporary work, "Sad Woman/Distant Man" is a psychoanalytic interpretation of human experience, particularly unrequited love—A woman stares longingly at a disinterested man. The couple is composed of photographs of appendages both modern and medieval in execution, alluding to the immutability of unrequited love as a motif in art and literature. The work's underlying abstract painting figuratively functions as the uninterpretable gulf between the two lovers...

The "White Inferno" series features crafted mixed media artworks, blending diverse mediums to create intense visual compositions. Incorporating collage p...

From the artist's ongoing series of dress paintings, this impressionistic style painting features an interplay of paint, textile and movement on the canvas. Stajan-Ferkul explores th...

Paper paint graphite charcoal on panel referencing Creation of Adam by Michelangelo in Sistine Chapel Whether the subject matter is figuration or natu...

“Infanta” 207x125cm, mixed media on plexi material. Please ask me about the shipping costs. Because the work of art can be rolled for shipping and that makes the shipping significant...

Peter Peereboom (1952) graduated from the Royal Academy of Arts in The Hague. He has various solo shows on his name including Centre Pompidou Paris in ...

The "White Inferno" series features crafted mixed media artworks, blending diverse mediums to create intense visual compositions. Incorporating collage p...

“Diablo” 207x125cm, mixed media on plexi material. Katarzyna Swinarska is a contemporary visual artist working with painting and video which often follows the convention of video pe...

'Love Garden Party (Picnic #3)' is an original mixed-medium work of art composed of high quality acrylic paint, opaque, metallic and neon inks, and hand-cut collage, on 35.875"h x 23.875"w on cold press paper stock. The painting is framed (41.5"h x 29.5”w.) with conservation quality, high UV-filtering museum glazing. Signed by the artist. Part of Skip Hill's 'Love Garden Party' series, this work depicts two women gathered around a festive table filled with food and drink. Skip Hill was born in 1961 in Padre Island, Texas but grew up primarily in Oklahoma City. After attending Oklahoma City University to study Advertising and Marketing, he worked as a graphic designer before relocating in 1987 to Southern California. A two-week trip to Thailand in 1989 turned into a year traveling throughout Southeast Asia while writing for a business magazine based in Bangkok. In 1990 Skip Hill relocated to the Netherlands, immersing himself in the culture and learning the Dutch language. His frequent visits the Van Gogh Museum, the Stedelijk Museum and The Rijksmuseum in Amsterdam as well as the Boijman Van Beuningen Museum in Rotterdam, sparked Hill’s interest in creating art inspired by aesthetic concerns over the strictly commercial art he produced during his advertising career. It was during this time abroad that he traveled through Germany, Czechoslovakia and Morocco. After returning to Oklahoma in 1993, Skip Hill studied formally at The University of Oklahoma with conceptual artist Hachivi Edgar Heap of Birds, and influential abstract painter George Bogart...

'Love Garden Party (Picnic #1)' is an original mixed-medium work of art composed of high quality acrylic paint, opaque, metallic and neon inks, hand-cut collage, sealed with satin varnish on 36"h x 23.875"w on cold press paper stock. The painting is framed (41.5"h x 29.5”w) with conservation quality, high UV-filtering museum glazing. Signed by the artist. Part of Skip Hill's 'Love Garden Party' series, this work depicts four women gathered around a festive table filled with food and drink with a myriad of disparate objects including masks, Asian porcelain, and flowers. Skip Hill was born in 1961 in Padre Island, Texas but grew up primarily in Oklahoma City. After attending Oklahoma City University to study Advertising and Marketing, he worked as a graphic designer before relocating in 1987 to Southern California. A two-week trip to Thailand in 1989 turned into a year traveling throughout Southeast Asia while writing for a business magazine based in Bangkok. In 1990 Skip Hill relocated to the Netherlands, immersing himself in the culture and learning the Dutch language. His frequent visits the Van Gogh Museum, the Stedelijk Museum and The Rijksmuseum in Amsterdam as well as the Boijman Van Beuningen Museum in Rotterdam, sparked Hill’s interest in creating art inspired by aesthetic concerns over the strictly commercial art he produced during his advertising career. It was during this time abroad that he traveled through Germany, Czechoslovakia and Morocco. After returning to Oklahoma in 1993, Skip Hill studied formally at The University of Oklahoma with conceptual artist Hachivi Edgar Heap of Birds, and influential abstract painter George Bogart...

The "White Inferno" series features crafted mixed media artworks, blending diverse mediums to create intense visual compositions. Incorporating collage p...

The "White Inferno" series features crafted mixed media artworks, blending diverse mediums to create intense visual compositions. Incorporating collage p...