Suhas Roy Animal Paintings

Fiocchetto is an artwork realized by Elica Balla (Rome,1914 - 1993) Hand signed lower right. Hand signed and titled o rear. Good conditions!

A modern Chinese watercolor painting depicting birds soaring under a red sun.

At the heart of "Last Shot" is a young woman, the central character of this evocative piece. She is fully absorbed in the game of snooker, her posture and facial expression revealing intense concentration and determination. The artist has deliberately obscured all the colored snooker balls, leaving only the white ball visible. This compositional choice draws the viewer's attention to the player's anticipation of her "last shot." The backdrop of "Last Shot" is a dimly lit snooker hall, creating an atmosphere of suspense and intrigue. The faint glow of overhead lights accentuates the drama of the moment, casting shadows that add depth and complexity to the scene. The absence of details surrounding the white ball and the player's narrowed focus on it contributes to the overall feeling of precision and concentration. "Last Shot" is a visual metaphor for life's critical moments—those decisive occasions when everything hinges on a single move. By obscuring the colored balls and leaving only the white ball visible, the artwork symbolizes the importance of making the right choices, even when faced with uncertainty and obscurity. The young woman's unwavering focus on her last shot encourages viewers to consider their own pivotal moments in life. It prompts reflection on the significance of each action and the consequences that follow, reminding us that sometimes, a single move can determine the course of our journey. "Last Shot" by Akinboye Akinola Peter...

Artist: Felix Angel – Colombian/American (1949- ) Title: Untitled - Equestrian Year: 1985 Medium: acrylic on canvas Size: 44 x 56 inches Signature: Signed...

Cat and Mouse by Orovida Pissarro (1893-1968) Oil on canvas 61 x 51 cm (24 x 20 ⅛ inches) Signed and dated lower centre Orovida 1948, altered by the artist in 1966 Provenance Royal ...

Elephant in the Room II - smoke on paper, framed on a contemporary box frame - all archival materials. Artwork size: 32x32 inches Frame size: 36x3...

Acrylic painting on canvas Shipped roll in a tube.

The English Countryside by Anthony Woodward, British contemporary oil painting on canvas: 40 x 50 inches framed: 47 x 57 inches condition: very good provenance: private collection, UK

*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE Migration (The Horses) by Orovida Pissarro (1893-1968) Egg tempera on linen laid on board 76 x 101 cm (29 ⅞ x 39 ...

*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE Tiger Surprises Black Buck by Orovida Pissarro (1893-1968) Oil on canvas 127 x 101.5 cm (50 x 40 inches) Signed and dated lower left Orovida 1960 Provenance The Leicester Galleries, London, circa 1965 Literature K L Erickson, Orovida Pissarro: Painter and Print-Maker with A Catalogue Raisonné of Paintings, (doctoral thesis), Oxford, 1992, Appendices, no. 195 (illustrated) Exhibition London, Royal Society of British Artists, 3rd-25th November 1960, no. 82 (possibly; titled Tiger Entangled) London, Royal Academy, 1961, no. 534 Colchester, The Minories, 3rd- 24th March 1962 London, The Leicester Galleries, 1965, no. 37 Artist biography Orovida Camille Pissarro, Lucien and Esther Pissarro’s only child, was the first woman in the Pissarro family as well as the first of her generation to become an artist. Born in Epping, England in 1893, she lived and worked predominantly in London where she became a prominent member of several British arts clubs and societies. She first learned to paint in the Impressionist style of her father, but after a brief period of formal study with Walter Sickert in 1913 she renounced formal art schooling. Throughout her career, Orovida always remained outside of any mainstream British art movements. Much to Lucien's disappointment she soon turned away from naturalistic painting and developed her own unusual style combining elements of Japanese, Chinese, Persian and Indian art. Her rejection of Impressionism, which for the Pissarro family had become a way of life, together with the simultaneous decision to drop her famous last name and simply use Orovida as a ‘nom de peintre’, reflected a deep desire for independence and distance from the weight of the family legacy. Orovida's most distinctive and notable works were produced from the period of 1919 to 1939 using her own homemade egg tempera applied in thin, delicate washes to silk, linen or paper and sometimes embellished with brocade borders. These elegant and richly decorative works generally depict Eastern, Asian and African subjects, such as Mongolian horse...

Antique American modernist painting of a circus by Dennis Meighan Burlingame (1901 - 1964). Oil on canvas, circa 1935. Signed on verso. Displayed in a period modern frame. Image...

Harvey Gregory Prusheck (Slovenian/American, 1887-1940) Bison Oil on board Signed lower right 9.5 x 11.5 inches 16.5 x 18 inches, framed Harvey Gregory Prusheck was a Slovenian-Amer...