Teresa Olabuenaga Art

A rare edition work from “The Generals” series, dated back to the early Seventies. Mixed media with passamentrie and collage on brocade with originals medals and pins limited edition...

Garden with Secrets, 2015 Mixed media (Signed on reverse) 25 H × 32 3/10 W × 7 9/10 D in 63.5 H × 82 W × 20 D cm Unique The small installations designed by Raluca Arnăutu remind us ...

Wonderful mid century, signed (illegibly) and dated. I believe it is German or Austrian but not certain. It is an assemblage of textures and materials collaged together, done in bright jewel tones. Avant Garde painting...

LOOK FOR FREE SHIPPING AT CHECKOUT. The Virgin and Child - La Virgen y Nino was recently painted by the Cuban artist Brian Sanchez in 2023. It is oil and mi...

LOOK FOR FREE SHIPPING AT CHECKOUT. The Virgin & The Mechanical Creed - La Virgen y el Credo Mecanico was recently painted by the Cuban artist Brian Sanchez in 2023. It is oil and mixed media on linen . The Virgin & The Mechanical Creed - La Virgen y el Credo Mecanico by Brian Sanchez shows the hyperrealism of modern Cuban art that is now available to the world art market. The Virgin & The Mechanical Creed - La Virgen y el Credo Mecanico is one of many of the hyperrealism paintings by the artist. Other available paintings by the artist Brian Sanchez are in the image section. Brian Sanchez recently showed at the Art Fair in Dallas, Texas. The painting is gallery wrapped . The mechanical need of being human or to have a faith or a sacred creed in which to trust is the theme of this painting. Artist Statement: In a way, when I start a painting, it's like starting a journey. A journey that explores my past, philosophy and the human subconscious. My creations in my view are very symbolic. There are many elements in it that have latent meanings, whether collective or personal. They also have a strong philosophical and psychological charge, mainly delving into the subconscious and the dark part that we possess and repress, contrasting it with the pleasant or tender part that we want to simulate. The origin of things has a great meaning in me. This is how my inspiration arises in the world of childhood - as the origin of man - abstract symbols that simulate cells - origin of life -, the wheel - origin of civilization. I also use circles to symbolize cycles of time and life. Passage of time, nostalgia, pain, loneliness, human darkness, disturbing and perhaps bitter elements, I contrast them like enigmas in environments of apparent calm. Innocent figures with heartbreaking and enigmatic worlds. I exploit all the techniques, even sometimes I use unconventional materials until I reach the desired point of maximum expression. Influenced mainly by Klimt, Flemish medieval masters, Chagal, Pedro Pablo Oliva, Joan Miro...

John Baker’s “The Lonely Crowd” is a multi-colored acrylic painting on canvas with collage 40 x 60 inches. Blues, yellows and greens predominate while reds provide color accents. The...

This is my adaptation of Gustav Klimt’s "Judith and the Head of Holofernes.” Klimt’s painting depicts the biblical character of Judit...

A 16” x 12” x 1" Surrealism Figurative Artwork by artist Evgeniya Golik. This piece is a Mixed-media Inkjet Print on Canvas. A certificate of authenticity will accompany the piece up...

The centerpiece of "Woman of Valor" is undoubtedly the woman's majestic afro hairstyle. In this artwork, the afro becomes a symbol of pride, cultural identity, and natural beauty. Historically associated with the Black community, the afro has been a powerful emblem of resistance, self-expression, and defiance against societal standards of beauty. By prominently featuring the afro, Edwin highlights the strength and resilience of women who embrace their heritage and challenge conventional norms. The woman's stern gaze in "Woman of Valor" captures the viewer's attention and evokes a sense of determination and self-assuredness. The intensity of her gaze serves as a reminder that strength does not always manifest through loud or overt actions. It can also be found in the quiet confidence and unwavering resolve of an individual who knows her worth and stands firm in her beliefs. Edwin skillfully portrays this inner strength, encouraging viewers to recognize and celebrate their own uniqueness. One of the most remarkable aspects of "Woman of Valor" is its celebration of individuality and authenticity. The woman depicted in the artwork stands as a testament to the power of embracing one's true self, regardless of societal expectations or pressures. By representing her with pride, Edwin inspires viewers to embrace their own identities and celebrate their personal journeys. The artwork encourages individuals to recognize the inherent strength and beauty that comes from being true to themselves. Edwin's attention to detail and mastery of his craft infuses "Woman of Valor" with emotional depth and resonance. The artist's use of color, light, and shadow adds depth and dimension to the woman's features, capturing her inner world and inviting viewers to connect with her on an emotional level. The artwork becomes a mirror that reflects the strength and determination within each viewer, inspiring them to embrace their own unique paths and stand tall in the face of adversity. Crixtover Edwin...

John Baker’s “Eating and Drinking I” is an acrylic painting on canvas with collage 24 x 30 inches in reds, greens and yellows against a neutral background. What at first glance appea...

This 32.75" x 61.75" acrylic on canvas painting by Romanian artist, Tunde Darvay, features a wood frame of the artists' making. The horizontal mystical landscape is brightly painted with predominant colors of reds, blues, and greens. Surrealistic figures and animals emerge from the landscape and float out into space through the painted frame. "It is a special piece because instead of painting on wood, as I usually do, here I am reaching back to a somewhat more traditional way of painting on canvas. It is a statement of aesthetic credo depicting an artist who having finished one of her paintings is going through a symbolic rebirth. She is going through a ritual purification by divesting herself of her old self and taking responsibility for her views, principles, and emotions as she is boldly facing a society that is very different from her. " - Tunde Darvay "Influenced by the unique rural landscapes of Transylvania, the place where I was born and have spent most of my life, my paintings emphasize the shadow-line between the organic and the inorganic. My aesthetic worldview is profoundly mythical: it depicts a world in which color breathes life into inanimate things in order to conjure up playful, suggestive associations along a broad spectrum of themes and forms. Houses have smiling or grinning doors, cheerful, winking, or teary windows, depending on their moody personalities. Chimneys protrude as if they were limbs. Trees hold hands and dance together, witnessed by the curious glance of birds, cats, and fish from behind the bushes...

John Baker’s “A Family of Means” is an acrylic painting on canvas with collage 38 x 50 inches in blues, reds, and pinks. Depicted in their commodious library, the wealthy family exudes a sense of arrogant privilege and shameless materialism. The matriarch displays her rings to the spectator as though their monetary value was proof of her worth as a person, while her son, in his prep school blazer...